The Ultimate Rock Ballads Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD: Burning Heart (disc 1)
2▶CD: Burning Heart (disc 2)
3▼CD: These Dreams
Nr.TitelKünstlerBewertungLänge
1What’s Love Got to Do With It
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith und Billy Livsey
Perkussion:
Simon Morton
Schlagzeug:
Graham Jarvis (UK session drummer)
Hintergrundgesang:
Terry Britten und Tessa Niles
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 160) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 309)
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (von 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
recording of:
What’s Love Got to Do With It (Kygo version)
Verfasser(in):
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) und Graham Lyle
publisher:
Kobalt Music (publisher) (vom 2020 bis heute) und WC Music Corp. (vom 2020 bis heute)
basiert auf:
What’s Love Got to Do With It
Tina Turner4.153:51
2Missing You
Techniker(in) und Mix:
David Thoener
E-Bass [bass]:
Donnie Nossov
Gitarre:
Gary Myrick
Keyboard:
Bruce Brody
Perkussion:
Steve Scales
Schlagzeug:
Curly Smith (Jo Jo Gunne musician)
Sologesang:
John Waite
phonographisches Urheberrecht (℗) von:
EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (in 1984), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1984)
recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
John Waite3.754:28
3If This Is It
recording engineer:
Jim Gaines
Produzent(in):
Huey Lewis and the News (American pop rock band)
Mix:
Bob Clearmountain
Bassgitarre:
Mario Cipollina
Gitarre [lead]:
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Sologesang:
Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1999) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
If This Is It
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Huey Lewis
publisher:
Hulex Music (publisher)
Huey Lewis & the News3.83:51
4These Dreams
assistierende(r) Techniker(in):
Mike Clink und Brian Foraker
Techniker(in) und Produzent(in):
Ron Nevison
Bassgitarre:
Mark Andes
Schlagzeug:
Denny Carmassi
Gast Hintergrundgesang:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
Sologesang:
Nancy Wilson (guitarist/singer of “Heart”)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
aufgenommen bei:
The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (von 1985-01 bis 1985-04) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1985-01 bis 1985-04)
Musikvideos:
These Dreams von Heart (rock band, Ann and Nancy Wilson)
recording of:
These Dreams
Verfasser(in):
Martin Page und Bernie Taupin
publisher:
Imagem London Ltd., Intersong Music Ltd., Rouge Booze, Inc., Universal Music–Z Tunes LLC, Zomba Music Publ (music publisher – add no releases here!), Zomba Enterprises, Inc. (vom 1984 bis ????), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (vom 1984 bis ????), Intersong U.S.A. (publisher) (vom 1984 bis heute) und Little Mole Music (vom 1984 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart4.34:17
5Baker Street
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
Gitarre [lead guitar]:
Hugh Burns (in 1977)
Gitarre [rhythm guitar]:
Nigel Jenkins (in 1977)
Keyboard:
Tommy Eyre (in 1977)
Perkussion:
Glen LeFleur (in 1977)
Saxophon:
Raphael Ravenscroft (in 1977)
Schlagzeug:
Henry Spinetti (in 1977)
Sologesang:
Gerry Rafferty (in 1977)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (in 1977)
Bearbeitung von:
Baker Street von Gerry Rafferty
recording of:
Baker Street (in 1977)
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:09
6You’re No Good
recording engineer:
Val Garay (von 1974-06 bis 1974-09) und David Hassinger (von 1974-06 bis 1974-09)
Techniker(in):
Val Garay
Produzent(in):
Peter Asher, Jay Faires und Tricia Holloway
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1974-06 bis 1974-09)
E-Gitarre:
Ed Black (von 1974-06 bis 1974-09)
Schlagzeug, Hybrid-Piano und Perkussion:
Andrew Gold (von 1974-06 bis 1974-09)
Solo-E-Gitarre:
Andrew Gold (von 1974-04 bis 1974-09)
Hintergrundgesang:
Clydie King (von 1974-06 bis 1974-09) und Shirley Matthews (Canadian pop singer) (von 1974-06 bis 1974-09)
Saiteninstrumente arranger:
Gregory Rose
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 2006) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1974, in 2013)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1974-06 bis 1974-09)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 38)
cover recording of:
You’re No Good (von 1974-06 bis 1974-09)
Texter und Komponist(in):
Clint Ballard, Jr.
publisher:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Linda Ronstadt4.753:42
7Lonesome Loser
recorded in:
Melbourne, Victoria, Australien (in 1979-06)
Produzent(in):
John Boylan und Little River Band
Bass:
Clive Harrison (in 1979-06)
Gitarre:
David Briggs (producer, guitarist of Little River Band) (in 1979-06)
Klavier:
Peter Sullivan (UK producer) (in 1979-06)
Schlagzeug:
Derek Pellicci (in 1979-06)
vocals:
Beeb Birtles (in 1979-06), Graham Goble (in 1979-06) und Glenn Shorrock (in 1979-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 1979), Capitol Records (imprint of Capitol Records, Inc.) (in 1979, in 2002) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
produced for:
Tumbleweed Productions
recording of:
Lonesome Loser (in 1979-06)
Texter und Komponist(in):
David Briggs (producer, guitarist of Little River Band)
publisher:
American Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. und Wheatley Music Pty Ltd.
Little River Band43:54
8Don’t Forget Me
recording engineer:
Paul Northfield (Sologesang) und Hayward Parrott (canadian engineer)
Techniker(in):
Mike Jones (recording engineer) (Aufgabe: Sounds Interchange)
Produzent(in):
Jim Vallance
assistierende(r) Mix:
Randy Staub
Mix:
Ed Thacker
Gast Hintergrundgesang:
Bryan Adams (Canadian singer/songwriter) (am 1985-11-04)
aufgenommen bei:
Armoury Studios in Vancouver, British Columbia, Kanada (Hintergrundgesang), Le Studio in Morin‐Heights, Québec (Quebec), Kanada (Sologesang), McClear Place Studios in Toronto, Ontario, Kanada (Hintergrundgesang, Horn [horns]), Sounds Interchange in Toronto, Ontario, Kanada und Eastern Sound in Toronto, Ontario, Kanada (am 1985-11-04: Hintergrundgesang [Bryan Adams' backing vocals])
mixed at:
Phase One Studios in Toronto, Ontario, Kanada
recording of:
Don’t Forget Me (When I’m Gone)
geschrieben in:
Vancouver, British Columbia, Kanada (in 1985-05)
Verfasser(in):
Alan Frew, Sam Reid (Canadian keyboardist for Glass Tiger) und Jim Vallance (in 1985-05)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing (do not use as a release label!)
Glass Tiger4.54:08
9Love Is a Battlefield
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1984)
recording of:
Love Is a Battlefield
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing Ltd.
Pat Benatar44:10
10(I Just) Died in Your Arms
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:33
11Fly Like an Eagle
Techniker(in):
Mike Fusaro
Produzent(in):
Steve Miller (leader of Steve Miller Band)
Mix:
Jim Gaines
recording of:
Fly Like an Eagle
Texter und Komponist(in):
Steve Miller (leader of Steve Miller Band)
publisher:
P and P Songs Limited und Sailor Music
Steve Miller Band4.53:03
12Bad Time
Produzent(in):
Jimmy Ienner (producer)
recording of:
Bad Time
Texter und Komponist(in):
Mark Farner
Grand Funk Railroad4.352:56
13Just Between You and Me
recording engineer:
Howard Gray (UK producer, engineer, and electronic musician)
Techniker(in):
Adam Moseley und Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
Myles Goodwyn und Mike Stone (producer and engineer, 1960s–80s)
Mix:
Adam Moseley
Bass:
Steve Lang (Canadian bassist for April Wine & Mashmakhan)
Gitarre:
Myles Goodwyn, Brian Greenway und Gary Moffet
Schlagzeug:
Gerry Mercer
Hintergrundgesang:
Brian Greenway
Sologesang:
Myles Goodwyn
recording of:
Just Between You and Me
Texter und Komponist(in):
Myles Goodwyn
publisher:
Northern Goody Two-Tunes Inc.
April Wine3.53:57
14Eyes Without a Face
aufgenommen bei:
Billy Idol at Shoreline Amphitheatre (1987-08-12)
aufgenommen bei:
Shoreline Amphitheatre in Mountain View, California (Kalifornien), Vereinigte Staaten (am 1987-08-12)
live recording of:
Eyes Without a Face (am 1987-08-12)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music, Sitting Pretty Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Idol5:00
15Love Stinks
recording of:
Love Stinks
Verfasser(in):
Seth Justman und Peter Wolf (US rock vocalist, member of J. Geils Band)
The J. Geils Band3:38
16Silent Lucidity
Assistent recording engineer:
Marc Ramaer
recording engineer und Mix:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
Produzent(in):
Peter Collins (producer)
assistierende(r) Mix:
Dan Harjung
Akustikgitarre, E-Gitarre und zwölfsaitige Gitarre:
Chris DeGarmo und Michael Wilton
E-Bass, Fretless Bass und Hintergrundgesang:
Eddie Jackson (US metal bassist for Queensrÿche)
Keyboard, Sologesang und whistling:
Geoff Tate
Perkussion und Schlagzeug:
Scott Rockenfield
Orchestrator(in):
Michael Kamen (American score composer)
produced for:
Jill Music Ltd.
aufgenommen bei:
Vancouver Studios in Vancouver, British Columbia, Kanada
mixed at:
Royal Recorders in Lake Geneva, Wisconsin, Vereinigte Staaten
recording of:
Silent Lucidity
Orchestrator(in):
Michael Kamen (American score composer)
Texter und Komponist(in):
Chris DeGarmo
Queensrÿche4.35:47
17When I’m With You
recording of:
When I’m with You
Texter und Komponist(in):
Arnold Lanni
publisher:
Bananaree Publishing Limited
Sheriff3:55
18Everytime I Think of You
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1978)
recording of:
Every Time I Think of You
Verfasser(in):
Jack Conrad (producer and songwriter) (in 1978) und Ray Kennedy (singer, songwriter, and record producer based in L.A.) (in 1978)
publisher:
Ensign Music Corporation, Hudson Bay Music, Seven Summits Music und X‐Ray Music
The Babys53:50
19Alone
assistierende(r) Techniker(in):
Mike Christopher (engineer), Stan Katayama, Jeffrey Poe, Julian Stoll (Music engineer) und Toby Wright (producer & engineer)
Techniker(in) und Produzent(in):
Ron Nevison
Bassgitarre:
Mark Andes
Gitarre:
Howard Leese
Schlagzeug:
Denny Carmassi
Hintergrundgesang:
Howard Leese und Nancy Wilson (guitarist/singer of “Heart”)
Sologesang:
Ann Wilson (lead singer of Heart)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
Musikvideos:
Alone von Heart (rock band, Ann and Nancy Wilson)
cover recording of:
Alone (I hear the ticking of the clock… I’m lying here the room’s pitch dark…)
Verfasser(in):
Tom Kelly (songwriter) und Billy Steinberg
publisher:
Sony/ATV Tunes LLC (ASCAP), Billy Steinberg Music (vom 1983 bis heute) und Denise Barry Music (vom 1983 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Heart3.653:39
4▶CD: The Flame (disc 1)
5▶CD: The Flame (disc 2)
6▶CD: Love Hurts (disc 1)
7▶CD: Love Hurts (disc 2)
8▶CD: High Enough

Nennungen

Veröffentlichung

gedruckt in:Vereinigte Staaten
Fotografie:Fin Costello
GAB Archives
London Features (photo agency)
liner notes:Billy Altman (Journalist)
Produzent(in):Mitch Peyser
Joe Sasfy
mastering:Ron Rice
design:fuszion (design entity)
hergestellt von:EMI Music Special Markets
Rhino Custom Products (retail, mail order and premium use compilations for WMG catalog)
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008)
Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.)
urheberrechtlich geschützt (©) von:Direct Holdings Americas Inc. (in 2007)
phonographisches Urheberrecht (℗) von:EMI Music Special Markets (in 2007)
Rhino Custom Products (retail, mail order and premium use compilations for WMG catalog) (in 2007)
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2007)
Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.) (in 2007)
lizensiert von:Sony BMG Custom Marketing Group
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
produced for und hergestellt für:Time-Life
Discogs:https://www.discogs.com/release/10193509 [Info]