Top 40 Hits of All Time

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1(I Just) Died in Your Arms
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:31
2Mary's Prayer
recording of:
Mary’s Prayer
Texter und Komponist(in):
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, in 1988)
Danny Wilson3:47
3Imagination
recording of:
Imagination
Texter und Komponist(in):
Neville Keighley
Belouis Some33:32
4Your Woman
White Town4:17
5Tarzan Boy
Produzent(in):
Maurizio Bassi
arranger:
Maurizio Bassi
recording of:
Tarzan Boy
Texter:
Naimy Hackett
Komponist(in):
Maurizio Bassi
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Baltimora43:18
6Bitch
Techniker(in) und Produzent(in):
Geza X
Mix:
Jim Ebert
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recording of:
Bitch
Verfasser(in):
Meredith Brooks (US singer/songwriter and guitarist) und Shelly Peiken
publisher:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music und Warner–Tamerlane Music Corp.
Meredith Brooks44:02
7Sex and Candy
recording of:
Sex and Candy
Texter und Komponist(in):
John Wozniak (Marcy Playground singer & guitarist)
publisher:
Wozniak Publishing
Marcy Playground2:50
8Money
Produzent(in):
David Cunningham
cover recording of:
Money (That’s What I Want)
Verfasser(in):
Janie Bradford und Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
The Flying Lizards4.22:30
9I Touch Myself
assistierende(r) Techniker(in):
Chris Albert (US engineer) und Vince Caro (engineer, music editor, producer)
Produzent(in):
Divinyls (Australian rock band), Howard Shore (Canadian score composer) und David Tickle
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) und Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
aufgenommen bei:
BMG Recording Studios in Theater District, New York, New York, Vereinigte Staaten
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 54) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 326)
recording of:
I Touch Myself
Texter und Komponist(in):
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) und William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:43
10The Politics of Dancing
recording of:
The Politics of Dancing
Texter und Komponist(in):
Paul Fishman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited und Metric Music Ltd.
Re‐Flex5:49
11Walking on Sunshine
recorded in:
England, Vereinigtes Königreich
assistierende(r) Techniker(in):
Jon Goldberger (engineer)
Techniker(in) und Mix:
Scott Litt (producer and engineer)
Produzent(in):
Pat Collier und Katrina and the Waves (British‐American rock band)
zusätzliche(r) Produzent(in):
Scott Litt (producer and engineer)
Bassgitarre:
Vince de la Cruz
Gast-Blechblasinstrumente [Rumour Brass Section]:
Ray Beavis, Dick Hanson und John "Irish" Earl (Irish saxophonist)
Gast-Orgel:
Nick Glennie‐Smith
Gitarre [lead guitar]:
Kimberley Rew
Gitarre [rhythm guitar] und Sologesang:
Katrina Leskanich
Perkussion und Schlagzeug:
Alex Cooper (drummer, member of “Katrina and the Waves”)
Hintergrundgesang:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz und Kimberley Rew
Blechblasinstrumente arranger:
Eamon Fitzpatrick
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
aufgenommen bei:
Alaska Studios in London (Greater London), England, Vereinigtes Königreich und Greenhouse Studio (London) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1984-12 bis 1985-03)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 91) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 378)
recording of:
Walking on Sunshine
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:54
12Would I Lie to You?
recording of:
Would I Lie to You?
Verfasser(in):
Michael Leeson und Peter Vale (writer/arranger)
publisher:
EMI Virgin Music Publishing Australia P/L und BMG VM Music Ltd. (vom 2013-05-16 bis heute)
Charles & Eddie4:19
13I'm Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:34
14Mickey
cover recording of:
Kitty (more well known as "Mickey")
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
übersetzte Version von:
Mickey
Toni Basil3:56
15Da, Da, Da (I Don't Love You. You Don't Love Me, Aha. Aha. Aha.)
Bearbeitung von:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha von Trio (80s German band)
recording of:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha (in 1982)
Texter und Komponist(in):
Kralle (in 1981) und Stephan Remmler (in 1981)
Übersetzer:
Kralle und Stephan Remmler
publisher:
Just Us Music Production GmbH
übersetzte Version von:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha
Trio2:54
16Come On Eileen
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
künstlerische Leitung:
Clive Langer und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:02
17Word Up
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1986)
Musikvideos:
Word Up! von Cameo (American soul-influenced funk group)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 70) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 81)
recording of:
Word Up!
Verfasser(in):
Larry Blackmon und Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:12
18Rock Me Amadeus
Produzent(in):
Ferdi Bolland und Rob Bolland
phonographisches Urheberrecht (℗) von:
GiG Records (Austrian label) (in 1985) und TELDEC Record Service GmbH (not for release label use! manufacturing and distribution company) (in 1985)
Musikvideos:
Rock Me Amadeus von Falco (Austrian pop & rock musician)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 15) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 87)
recording of:
Rock Me Amadeus (in 1985)
Texter:
Ferdi Bolland, Rob Bolland und Falco (Austrian pop & rock musician)
Komponist(in):
Ferdi Bolland und Rob Bolland
publisher:
Bolland Music, Manuskript (not for release label use! this is only for copyrights and publishing relationships) und Nada Music (Dutch publisher)
Falco3.653:19
19Pop Muzik
recording of:
Pop Muzik
Texter und Komponist(in):
Robin Scott
publisher:
BMG Music Publishing Ltd., Pop Muzik Limited und Union Square Music Publishing Ltd.
M3:17
20Centerfold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:37
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