Body and Soul (reissue)

~ Veröffentlichung von Coleman Hawkins (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Meet Doctor Foo
alto saxophone:
Jackie Fields (am 1939-10-11) und Eustis Moore (am 1939-10-11)
Klavier:
Gene Rodgers (am 1939-10-11)
Kontrabass:
William Oscar Smith (am 1939-10-11)
Posaune:
Earl Hardy (am 1939-10-11)
Schlagzeug:
Arthur Herbert (Jazz drummer) (am 1939-10-11)
Tenorsaxophon:
Coleman Hawkins (am 1939-10-11)
Trompete:
Joe Guy (trumpet) (am 1939-10-11) und Tommy Lindsay (am 1939-10-11)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1939-10-11)
recording of:
Meet Doctor Foo (am 1939-10-11)
Komponist(in):
Coleman Hawkins
2:37
2Fine Dinner
alto saxophone:
Jackie Fields (am 1939-10-11) und Eustis Moore (am 1939-10-11)
Klavier:
Gene Rodgers (am 1939-10-11)
Kontrabass:
William Oscar Smith (am 1939-10-11)
Posaune:
Earl Hardy (am 1939-10-11)
Schlagzeug:
Arthur Herbert (Jazz drummer) (am 1939-10-11)
Tenorsaxophon:
Coleman Hawkins (am 1939-10-11)
Trompete:
Joe Guy (trumpet) (am 1939-10-11) und Tommy Lindsay (am 1939-10-11)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1939-10-11)
recording of:
Fine Dinner (instrumental) (am 1939-10-11)
Komponist(in):
Coleman Hawkins
2:36
3She's Funny That Way
alto saxophone:
Jackie Fields (am 1939-10-11) und Eustis Moore (am 1939-10-11)
Klavier:
Gene Rodgers (am 1939-10-11)
Kontrabass:
William Oscar Smith (am 1939-10-11)
Posaune:
Earl Hardy (am 1939-10-11)
Schlagzeug:
Arthur Herbert (Jazz drummer) (am 1939-10-11)
Tenorsaxophon:
Coleman Hawkins (am 1939-10-11)
Trompete:
Joe Guy (trumpet) (am 1939-10-11) und Tommy Lindsay (am 1939-10-11)
vocals:
Thelma Carpenter (50s/60s vocal artist) (am 1939-10-11)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1939-10-11)
instrumental recording of:
She’s Funny That Way (am 1939-10-11)
Texter:
Richard A. Whiting (composer) (in 1928)
Verfasser(in):
Neil Moret und Richard A. Whiting (composer)
Komponist(in):
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. und Ross Jungnickel, Inc.
3:17
4Body and Soul
alto saxophone:
Jackie Fields (am 1939-10-11) und Eustis Moore (am 1939-10-11)
Klavier:
Gene Rodgers (am 1939-10-11)
Kontrabass:
William Oscar Smith (am 1939-10-11)
Posaune:
Earl Hardy (am 1939-10-11)
Schlagzeug:
Arthur Herbert (Jazz drummer) (am 1939-10-11)
Tenorsaxophon:
Coleman Hawkins (am 1939-10-11)
Trompete:
Joe Guy (trumpet) (am 1939-10-11) und Tommy Lindsay (am 1939-10-11)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1939-10-11)
instrumental recording of:
Body and Soul (am 1939-10-11)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:03
5When Day Is Done
Gitarre:
Lawrence Lucie (am 1940-01-03)
Klarinette:
Danny Polo (saxophonist / clarinetist) (am 1940-01-03)
Klavier:
Gene Rodgers (am 1940-01-03)
Kontrabass:
Johnny Williams (jazz bassist) (am 1940-01-03)
Posaune:
J.C. Higginbotham (am 1940-01-03)
Schlagzeug:
Walter Johnson (drums) (am 1940-01-03)
Tenorsaxophon:
Coleman Hawkins (am 1940-01-03)
Trompete:
Benny Carter (am 1940-01-03)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1940-01-03)
instrumental recording of:
When Day Is Done (am 1940-01-03)
Texter:
Buddy DeSylva (in 1926)
Komponist(in):
Robert Katscher (in 1926)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Redwood Music Ltd. (Carlin)
basiert auf:
Madonna, du bist schöner als der Sonnenschein
3:18
6The Sheik of Araby
Gitarre:
Lawrence Lucie (am 1940-01-03)
Klarinette:
Danny Polo (saxophonist / clarinetist) (am 1940-01-03)
Klavier:
Gene Rodgers (am 1940-01-03)
Kontrabass:
Johnny Williams (jazz bassist) (am 1940-01-03)
Posaune:
J.C. Higginbotham (am 1940-01-03)
Schlagzeug:
Walter Johnson (drums) (am 1940-01-03)
Tenorsaxophon:
Coleman Hawkins (am 1940-01-03)
Trompete:
Benny Carter (am 1940-01-03)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1940-01-03)
instrumental recording of:
The Sheik of Araby (am 1940-01-03)
Texter:
Harry B. Smith (in 1921) und Francis Wheeler (in 1921)
Komponist(in):
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music und Salabert
2:57
7My Blue Heaven
Gitarre:
Lawrence Lucie (am 1940-01-03)
Klarinette:
Danny Polo (saxophonist / clarinetist) (am 1940-01-03)
Klavier:
Gene Rodgers (am 1940-01-03)
Kontrabass:
Johnny Williams (jazz bassist) (am 1940-01-03)
Posaune:
J.C. Higginbotham (am 1940-01-03)
Schlagzeug:
Walter Johnson (drums) (am 1940-01-03)
Tenorsaxophon:
Coleman Hawkins (am 1940-01-03)
Trompete:
Benny Carter (am 1940-01-03)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1940-01-03)
instrumental recording of:
My Blue Heaven (am 1940-01-03)
Texter:
George A. Whiting (popular songwriter) (in 1924)
Komponist(in):
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
komponiert bei:
New York Friars Club in New York, New York, Vereinigte Staaten (in 1924)
2:54
8Bouncing With Bean
Gitarre:
Lawrence Lucie (am 1940-01-03)
Klarinette:
Danny Polo (saxophonist / clarinetist) (am 1940-01-03)
Klavier:
Gene Rodgers (am 1940-01-03)
Kontrabass:
Johnny Williams (jazz bassist) (am 1940-01-03)
Posaune:
J.C. Higginbotham (am 1940-01-03)
Schlagzeug:
Walter Johnson (drums) (am 1940-01-03)
Tenorsaxophon:
Coleman Hawkins (am 1940-01-03)
Trompete:
Benny Carter (am 1940-01-03)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1940-01-03)
recording of:
Bouncing With Bean (am 1940-01-03)
Komponist(in):
Coleman Hawkins
3:08
9April in Paris
alto saxophone:
Budd Johnson (am 1947-12-11)
baritone saxophone:
Marion DeVeta (am 1947-12-11)
Gitarre:
Chuck Wayne (am 1947-12-11)
Klavier:
Hank Jones (piano) (am 1947-12-11)
Kontrabass:
Jack Lesberg (am 1947-12-11)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1947-12-11)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-12-11)
Tenorsaxophon:
Coleman Hawkins (am 1947-12-11)
Trompete:
Fats Navarro (am 1947-12-11)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1947-12-11)
instrumental recording of:
April in Paris (am 1947-12-11)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:11
10How Strange
alto saxophone:
Budd Johnson (am 1947-12-11)
baritone saxophone:
Marion DeVeta (am 1947-12-11)
Gitarre:
Chuck Wayne (am 1947-12-11)
Klavier:
Hank Jones (piano) (am 1947-12-11)
Kontrabass:
Jack Lesberg (am 1947-12-11)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1947-12-11)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-12-11)
Tenorsaxophon:
Coleman Hawkins (am 1947-12-11)
Trompete:
Fats Navarro (am 1947-12-11)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1947-12-11)
instrumental recording of:
How Strange (am 1947-12-11)
Texter:
Gus Kahn
Komponist(in):
[traditional] (special purpose artist) und B. A. Prozorovsky
zusätzliche(r) Komponist(in):
Earl Brent und Herbert Stothart (composer)
publisher:
EMI Feist Catalog Inc.
3:06
11Half Step Down Please
alto saxophone:
Budd Johnson (am 1947-12-11)
baritone saxophone:
Marion DeVeta (am 1947-12-11)
Gitarre:
Chuck Wayne (am 1947-12-11)
Klavier:
Hank Jones (piano) (am 1947-12-11)
Kontrabass:
Jack Lesberg (am 1947-12-11)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1947-12-11)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-12-11)
Tenorsaxophon:
Coleman Hawkins (am 1947-12-11)
Trompete:
Fats Navarro (am 1947-12-11)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1947-12-11)
recording of:
Half Step Down Please (am 1947-12-11)
Komponist(in):
Tadd Dameron
3:05
12Angel Face
alto saxophone:
Budd Johnson (am 1947-12-11)
baritone saxophone:
Marion DeVeta (am 1947-12-11)
Gitarre:
Chuck Wayne (am 1947-12-11)
Klavier:
Hank Jones (piano) (am 1947-12-11)
Kontrabass:
Jack Lesberg (am 1947-12-11)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1947-12-11)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-12-11)
Tenorsaxophon:
Coleman Hawkins (am 1947-12-11)
Trompete:
Fats Navarro (am 1947-12-11)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1947-12-11)
recording of:
Angel Face (am 1947-12-11)
Komponist(in):
Hank Jones (piano) und Geoffrey Keezer
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:14
13Jumping for Jane
alto saxophone:
Budd Johnson (am 1947-12-11)
baritone saxophone:
Marion DeVeta (am 1947-12-11)
Gitarre:
Chuck Wayne (am 1947-12-11)
Klavier:
Hank Jones (piano) (am 1947-12-11)
Kontrabass:
Jack Lesberg (am 1947-12-11)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1947-12-11)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-12-11)
Tenorsaxophon:
Coleman Hawkins (am 1947-12-11)
Trompete:
Fats Navarro (am 1947-12-11)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1947-12-11)
recording of:
Jumping for Jane (am 1947-12-11)
Verfasser(in):
Leonard Feather
3:13
14I Love You
alto saxophone:
Budd Johnson (am 1947-12-11)
baritone saxophone:
Marion DeVeta (am 1947-12-11)
Gitarre:
Chuck Wayne (am 1947-12-11)
Klavier:
Hank Jones (piano) (am 1947-12-11)
Kontrabass:
Jack Lesberg (am 1947-12-11)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1947-12-11)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-12-11)
Tenorsaxophon:
Coleman Hawkins (am 1947-12-11)
Trompete:
Fats Navarro (am 1947-12-11)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1947-12-11)
instrumental recording of:
I Love You (Mexican Hayride musical) (am 1947-12-11)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:54
15There Will Never Be Another You
Bratsche / Viola:
Isadore Zir (aka Isadore Zit viola player) (am 1956-01-17)
Cello:
Alan Shulman (cellist and composer) (am 1956-01-17)
flute:
Julius Baker (flautist) (am 1956-01-17) und Sid Jekowsky (am 1956-01-17)
Geige / Violine:
Paul Gershman (am 1956-01-17), Leo Kruczek (am 1956-01-17), Harry Lookofsky (am 1956-01-17), Gene Orloff (am 1956-01-17) und Tosha Samaroff (am 1956-01-17)
Gitarre:
Barry Galbraith (am 1956-01-17)
Klavier:
Hank Jones (piano) (am 1956-01-17)
Kontrabass:
Milt Hinton (am 1956-01-17)
Oboe:
Phil Bodner (Woodwind player) (am 1956-01-17)
Posaune:
Urbie Green (am 1956-01-17), Tom Mitchell (US jazz trombonist) (am 1956-01-17), Fred Ohms (American jazz trombonist) (am 1956-01-17) und Jack Satterfield (am 1956-01-17)
Schlagzeug:
Osie Johnson (am 1956-01-17)
Tenorsaxophon:
Coleman Hawkins (am 1956-01-17)
Trompete:
Jimmy Nottingham (am 1956-01-17)
Vibraphon:
Marty Wilson (am 1956-01-17)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-17)
instrumental recording of:
There Will Never Be Another You (am 1956-01-17)
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:58
16Little Girl Blue
Bratsche / Viola:
Izzy Zir (aka Isadore Zit viola player) (am 1956-01-17)
Cello:
Alan Shulman (cellist and composer) (am 1956-01-17)
flute:
Julius Baker (flautist) (am 1956-01-17) und Sid Jekowsky (am 1956-01-17)
Geige / Violine:
Paul Gershman (am 1956-01-17), Leo Kruczek (am 1956-01-17), Harry Lookofsky (am 1956-01-17), Gene Orloff (am 1956-01-17) und Tosha Samaroff (am 1956-01-17)
Gitarre:
Barry Galbraith (am 1956-01-17)
Klavier:
Hank Jones (piano) (am 1956-01-17)
Kontrabass:
Milt Hinton (am 1956-01-17)
Oboe:
Phil Bodner (Woodwind player) (am 1956-01-17)
Posaune:
Urbie Green (am 1956-01-17), Tom Mitchell (US jazz trombonist) (am 1956-01-17), Fred Ohms (American jazz trombonist) (am 1956-01-17) und Jack Satterfield (am 1956-01-17)
Schlagzeug:
Osie Johnson (am 1956-01-17)
Tenorsaxophon:
Coleman Hawkins (am 1956-01-17)
Trompete:
Jimmy Nottingham (am 1956-01-17)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-17)
instrumental recording of:
Little Girl Blue (am 1956-01-17)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
3:07
17Dinner for One Please James
Bratsche / Viola:
Izzy Zir (aka Isadore Zit viola player) (am 1956-01-17)
Cello:
Alan Shulman (cellist and composer) (am 1956-01-17)
flute:
Julius Baker (flautist) (am 1956-01-17) und Sid Jekowsky (am 1956-01-17)
Geige / Violine:
Paul Gershman (am 1956-01-17), Leo Kruczek (am 1956-01-17), Harry Lookofsky (am 1956-01-17), Gene Orloff (am 1956-01-17) und Tosha Samaroff (am 1956-01-17)
Gitarre:
Barry Galbraith (am 1956-01-17)
Klavier:
Hank Jones (piano) (am 1956-01-17)
Kontrabass:
Milt Hinton (am 1956-01-17)
Oboe:
Phil Bodner (Woodwind player) (am 1956-01-17)
Posaune:
Urbie Green (am 1956-01-17), Tom Mitchell (US jazz trombonist) (am 1956-01-17), Fred Ohms (American jazz trombonist) (am 1956-01-17) und Jack Satterfield (am 1956-01-17)
Schlagzeug:
Osie Johnson (am 1956-01-17)
Tenorsaxophon:
Coleman Hawkins (am 1956-01-17)
Trompete:
Jimmy Nottingham (am 1956-01-17)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-17)
instrumental recording of:
Dinner for One Please, James (am 1956-01-17)
Texter und Komponist(in):
Michael Carr (songwriter)
3:14
18His Very Own Blues
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1956-01-18) und Hal McKusick (am 1956-01-18)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (am 1956-01-18)
Gitarre:
Barry Galbraith (am 1956-01-18)
Klavier:
Hank Jones (piano) (am 1956-01-18)
Kontrabass:
Milt Hinton (am 1956-01-18)
Posaune:
Urbie Green (am 1956-01-18), Fred Ohms (American jazz trombonist) (am 1956-01-18), Jack Satterfield (am 1956-01-18) und Chauncey Welsch (am 1956-01-18)
Schlagzeug:
Osie Johnson (am 1956-01-18)
Tenorsaxophon:
Al Cohn (am 1956-01-18), Coleman Hawkins (am 1956-01-18) und Zoot Sims (US jazz saxophonist) (am 1956-01-18)
Trompete:
Bernie Glow (am 1956-01-18), Lou Oles (American jazz trumpeter) (am 1956-01-18), Ernie Royal (am 1956-01-18), Charlie Shavers (am 1956-01-18) und Nick Travis (am 1956-01-18)
Vibraphon:
Marty Wilson (am 1956-01-18)
arranger:
Billy Byers
phonographisches Urheberrecht (℗) von:
BMG Entertainment
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1956-01-18)
3:03
1939"-25"-39"
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1956-01-18) und Hal McKusick (am 1956-01-18)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (am 1956-01-18)
Gitarre:
Barry Galbraith (am 1956-01-18)
Klavier:
Hank Jones (piano) (am 1956-01-18)
Kontrabass:
Milt Hinton (am 1956-01-18)
Posaune:
Urbie Green (am 1956-01-18), Fred Ohms (American jazz trombonist) (am 1956-01-18), Jack Satterfield (am 1956-01-18) und Chauncey Welsch (am 1956-01-18)
Schlagzeug:
Osie Johnson (am 1956-01-18)
Tenorsaxophon:
Al Cohn (am 1956-01-18), Coleman Hawkins (am 1956-01-18) und Zoot Sims (US jazz saxophonist) (am 1956-01-18)
Trompete:
Bernie Glow (am 1956-01-18), Lou Oles (American jazz trumpeter) (am 1956-01-18), Ernie Royal (am 1956-01-18), Charlie Shavers (am 1956-01-18) und Nick Travis (am 1956-01-18)
Vibraphon:
Marty Wilson (am 1956-01-18)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1956-01-18)
recording of:
39"-25"-39" (am 1956-01-18)
Komponist(in):
Coleman Hawkins
2:49
20The Bean Stalks Again
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1956-01-18) und Hal McKusick (am 1956-01-18)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (am 1956-01-18)
Gitarre:
Barry Galbraith (am 1956-01-18)
Klavier:
Hank Jones (piano) (am 1956-01-18)
Kontrabass:
Milt Hinton (am 1956-01-18)
Posaune:
Urbie Green (am 1956-01-18), Fred Ohms (American jazz trombonist) (am 1956-01-18), Jack Satterfield (am 1956-01-18) und Chauncey Welsch (am 1956-01-18)
Schlagzeug:
Osie Johnson (am 1956-01-18)
Tenorsaxophon:
Al Cohn (am 1956-01-18), Coleman Hawkins (am 1956-01-18) und Zoot Sims (US jazz saxophonist) (am 1956-01-18)
Trompete:
Bernie Glow (am 1956-01-18), Lou Oles (American jazz trumpeter) (am 1956-01-18), Ernie Royal (am 1956-01-18), Charlie Shavers (am 1956-01-18) und Nick Travis (am 1956-01-18)
Vibraphon:
Marty Wilson (am 1956-01-18)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1956-01-18)
3:29
21Have You Met Miss Jones?
Bratsche / Viola:
Bert Fisch (am 1956-01-20)
Cello:
Bernie Greenhouse (am 1956-01-20), George Ricci (am 1956-01-20) und Edgardo Sodero (am 1956-01-20)
flute:
Julius Baker (flautist) (am 1956-01-20)
Geige / Violine:
Max Cahn (am 1956-01-20), Cy Miroff (am 1956-01-20), Arnold Eidus (am 1956-01-20), Max Hollander (am 1956-01-20), Stan Kraft (am 1956-01-20), Dave Newman (violin) (am 1956-01-20), Alvin Rudnitsky (am 1956-01-20) und Dave Sarser (am 1956-01-20)
Klarinette:
Sid Jekowsky (am 1956-01-20)
Kontrabass:
Jack Lesberg (am 1956-01-20)
Oboe:
Phil Bodner (Woodwind player) (am 1956-01-20)
Röhrenglocken [bells]:
Phil Kraus (am 1956-01-20)
Tenorsaxophon:
Coleman Hawkins (am 1956-01-20)
Vibraphon:
Marty Wilson (am 1956-01-20)
Waldhorn:
Jimmy Buffington (US jazz, studio and classical hornist) (am 1956-01-20)
Orchester:
Billy Byers & His Orchestra (am 1956-01-20)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (am 1956-01-20)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
3:07
22Body and Soul
Bratsche / Viola:
Bert Fisch (am 1956-01-20)
Cello:
Bernard Greenhouse (cellist) (am 1956-01-20), Bernie Greenhouse (am 1956-01-20), George Ricci (am 1956-01-20) und Edgardo Sodero (am 1956-01-20)
flute:
Julius Baker (flautist) (am 1956-01-20)
Geige / Violine:
Max Cahn (am 1956-01-20), Cy Miroff (am 1956-01-20), Arnold Eidus (am 1956-01-20), Paul Gershman (am 1956-01-20), Max Hollander (am 1956-01-20), Stan Kraft (am 1956-01-20), Dave Newman (am 1956-01-20), Dave Newman (violin) (am 1956-01-20), Gene Orloff (am 1956-01-20), Alvin Rudnitsky (am 1956-01-20), Tosha Samaroff (am 1956-01-20) und Dave Sarser (am 1956-01-20)
Klarinette:
Sid Jekowsky (am 1956-01-20)
Klavier:
Hank Jones (piano) (am 1956-01-20)
Kontrabass:
Jack Lesberg (am 1956-01-20)
Oboe:
Phil Bodner (Woodwind player) (am 1956-01-20)
Röhrenglocken [bells]:
Phil Kraus (am 1956-01-20)
Schlagzeug:
Osie Johnson (am 1956-01-20)
Tenorsaxophon:
Coleman Hawkins (am 1956-01-20)
Vibraphon:
Marty Wilson (am 1956-01-20)
Waldhorn:
Jim Buffington (US jazz, studio and classical hornist) (am 1956-01-20)
Orchester:
Billy Byers & His Orchestra (am 1956-01-20)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-20)
instrumental recording of:
Body and Soul (am 1956-01-20)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:55
23The Essence of You
Bratsche / Viola:
Bert Fisch (am 1956-01-20)
Celesta und Klavier:
Hank Jones (piano) (am 1956-01-20)
Cello:
Eduardo Sodero (am 1956-01-20), Bernie Greenhouse (am 1956-01-20), George Ricci (am 1956-01-20) und Edgardo Sodero (am 1956-01-20)
flute:
Julius Baker (flautist) (am 1956-01-20)
Geige / Violine:
Max Cahn (am 1956-01-20), Cy Miroff (am 1956-01-20), Arnold Eidus (am 1956-01-20), Max Hollander (am 1956-01-20), Stan Kraft (am 1956-01-20), Dave Newman (violin) (am 1956-01-20), Alvin Rudnitsky (am 1956-01-20) und Dave Sarser (am 1956-01-20)
Glocken und Röhrenglocken [bells]:
Phil Kraus (am 1956-01-20)
Glockenspiel und Vibraphon:
Marty Wilson (am 1956-01-20)
Klarinette:
Sid Jekowsky (am 1956-01-20)
Kontrabass:
Jack Lesberg (am 1956-01-20)
Oboe:
Phil Bodner (Woodwind player) (am 1956-01-20)
Schlagzeug:
Osie Johnson (am 1956-01-20)
Tenorsaxophon:
Coleman Hawkins (am 1956-01-20)
Waldhorn:
Jimmy Buffington (US jazz, studio and classical hornist) (am 1956-01-20)
Orchester:
Billy Byers & His Orchestra (am 1956-01-20)
arranger:
Billy Byers
phonographisches Urheberrecht (℗) von:
BMG Entertainment
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1956-01-20)
3:26

Nennungen

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/428234 [Info]