Evergreens & Superhits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

according to OP sourced from freedb but no links, probably these d1 d2 - if those links are reliable this is a DE UMG release, here is a possible ASIN with no data stating Austria / Polydor

Anmerkung zuletzt geändert am 2026-02-11 10:55 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Mr. Bojangles
Produzent(in):
Don Costa (US pop music arranger & producer) und Mike Curb
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (in 1971)
cover recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
Sammy Davis Jr.5:45
2Für Dich soll’s rote Rosen regnen
recording of:
Für mich soll’s rote Rosen regnen (in 1979)
Texter:
Hildegard Knef (German singer)
Komponist(in):
Hans Hammerschmid
recording of:
Für mich soll’s rote Rosen regnen
Texter:
Hildegard Knef (German singer)
Komponist(in):
Hans Hammerschmid
Hildegard Knef3:22
3Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong3:06
4FeverPeggy Lee2:27
5Over the Rainbow
recording of:
Over the Rainbow (The Wizard of Oz)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
Judy Garland2:50
6At Last
Produzent(in):
Leonard Chess, Phil Chess und Leonard and Phil Chess (legendary US production duo)
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographisches Urheberrecht (℗) von:
Windswept Pacific Music Ltd.
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 115) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 356)
cover recording of:
At Last (in 1960-10)
Verfasser(in):
Mack Gordon und Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Etta James4.53:00
7Cheek to Cheek
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Bassgitarre:
Ray Brown (jazz bassist)
Gitarre:
Barney Kessel
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Flip Phillips
Trompete:
Charlie Shavers
vocals:
Adele Astaire und Fred Astaire (in 1952-12)
cover recording of:
Cheek to Cheek (from “Top Hat”) (in 1952-12)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
Fred Astaire5:40
8Bei mir bist Du schön
vocals:
The Andrews Sisters (am 1937-11-24)
recording of:
Bei mir bist du schön (English version) (am 1937-11-24)
Texter:
Sammy Cahn
Komponist(in):
Sholom Secunda
zusätzliche(r) Komponist(in):
Saul Chaplin
übersetzte Version von:
בײַ מיר ביסטו שיין (Bay mir bistu sheyn)
The Andrews Sisters3:08
9Summertime
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan2:52
10I’ve Got a Pocketful of Dreams
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-07-11)
vocals:
Bing Crosby (am 1938-07-11)
Orchester:
John Scott Trotter and His Orchestra (am 1938-07-11)
conductor:
John Scott Trotter
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und MCA Music Ltd. (in 1938)
recording of:
I’ve Got a Pocketful of Dreams (am 1938-07-11)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
James V. Monaco
publisher:
Santly Joy Select, Inc. (am 1938-05-07)
Bing Crosby2:39
11Lili Marlene
recording of:
Lili Marlene (English lyrics by Tommie Connor)
Texter:
Hans Leip (von 1915-04-03 bis 1937)
Komponist(in):
Norbert Schultze (in 1937)
Übersetzer:
Tommie Connor (English songwriter)
publisher:
Peter Maurice Music Co. Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
übersetzte Version von:
Lili Marleen (Lied eines jungen Wachtpostens, original German version)
Marlene Dietrich3:25
12Release Me
recording of:
Release Me
Verfasser(in):
Harris (James Pebworth; Guitarist - songwriter Wrote the standard "Release Me" along with Eddie Miller (3) and Robert Yount. In most cases one or both of his pseudonyms Dub Williams and Robert Harris are credited on the releases.), Miller (US country music songwriter), Williams (pseudonym used by James Pebworth) und Young (songwriter)
zusätzliche(r) Verfasser(in):
W.S. Stevenson
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing und Sony/ATV Music Publishing Ltd.
Engelbert Humperdinck53:20
13The Great Pretender
recording of:
The Great Pretender
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters2:40
14Running BearJohnny Preston2:38
15Puttin’ on the Ritz
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Bassgitarre:
Ray Brown (jazz bassist)
Gitarre:
Barney Kessel
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Flip Phillips
Trompete:
Charlie Shavers
vocals:
Fred Astaire (in 1952-12)
recording of:
Puttin’ On the Ritz (in 1952-12)
Texter und Komponist(in):
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
Idiot’s Delight (film)
Fred Astaire2:53
16Kisses Sweeter Than Wine
Frankie Vaughan2:17
17Sugar Baby
vocals:
Peter Kraus (German singer/actor)
Orchester:
Orchester Werner Scharfenberger
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1959)
recording of:
Sugar Baby (in 1958)
Texter:
Fini Busch (lyricist) und Aldo von Pinelli (songwriter, screenwriter and film producer)
Komponist(in):
Werner Scharfenberger
Peter Kraus2:32
18Boogie Woogie Bugle Boy
recording engineer:
Lew Hahn (am 1972-03-10)
Produzent(in):
Joel Dorn
Gitarre:
Don Arnone (am 1972-03-10)
Klavier:
Dick Hyman (jazz pianist) (am 1972-03-10)
Kontrabass [bass]:
Milton Hinton (am 1972-03-10)
Schlagzeug:
Ted Sommer (am 1972-03-10)
vocals:
Bette Midler (am 1972-03-10)
conductor:
Barry Manilow (am 1972-03-10)
remixer:
Bob Liftin
arranger:
Arif Mardin
vocals arranger:
Marty Nelson
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1972-03-10)
remixed at:
Regent Sound Studios in New York, New York, Vereinigte Staaten
recording of:
Boogie Woogie Bugle Boy (am 1972-03-10)
Verfasser(in):
Hughie Prince und Don Raye
publisher:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
cover recording of:
Boogie Woogie Bugle Boy
Verfasser(in):
Hughie Prince und Don Raye
publisher:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
Bette Midler52:19
19Stars Fell on Alabama
Produzent(in):
Norman Granz
E-Gitarre:
Barney Kessel (von 1957-01-07 bis 1957-01-09)
Klavier:
Jimmy Rowles (am 1957-01-08)
Kontrabass [bass]:
Joe Mondragon (am 1957-01-08)
Schlagzeug:
Alvin Stoller (am 1957-01-08)
Tenorsaxophon:
Ben Webster (am 1957-01-08)
Trompete:
Harry “Sweets” Edison (am 1957-01-08)
vocals:
Billie Holiday (am 1957-01-08)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-08)
recording of:
Stars Fell on Alabama (am 1957-01-08)
Texter:
Mitchell Parish
Komponist(in):
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) und Mills Music
Billie Holiday2.754:31
20Onkel Satchmo’s Lullaby
Louis Armstrong2:25