Double Shot of Blues

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Keep Your Hands to Yourself
tecnico e produttore:
Jeff Glixman
batteria :
Mauro Magellan
chitarra :
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder) e Rick Richards (US rock/metal guitarist)
chitarra basso :
Rick Price (Georgia Satellites)
voce principale:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 46)
registrazione di:
Keep Your Hands to Yourself
paroliere e compositore:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder)
editore:
Eleksylum Music Inc., No Surrender Music e Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label)
The Georgia Satellites4.43:26
2I Drink Alone
tecnico e tecnico di missaggio:
Terry Manning (US recording engineer)
produttore:
Terry Manning (US recording engineer) e The Delaware Destroyers (George Thorogood & the Destroyers)
basso :
Bill Blough
batteria :
Jeff Simon
chitarra e voce principale:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
sassofono :
Hank Carter (Hank "Hurricane" Carter)
registrazione di:
I Drink Alone
paroliere e compositore:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
George Thorogood & the Destroyers44:33
3Smoking Gun
tecnico di registrazione:
Bill Dashiell
produttore:
Bruce Bromberg e Dennis Walker
produttore esecutivo:
Larry Sloven (producer)
assistente tecnico di missaggio:
Charlie Brocco
tecnico di missaggio:
Jeff Hendrickson (sound engineer)
basso :
Richard Cousins
batteria :
David Olson (drummer)
chitarra :
Robert Cray (blues guitarist, singer and songwriter)
sassofono tenore :
Andrew Love
tastiera :
Peter Boe
tromba e trombone :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
voce:
Robert Cray (blues guitarist, singer and songwriter)
registrata presso:
Sage & Sound, Los Angeles in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Village Recorders, Los Angeles (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
registrazione di:
Smoking Gun
autore:
Bruce Bromberg, Richard Cousins e Robert Cray (blues guitarist, singer and songwriter)
The Robert Cray Band44:08
4Me & Bobby McGee
tecnico:
Phil Macy (50s-70s engineer)
produttore:
Paul Rothchild
batteria :
Clark Pierson (il 1970-09-25)
bonghi e congas ospite :
Bobbye Hall (il 1970-09-25)
bonghi ospite e congas ospite :
Bobbye Hall
chitarra :
John Till (rock guitarist) (il 1970-09-25)
chitarra acustica e voce principale:
Janis Joplin (il 1970-09-25)
chitarra basso :
Brad Campbell (bassist, member of Full Tilt Boogie) (il 1970-09-25)
organo :
Ken Pearson (il 1970-09-25)
pianoforte :
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (il 1970-09-25)
tamburello ospite :
Sandra Crouch (il 1970-09-25)
voce di accompagnamento:
Phil Badella (il 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (il 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (il 1970-09-25), John Cooke (il 1970-09-25), Janis Joplin (il 1970-09-25), Vince Mitchell (il 1970-09-25), Ken Pearson (il 1970-09-25), Clark Pierson (il 1970-09-25) e John Till (rock guitarist) (il 1970-09-25)
esecutore:
Full Tilt Boogie (il 1970-09-25)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (il 1970-09-25)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 31) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 148)
registrazione cover di:
Me and Bobby McGee (il 1970-09-25)
paroliere e compositore:
Fred Foster e Kris Kristofferson
editore:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. e Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:30
5Blue on Black
tecnico:
Karl Derfler
tecnico aggiunto:
Chris Collins (engineer)
produttore:
Jerry Harrison (Talking Heads & producer)
tecnico di missaggio:
Tom Lord‐Alge
armonica (a bocca) ospite :
James Cotton (US blues harmonica player, singer & songwriter)
basso ospite :
Tommy Shannon
membranofono ospite :
Chris Layton
tastiera ospite :
Reese Wynans (American keyboardist)
voce:
Kenny Wayne Shepherd
diritti fonografici (℗) detenuti da:
Revolution (late 1990s US, subsidiary of Giant Records) (nel 1997)
mixata presso:
Encore Studios in Burbank, California, Stati Uniti
registrazione di:
Blue on Black
autore:
Mark Selby, Kenny Wayne Shepherd e Tia Sillers
editore:
Manchaca Music, Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) e Only Hit Music
Kenny Wayne Shepherd45:30
6Cry in Shame
tecnico di registrazione:
Terry Manning (US recording engineer) (dal 1988-08 al 1988-09)
produttore e tecnico di missaggio:
Terry Manning (US recording engineer)
basso :
Johnny 'Tatt' Dalzell (dal 1988-08 al 1988-09)
chitarra :
Diesel (Australian pop rock aka Mark Lizotte) (dal 1988-08 al 1988-09)
sassofono e voce di accompagnamento:
Bernie Bremond (dal 1988-08 al 1988-09)
arrangiatore strumenti:
Brent Eccles e Terry Manning (US recording engineer)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti (dal 1988-08 al 1988-09)
registrazione di:
Cry in Shame (dal 1988-08 al 1988-09)
paroliere e compositore:
Diesel (Australian pop rock aka Mark Lizotte)
editore:
EMI Songs
Johnny Diesel & the Injectors34:44
7All Right Now
tecnico:
Roy Thomas Baker (producer)
produttore:
Free (60s/70s UK blues rock group) e John Kelly (producer)
basso :
Andy Fraser (English bassist, member of Free)
batteria :
Simon Kirke
chitarra :
Paul Kossoff
voce principale:
Paul Rodgers
remixer:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
Free (60s/70s UK blues rock group) (nel 1970)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1970, nel 1971)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
video musicali:
All Right Now di Free (60s/70s UK blues rock group)
registrazione di:
All Right Now
autore:
Andy Fraser (English bassist, member of Free) e Paul Rodgers
editore:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing e Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:16
8Better Get a Lawyer, Son
registrazione di:
Better Get a Lawyer (The Cruel Sea song)
paroliere:
Jon Wayne (country parody band) e Tex Perkins (Australian singer-songwriter Greg Perkins)
compositore:
James Cruickshank, Jim Elliott (Australian jazz), Ken Gormly e Dan Rumour
The Cruel Sea33:01
9On the Road Again
tecnico:
Dino (US Music engineer) e Lanky (US recording engineer)
produttore:
Calvin Carter e Dallas Smith (producer)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1968), Liberty (a division of UMG Recordings, Inc.) (nel 1968) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2005)
registrata presso:
Liberty Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1967-09-06)
registrazione di:
On the Road Again (il 1967-09-06)
paroliere e compositore:
Floyd Jones (blues performer and songwriter) e Alan Wilson (Canned Heat member)
editore:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) e United Partnership Ltd.
Canned Heat44:57
10Sweet Home Alabama
supporto a vario titolo:
Ronnie Van Zant
tecnico e produttore:
Al Kooper
basso elettrico :
Leon Wilkeson (nel 1973-07)
batteria :
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (nel 1973-07)
chitarra elettrica :
Allen Collins (nel 1973-07), Ed King (US guitarist, bassist & songwriter) (nel 1973-07) e Gary Rossington (nel 1973-07)
tastiera :
Billy Powell (nel 1973-07)
voce di accompagnamento:
Merry Clayton (nel 1973-07) e Clydie King (nel 1973-07)
voce principale:
Ronnie Van Zant (nel 1973-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974), Universal Music (plain logo: “Universal Music”) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
è stato produttore per:
Sounds of the South Productions
registrata presso:
Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti (nel 1973-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 398)
registrazione di:
Sweet Home Alabama (nel 1973-07)
supporto a vario titolo:
Ronnie Van Zant
autore:
Ed King (US guitarist, bassist & songwriter), Gary Rossington e Ronnie Van Zant
editore:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH e Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:44
11Forever Now
tecnico:
Mark Opitz e Dave Walsh
produttore:
Cold Chisel e Mark Opitz
basso :
Phil Small
batteria :
Steve Prestwich
chitarra :
Ian Moss
tastiera :
Don Walker (Australian musician and songwriter, member of Cold Chisel)
registrazione di:
Forever Now
editore:
Steve Prestwich
paroliere e compositore:
Steve Prestwich
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
Cold Chisel34:26
12Continental Trailways Blues
Steve Earle3:09
13Still Got the Blues (For You)
assistente tecnico e assistente tecnico di missaggio:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris e Greg Muden
tecnico e tecnico di missaggio:
Ian Taylor (rock producer/engineer)
produttore:
Gary Moore (Thin Lizzy, blues guitar) e Ian Taylor (rock producer/engineer)
archi ospite :
Gavyn Wright (UK violinist, conductor)
batteria :
Graham Walker (UK drummer)
chitarra :
Gary Moore (Thin Lizzy, blues guitar)
chitarra basso :
Andy Pyle
pianoforte ospite :
Nicky Hopkins (pianist and organist)
tastiera ospite :
Don Airey
voce:
Gary Moore (Thin Lizzy, blues guitar)
direttore d'orchestra:
Don Airey
arrangiatore archi :
Don Airey e Gary Moore (Thin Lizzy, blues guitar)
registrazione di:
Still Got the Blues (for You)
paroliere e compositore:
Gary Moore (Thin Lizzy, blues guitar)
editore:
BMG 10 Music Ltd., BMG Platinum Songs, BMG VM Music France, Bonuswise Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Scandinavia AB, Gary Moore Songs e Mushroom Music Pty. Ltd.
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Gary Moore4.256:09
14Ramblin’ ManThe Allman Brothers Band4:41
15Life’s Been Good
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978)
registrazione di:
Life’s Been Good
paroliere e compositore:
Joe Walsh (Eagles/James Gang)
editore:
Wow & Flutter Music
Joe Walsh4.58:04
16Love Struck Baby
registrazione di:
Love Struck Baby
paroliere e compositore:
Stevie Ray Vaughan
editore:
Bug Music Ltd. e Ray Vaughan Music
Stevie Ray Vaughan2:22
17La Grange
basso elettrico :
Dusty Hill
batteria e percussione :
Frank Beard (ZZ Top drummer)
chitarra elettrica :
Billy Gibbons
voce:
Billy Gibbons e Dusty Hill
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1973)
registrazione di:
La Grange
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic e Stage Three Songs
si basa su:
Boogie Chillen’
ZZ Top4.23:52
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