Easy Rider (Deluxe Edition)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 10 vorhanden)

Titelliste

1▶CD: The Original Soundtrack Album
2▼CD: Something in the Air, 1967 to 1969
Nr.TitelKünstlerBewertungLänge
1Pushin' Too Hard
recording of:
Pushin’ Too Hard (First released as “You’re Pushing Too Hard”, later under the better known title “Pushin’ Too Hard”.)
Texter und Komponist(in):
Sky Saxon
publisher:
Marada Music Ltd.
The Seeds2:35
2I Had Too Much to Dream Last Night
Produzent(in):
Dave Hassinger
recording of:
I Had Too Much to Dream (Last Night)
Verfasser(in):
Nancie Mantz und Annette Tucker
Electric Prunes42:58
3We Ain't Got Nothin' Yet
Produzent(in):
Art Polhemus und Bob Wyld (independent producer based in New York City)
recording of:
(We Ain’t Got) Nothin’ Yet
Verfasser(in):
Emil Thielhelm, Mike Esposito (guitarist in the Blues Magoos), Ronnie Gilbert (bass player for the Blues Magoos) und Ralph Scala
publisher:
Musicville Ltd.
Blues Magoos42:16
4San Franciscan Nights
Produzent(in):
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
recording of:
San Franciscan Nights
Verfasser(in):
Vic Briggs (Victor Briggs), Eric Burdon, Barry Jenkins, Danny McCulloch und John Weider
Eric Burdon & The Animals3.53:21
5White Rabbit
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (vom 1969-05-07 bis heute)
recording engineer:
David Hassinger (am 1966-11-03)
Produzent(in):
Rick Jarrard (von 1966-10-31 bis 1966-11-22)
Bass:
Jack Casady (von 1966-10-31 bis 1966-11-22)
Gitarre [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (von 1966-10-31 bis 1966-11-22)
Gitarre [rhythm guitar]:
Paul Kantner (von 1966-10-31 bis 1966-11-22)
Schlagzeug:
Spencer Dryden (von 1966-10-31 bis 1966-11-22)
Sologesang:
Grace Slick (von 1966-10-31 bis 1966-11-22)
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1967)
aufgenommen bei:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-10-31 bis 1966-11-22)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 455) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 478)
recording of:
White Rabbit (von 1966-10-31 bis 1966-11-22)
Texter und Komponist(in):
Grace Slick
publisher:
Irving Music, Inc. und Rondor Music (London) Ltd.
basiert auf:
Alice’s Adventures in Wonderland (novel)
basiert auf:
Through the Looking‐Glass, and What Alice Found There (novel)
Jefferson Airplane4.352:30
6I Can See for Miles
leitende(r) Produzent(in):
Chris Stamp
Produzent(in):
Kit Lambert
Bassgitarre:
John Entwistle
Gitarre:
Pete Townshend (of The Who)
Perkussion und Schlagzeug:
Keith Moon (drummer)
Sologesang:
Roger Daltrey
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1967)
aufgenommen bei:
CBS Studios (London, 1967 - 1972) in London (Greater London), England, Vereinigtes Königreich (von 1967-05-28 bis 1967-05-29), Talent Masters Studios in New York, New York, Vereinigte Staaten (in 1967-07) und Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967-09)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 258)
recording of:
I Can See for Miles (von 1967-05-28 bis 1967-05-29)
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) und TRO-Essex Music, Inc.
recording of:
I Can See for Miles (in 1967-07)
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) und TRO-Essex Music, Inc.
recording of:
I Can See for Miles (in 1967-09)
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) und TRO-Essex Music, Inc.
The Who4.454:06
7Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:05
8Groovin'
Produzent(in):
The Rascals (US soul & rock group, formerly known as The Young Rascals)
Hintergrundgesang:
David Brigati
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Groovin’
Verfasser(in):
Eddie Brigati und Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Young Rascals2:29
9High Flyin' Bird
cover recording of:
High Flying Bird
Texter und Komponist(in):
Billy Edd Wheeler
Richie Havens3:35
10The Weight
Techniker(in):
Don Hahn (engineer) und Tony May (engineer)
Produzent(in):
The Band (Canadian-American rock band) und John Simon (US producer, arranger, composer, songwriter and musician)
Akustikgitarre:
Robbie Robertson (am 1968-01-12)
Bassgitarre:
Rick Danko (am 1968-01-12)
Klavier:
Garth Hudson (am 1968-01-12)
Schlagzeug:
Levon Helm (am 1968-01-12)
Hintergrundgesang:
Rick Danko (am 1968-01-12), Levon Helm (am 1968-01-12) und Richard Manuel (am 1968-01-12)
Sologesang:
Rick Danko (am 1968-01-12) und Levon Helm (am 1968-01-12)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1968-01-12)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 80) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
The Weight (am 1968-01-12)
Texter und Komponist(in):
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.154:33
11You Ain't Going Nowhere
Techniker(in):
Charlie Bragg und Roy Halee
Produzent(in):
Gary Usher
Hintergrundgesang:
Chris Hillman (am 1968-03-09)
vocals:
Roger McGuinn (am 1968-03-09)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
Samples von:
Sweetheart of the Rodeo (stereo) von The Byrds (American rock band) (am 1968-08-30)
cover recording of:
You Ain’t Goin’ Nowhere (am 1968-03-09)
Texter und Komponist(in):
Bob Dylan (in 1967)
zusätzlicher Texter:
Bob Dylan (in 1971)
publisher:
Dwarf Music (vom 1967 bis heute)
The Byrds3.52:34
12The Time Has Come Today
Produzent(in):
David Rubinson
Interpret(in):
The Chambers Brothers
phonographisches Urheberrecht (℗) von:
IDOL (Independent Distribution On Line) (in 2013)
Bearbeitung von:
Time Has Come Today (original unedited studio mix) von The Chambers Brothers
recording of:
Time Has Come Today (am 1967-08-09)
Verfasser(in):
Joseph Chambers (The Chambers Brothers) und Willie Chambers
The Chambers Brothers44:56
13With a Little Help From My Friends
Produzent(in):
Denny Cordell
Mix:
Tony Visconti
Bassgitarre:
Chris Stainton (keyboard player, session musician and songwriter)
Gitarre:
Jimmy Page
Orgel:
Tommy Eyre
Schlagzeug:
Barrie James Wilson
Hintergrundgesang:
Madeline Bell, Rosetta Hightower und Sunny Weetman
phonographisches Urheberrecht (℗) von:
Straight Ahead Productions Ltd. (in 1968)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 86)
cover recording of:
With a Little Help From My Friends
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP) (vom 1967 bis heute)
Joe Cocker3.85:12
14Summertime Blues
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967)
Produzent(in):
Abe Kesh
Bass und Sologesang:
Dickie Peterson (in 1967)
Gitarre:
Leigh Stephens (in 1967)
Schlagzeug:
Paul Whaley (in 1967)
phonographisches Urheberrecht (℗) von:
Mercury Inc. (copyrights use only) (in 1968)
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 63)
cover recording of:
Summertime Blues (in 1967)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Blue Cheer4.53:47
15Nights in White Satin
leitende(r) Produzent(in):
Hugh Mendl
Produzent(in):
Tony Clark (engineer, Abbey Road)
phonographisches Urheberrecht (℗) von:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. und Tyler Music Ltd.
The Moody Blues4.44:25
16Mendocino
recording of:
Mendocino (in 1968)
Texter und Komponist(in):
Doug Sahm
Sir Douglas Quintet2:43
17Get Together
recorded in:
New York, New York, Vereinigte Staaten (in 1966-11)
Produzent(in):
Felix Pappalardi
Bass und Sologesang:
Jesse Colin Young (in 1966-11)
Gitarre und Hintergrundgesang:
Jerry Corbitt (in 1966-11) und Lowell Levinger (in 1966-11)
Keyboard:
Lowell Levinger (in 1966-11)
Schlagzeug:
Joe Bauer (founding member of ''The Youngbloods'') (in 1966-11)
cover recording of:
Let’s Get Together (in 1966-11)
Texter und Komponist(in):
Chet Powers
publisher:
Irving Music (BMI) und Irving Music, Inc.
The Youngbloods3.754:36
18My Uncle
Schlagzeug:
Jon Corneal
recording of:
My Uncle
Komponist(in):
Chris Hillman und Gram Parsons
The Flying Burrito Brothers2:37
19Something in the Air
Produzent(in):
Pete Townshend (of The Who)
recording of:
Something in the Air (in 1969)
Texter und Komponist(in):
John Keen (“Speedy”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) und Songs of Windswept Pacific
Thunderclap Newman43:55