Secret Story

~ Veröffentlichung von Pat Metheny (alle Versionen dieser Veröffentlichung ansehen, 7 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Above the Treetops
Koproduzent(in):
David Oakes
Akustikgitarre und Synthesizer [all synths]:
Pat Metheny
Kontrabass:
Charlie Haden (American jazz bassist)
Perkussion:
Armando Marçal und Naná Vasconcelos
Orchester:
Members of The London Musicians Orchestra, The Pinpeat Orchestra of the Royal Ballet (Royal Palace, Phnom Penh) und The Choir Of The Cambodian Royal Palace (Phnom Penh)
conductor:
Jeremy Lubbock
instruments arranger:
Pat Metheny
arranger:
Mike Townend
phonographisches Urheberrecht (℗) von:
Metheny Group Productions, Inc. (use for copyright only) (in 1992)
recording of:
Above the Treetops
Komponist(in):
Pat Metheny
Übersetzer:
Mike Townend
basiert auf:
Buong Suong (traditionl cambodian hymn)
52:44
2Facing West
Koproduzent(in):
David Oakes
Akustikgitarre, E-Bass, E-Gitarre und Synthesizer:
Pat Metheny
Klavier:
Lyle Mays
Perkussion:
Armando Marçal
Orchester:
Members of the London Orchestra
conductor:
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Metheny Group Productions, Inc. (use for copyright only) (in 1992)
recording of:
Facing West
Komponist(in):
Pat Metheny
56:06
3Cathedral in a Suitcase
Koproduzent(in):
David Oakes
Bass, E-Gitarre, Gitarrensynthesizer, Keyboard, Perkussion [Electric Percussion] und Synthesizer:
Pat Metheny
Becken [Cymbal Roll]:
Danny Gottlieb (drummer)
Perkussion:
Armando Marçal
Schlagzeug:
Steve Ferrone
vocals:
Mark Ledford
Orchester:
Members of the London Orchestra
conductor:
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Metheny Group Productions, Inc. (use for copyright only) (in 1992)
recording of:
Cathedral in a Suitcase
Komponist(in):
Pat Metheny
4:52
4Finding and Believing
Koproduzent(in):
David Oakes
accordion:
Gil Goldstein
Akustikgitarre, E-Gitarre, Klavier, Perkussion [elctric percussion], Sitar und Synthesizer [all synths]:
Pat Metheny
Bass [Acoustic bass pt. 3]:
Steve Rodby
Bass [electric bass pt. 1]:
Will Lee (US jazz/rock bassist)
Perkussion:
Armando Marçal und Naná Vasconcelos
Schlagzeug [pt. 1]:
Steve Ferrone
Schlagzeug [pt. 3]:
Paul Wertico
vocals:
Mark Ledford
Orchester:
Members of the London Orchestra
conductor:
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Metheny Group Productions, Inc. (use for copyright only) (in 1992)
recording of:
Finding and Believing
Komponist(in):
Pat Metheny
510:00
5The Longest Summer
Koproduzent(in):
David Oakes
Akustikgitarre, Gitarrensynthesizer und Klavier:
Pat Metheny
Bass [acoustic bass]:
Steve Rodby
Perkussion:
Armando Marçal und Naná Vasconcelos
Schlagzeug [pt. 1]:
Paul Wertico
Schlagzeug [pt. 2]:
Steve Ferrone
Orchester:
Members of the London Orchestra
conductor:
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Metheny Group Productions, Inc. (use for copyright only) (in 1992)
recording of:
The Longest Summer
Komponist(in):
Pat Metheny
36:34
6Sunlight
Koproduzent(in):
David Oakes
Akustikgitarre, E-Gitarre, Hybrid-Piano, Keyboard und Synthesizer [all synths]:
Pat Metheny
Bass [acoustic & electric bass]:
Steve Rodby
Bass [electric bass]:
Will Lee (US jazz/rock bassist)
Klavier:
Lyle Mays
Perkussion:
Armando Marçal
Schlagzeug:
Sammy Merendino
Orchester:
Members of the London Orchestra
conductor:
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Metheny Group Productions, Inc. (use for copyright only) (in 1992)
recording of:
Sunlight
Komponist(in):
Pat Metheny
3:53
7Rain River
Koproduzent(in):
David Oakes
Bass [acoustic bass]:
Steve Rodby
E-Gitarre, E-Sitars, Keyboard, Perkussion [electric percussions] und Synthesizer [all synths]:
Pat Metheny
flute:
Andy Findon
Klavier [acoustic piano]:
Gil Goldstein
Perkussion:
Armando Marçal
Schlagzeug:
Paul Wertico
Orchester:
Members of the London Orchestra
conductor:
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Metheny Group Productions, Inc. (use for copyright only) (in 1992)
recording of:
Rain River
Komponist(in):
Pat Metheny
47:09
8Always and Forever
Koproduzent(in):
David Oakes
Akustikgitarre, Hybrid-Piano und Synthesizer [synths]:
Pat Metheny
Kontrabass:
Charlie Haden (American jazz bassist)
Mundharmonika:
Toots Thielemans
Schlagzeug:
Paul Wertico
Orchester:
Members of the London Orchestra
conductor:
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Metheny Group Productions, Inc. (use for copyright only) (in 1992)
recording of:
Always and Forever
Komponist(in):
Pat Metheny
45:27
9See the World
Koproduzent(in):
David Oakes
Akustikgitarre, Hybrid-Piano und Synthesizer [all synths]:
Pat Metheny
Bass [acoustic bass]:
Steve Rodby
Bass [interlude contrabass guitar]:
Anthony Jackson (US bassist)
Bassposaune:
Dave Taylor (US jazz bass trombonist)
Flügelhorn und Trompete:
Ryan Kisor, Mike Metheny und Michael Philip Mossman
Klavier [acoustic piano]:
Gil Goldstein
Perkussion:
Armando Marçal
Posaune:
Dave Bargeron (US trombonist & tubist) und Tom “Bones” Malone (US trombonist)
Schlagzeug:
Paul Wertico
Tuba:
Dave Bargeron (US trombonist & tubist)
Waldhorn:
John Clark (flute & horn player)
Orchester:
Members of the London Orchestra
conductor:
Gil Goldstein und Jeremy Lubbock
Horn arranger:
Pat Metheny
phonographisches Urheberrecht (℗) von:
Metheny Group Productions, Inc. (use for copyright only) (in 1992)
recording of:
See the World
Komponist(in):
Pat Metheny
44:48
10As a Flower Blossoms (I am Running to You)
Koproduzent(in):
David Oakes
Gitarre [pikasso guitar], Klavier und Synthesizer [all synths]:
Pat Metheny
Perkussion:
Naná Vasconcelos
vocals:
Akiko Yano
Orchester:
Members of the London Orchestra
conductor:
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Metheny Group Productions, Inc. (use for copyright only) (in 1992)
recording of:
As a Flower Blossoms (I am Running to You)
Texter:
Akiko Yano
Komponist(in):
Pat Metheny
1:54
11Antonia
Koproduzent(in):
David Oakes
Bass [acoustic bass]:
Steve Rodby
Becken [Cymbal Roll]:
Danny Gottlieb (drummer)
E-Gitarre, Keyboard [all keyboards], Klavier und Synclavier [synclavier accordion]:
Pat Metheny
Mundharmonika:
Toots Thielemans
Perkussion:
Naná Vasconcelos
Schlagzeug:
Paul Wertico
vocals:
Naná Vasconcelos
Orchester:
Members of the London Orchestra
conductor:
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Metheny Group Productions, Inc. (use for copyright only) (in 1992)
recording of:
Antonia
Komponist(in):
Pat Metheny
46:11
12The Truth Will Always Be
Koproduzent(in):
David Oakes
Bass [electric bass]:
Will Lee (US jazz/rock bassist)
E-Gitarre, Keyboard, Perkussion [electric percussion] und Synthesizer [all synths]:
Pat Metheny
Perkussion:
Armando Marçal und Naná Vasconcelos
Schlagzeug:
Steve Ferrone
vocals:
Naná Vasconcelos
Orchester:
Members of the London Orchestra
conductor:
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Metheny Group Productions, Inc. (use for copyright only) (in 1992)
recording of:
The Truth Will Always Be
Komponist(in):
Pat Metheny
59:16
13Tell Her You Saw Me
Koproduzent(in):
David Oakes
Gitarre und Synthesizer:
Pat Metheny
Harfe:
Skaila Kanga (harpist)
Orchester:
Members of the London Orchestra
conductor:
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Metheny Group Productions, Inc. (use for copyright only) (in 1992)
recording of:
Tell Her You Saw Me
Komponist(in):
Pat Metheny
45:11
14Not To Be Forgotten (Our Final Hour)
Koproduzent(in):
David Oakes
Orchester:
Members of the London Orchestra
conductor:
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Metheny Group Productions, Inc. (use for copyright only) (in 1992)
recording of:
Not To Be Forgotten (Our Final Hour)
Komponist(in):
Pat Metheny
2:20

Nennungen

Veröffentlichung

recorded in:Cambridge, Massachusetts, Vereinigte Staaten (von 1991 bis 1992)
Leblon (Rio de Janeiro), Rio de Janeiro, Brasilien (von 1991 bis 1992)
art direction und Grafikdesign:Kevin Reagan
Fotografie:Richard Litt
mastering:Ted Jensen (American mastering engineer)
vertrieben von:BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation)
urheberrechtlich geschützt (©) von:The David Geffen Company (legal rights relating to Geffen Records) (in 1992)
aufgenommen bei:Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1991 bis 1992)
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1991 bis 1992)
mastered at:Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, Vereinigte Staaten
Discogs:https://www.discogs.com/release/818178 [Info]
ASIN:US: B000000OSS [Info]