The Legends of Rock ’n’ Roll

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Return to Sender
registrazione di:
Return to Sender
autore:
Otis Blackwell (American pianist, singer and songwriter) e Winfield Scott
traduttore:
Margot Borgström
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), The Manor Music Co. Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Carlin Music Corp. (nel 1981)
versione di:
Verkeerd verbonden
Elvis Presley with the Jordanaires2:09
2(We’re Gonna) Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra elettrica [lead guitar] :
Danny Cedrone (il 1954-04-12)
chitarra elettrica [rhythm guitar] e voce principale:
Bill Haley (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
diritti fonografici (℗) detenuti da:
Sonet Music AB (nel 1954) e MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (nel 1955)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley and His Comets4.352:14
3That’ll Be the Day
produttore:
Norman Petty
batteria :
Jerry Allison (il 1957-02-25)
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25) e Niki Sullivan (il 1957-02-25)
contrabbasso :
Larry Welborn (il 1957-02-25)
voce di accompagnamento:
June Clark (background vocals for The Crickets) (il 1957-02-25), Gary Tollett (il 1957-02-25), Niki Sullivan (il 1957-02-25) e Ramona Tollett (il 1957-02-25)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-02-25)
registrazione di:
That’ll Be the Day (il 1957-02-25)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
Buddy Holly & the Crickets4.62:18
4La Bamba
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 142) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 346)
registrazione di:
La bamba (additional lyrics by Ritchie Valens) (il 1958-11-17)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Ritchie Valens4.752:05
5Money Honey
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
chitarra :
Walter Adams (guitarist for The Drifters) (il 1953-08-09)
voce di baritono:
Gerhart Thrasher (il 1953-08-09)
voce di basso:
Willie Ferbie (il 1953-08-09)
voce di tenore:
Bill Pinkney (il 1953-08-09) e Andrew Thrasher (il 1953-08-09)
voce principale:
Clyde McPhatter (il 1953-08-09)
registrata presso:
Atlantic Recording Studio (234 West 56th St., New York, 1947-1956) in Manhattan, New York, New York, Stati Uniti (il 1953-08-09)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 252)
registrazione di:
Money Honey (il 1953-08-09)
paroliere e compositore:
Jesse Stone
editore:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) e ZFC Music
Clyde McPhatter & the Drifters42:58
6Don’t Be Cruel
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 11) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 197)
registrazione di:
Don’t Be Cruel (il 1956-07-02)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. e Williamson Music Company
Elvis Presley3.82:04
7Shake, Rattle, and Roll
batteria :
Panama Francis (US swing jazz drummer) (il 1954-06-07)
chitarra :
Bill Haley (il 1954-06-07)
chitarra elettrica :
Danny Cedrone (il 1954-06-07)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-06-07)
contrabbasso :
Marshall Lytle (il 1954-06-07)
pianoforte :
Johnny Grande (il 1954-06-07)
sassofono tenore :
Joey D'Ambrosio (il 1954-06-07)
voce:
Bill Haley (il 1954-06-07)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-06-07)
registrazione cover di:
Shake, Rattle and Roll (il 1954-06-07)
paroliere aggiunto:
Daryl Bosteels
autore:
Charles Calhoun e Jesse Stone
editore:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music e Unichappell Music, Inc.
Bill Haley and His Comets42:32
8Peggy Sue
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01) e Niki Sullivan (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 194) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 370)
registrazione di:
Peggy Sue (dal 1957-06-29 al 1957-07-01)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) e Wren Music Co.
Buddy Holly4.52:33
9Baby (You’ve Got What It Takes)
esecutore:
Brook Benton
registrazione cover di:
Baby, (You’ve Got What It Takes) (nel 1959)
autore:
Clyde Otis (American songwriter and record producer) e Murray Stein
editore:
Sony/ATV Melody, The Clyde Otis Music Group (publisher; do NOT use as release label), Universal–Songs of PolyGram International, Inc., Chappell Morris Ltd. (nel 1951) e Vogue Music Corp. (nel 1951)
Dinah Washington & Brook Benton3.652:47
10I’ve Been Loving You Too Long (to Stop Now)
registrazione di:
I’ve Been Loving You Too Long
autore:
Jerry Butler (soul singer) (nel 1965) e Otis Redding (nel 1965)
editore:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) e Wildwood Music Ltd.
Otis Redding3:13
11Heartbreak Hotel
registrazione di:
Heartbreak Hotel
autore:
Mae Boren Axton, Tommy Durden e Elvis Presley (“The King of Rock and Roll”)
editore:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing e Unichappell Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Elvis Presley2:12
12Treasure of Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 24)
registrazione di:
Treasure of Love
autore:
Lou Shapiro e Joe Stallman
Clyde McPhatter42:12
13Come On, Let’s Go
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
registrazione di:
Come On, Let’s Go
paroliere e compositore:
Ritchie Valens
editore:
Tro-Essex Music Ltd.
Ritchie Valens4.252:03
14See Ya Later, Alligator
basso :
Al Rex (il 1955-12-12)
batteria :
Ralph Jones (1950s drummer) (il 1955-12-12)
chitarra :
Bill Haley (il 1955-12-12)
chitarra elettrica :
Francis 'Franny' Beecher (il 1955-12-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1955-12-12)
pianoforte :
Johnny Grande (il 1955-12-12)
sassofono tenore :
Rudy Pompilli (il 1955-12-12)
voce:
Bill Haley (il 1955-12-12)
registrata presso:
Decca Studios (New York) in New York, New York, Stati Uniti (il 1955-12-12)
registrazione cover di:
See You Later, Alligator (il 1955-12-12)
paroliere e compositore:
Robert Guidry (nel 1955-10)
Bill Haley and His Comets42:48
15Maybe Baby
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-09-29)
batteria :
Jerry Allison (il 1957-09-29)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-09-29) e Niki Sullivan (il 1957-09-29)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-09-29)
voce di accompagnamento:
Bob Lapham (dal 1957-10-12 al 1957-10-14), Bill Pickering (dal 1957-10-12 al 1957-10-14) e John Pickering (vocalist and leader of The Picks) (dal 1957-10-12 al 1957-10-14)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Stati Uniti (il 1957-09-29) e Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1957-10-12 al 1957-10-14)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 14)
registrazione di:
Maybe Baby (dal 1957-09-29 al 1957-10-14)
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Melody Lane Pub e MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
Buddy Holly & the Crickets3.752:04
16Donna
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
registrazione di:
Donna
paroliere e compositore:
Ritchie Valens
editore:
Aberbach Musikverlag (German publisher) e Carlin Music Corporation
Ritchie Valens4.82:24
17Try a Little Tenderness
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-09-13)
produttore:
Steve Cropper, Otis Redding e Jim Stewart (US producer, founder for Stax & Volt Records)
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1966-09-13)
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1966-09-13)
chitarra :
Steve Cropper (il 1966-09-13)
sassofono tenore :
Gilbert Caples (il 1966-09-13) e Andrew Love (il 1966-09-13)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1966-09-13)
voce:
Otis Redding (il 1966-09-13)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 136) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 204)
registrazione cover di:
Try a Little Tenderness (il 1966-09-13)
paroliere:
James Campbell (British songwriter and music publisher) e Reginald Connelly
compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell e Campbell Connelly & Co. Ltd. (il 1932-11-04)
Otis Redding4.23:46
18Lover Please
registrata a:
New York, New York, Stati Uniti (nel 1962-02)
voce principale:
Clyde McPhatter (nel 1962-02)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (conclusa)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
registrazione cover di:
Lover Please (nel 1962-02)
paroliere e compositore:
Billy Swan
Clyde McPhatter1:58
19Unforgettable
voce:
Dinah Washington (nel 1959-08)
registrazione cover di:
Unforgettable (nel 1959-08)
paroliere e compositore:
Irving Gordon (US songwriter)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Bourne Music Ltd.
Dinah Washington22:45
20(Sittin’ On) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:41

Accreditamenti