The Ultimate Chick Flick Soundtrack

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Can’t Fight the Moonlight
sonstige Unterstützung:
Sara Lind (Aufgabe: technical assistant) und Robert Orton (Aufgabe: technical assistant)
Techniker(in) und Mix:
Steve MacMillan
zusätzliche(r) Techniker(in):
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach und Tim Weidner (engineer)
Produzent(in):
Trevor Horn
Bass:
Lee Sklar (bassist, session musician) und Jamie Muhoberac
Gitarre:
Tim Pierce (US session guitarist)
Keyboard [keyboards]:
Jamie Muhoberac
Klavier:
Alan Pasqua
Schlagzeug [drums]:
Curt Bisquera und John Robinson (session drummer)
Hintergrundgesang:
Sue Ann Carwell und Niki Harris (US singer and dancer)
Orchestrator(in):
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographisches Urheberrecht (℗) von:
Curb Records, Inc. (holding company - do not use as release label) (in 2000) und Curb Records, Inc. (holding company - do not use as release label) (in 2020)
aufgenommen bei:
Royal Tone Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sarm West Coast in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Can't Fight the Moonlight (longer version) von LeAnn Rimes (US country & pop singer)
Teil von:
Billboard Year-End Hot 100 singles of 2002 (Nummer: 56)
recording of:
Can’t Fight the Moonlight
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Realsongs und Universal/MCA Music Ltd. (not for release label use!)
LeAnn Rimes2.853:35
2Girls Just Want to Have Fun
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Bass:
Eric Bazilian
E-Gitarre:
Rick DiFonzo
elektronisches Schlagzeug / E-Drums:
Anton Fig
Keyboard [keyboards] und Synthesizer [synthesizers]:
Rob Hyman
Hintergrundgesang:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart und Diane Wilson (vocals)
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Girls Just Want to Have Fun von Cyndi Lauper
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 63)
recording of:
Girls Just Want to Have Fun
Texter und Komponist(in):
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:49
3When You Say Nothing at All
Programmierung und Produzent(in):
Stephen Lipson
Techniker(in) und Mix:
Heff Moraes
accordion und Trillerpfeife:
James McNally
Bass:
Stephen Lipson
Gitarre:
Dominic Miller (guitarist)
Keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Schlagzeug:
Andy Duncan (UK drummer and producer)
Hintergrundgesang:
Tessa Niles und Miriam Stockley
vocals:
Ronan Keating
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) und Polygram Ireland Ltd. (in 1999)
aufgenommen bei:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich und The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
mixed at:
The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
When You Say Nothing at All
Verfasser(in):
Paul Overstreet (country singer and songwriter) und Don Schlitz
Ronan Keating2.754:14
4Show Me Heaven
phonographisches Urheberrecht (℗) von:
MCA (1967–2003; name as in imprint during 1972–1990) (in 1990) und The David Geffen Company (legal rights relating to Geffen Records) (in 1990)
recording of:
Show Me Heaven
Verfasser(in):
Eric Rackin (Production music composer), Maria McKee und Jay Rifkin
publisher:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:45
5It’s Raining Men
membranophone-Programmierung:
Andy Duncan (UK drummer and producer)
Programmierung und Produzent(in):
Stephen Lipson
Techniker(in) und Mix:
Heff Moraes
Saiteninstrumente arranger:
Nick Ingman
cover recording of:
It’s Raining Men
Verfasser(in):
Paul Jabara und Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Geri Halliwell34:18
6Love Is All Around
Koproduzent(in):
Graeme Duffin
conductor:
Fiachra Trench
Saiteninstrumente arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1994) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
Musikvideos:
Love Is All Around von Wet Wet Wet
cover recording of:
Love Is All Around
Texter und Komponist(in):
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:51
7Pure Shores
Programmierung:
Sean Spuehler
Produzent(in):
William Orbit (English musician, composer and record producer)
Mix:
Mark “Spike” Stent (producer, engineer)
vocals:
Melanie Blatt und Shaznay Lewis
phonographisches Urheberrecht (℗) von:
Warner Music UK Limited (not for release label use!) (in 2000)
Teil von:
The Downloader’s Music Source Book (Nummer: 380)
recording of:
Pure Shores
Komponist(in):
Shaznay Lewis und William Orbit (English musician, composer and record producer)
All Saints3.654:28
8Pretty Woman
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-08-01)
Produzent(in):
Fred Foster
Gitarre:
Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (guitar) (am 1964-08-01)
Klavier:
Floyd Cramer (am 1964-08-01)
Kontrabass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (am 1964-08-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-08-01)
Perkussion:
Paul Garrison (am 1964-08-01)
Saxophon:
Boots Randolph (am 1964-08-01)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1964-08-01)
zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
Roy Orbison (am 1964-08-01)
vocals:
Roy Orbison
phonographisches Urheberrecht (℗) von:
Orbison Records, Orbison Records, Inc. und Monument Record Corp. (not for release label use!) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (am 1964-08-01)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
Roy Orbison4.32:59
9Stay (I Missed You)
Techniker(in) und Produzent(in):
Juan Patiño
zusätzliche(r) Techniker(in):
Steve Holroyd
Mix:
Brian Malouf
Akustikgitarre und Hintergrundgesang [harmony vocals] und Sologesang:
Lisa Loeb
Bassgitarre [bass]:
Joe Quigley
E-Gitarre:
Tim Bright und Daniel Littleton
Perkussion:
Steve Forman (US percussionist)
Schlagzeug und Perkussion:
Jonathan Feinberg
Hintergrundgesang [harmony vocals]:
Elizabeth Mitchell und Juan Patiño
Hintergrundgesang [vocal harmonies] arranger:
Lisa Loeb und Juan Patiño
phonographisches Urheberrecht (℗) von:
Lisa Loeb (in 1994)
Musikvideos:
Stay (I Missed You) von Lisa Loeb
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 389)
recording of:
Stay
publisher:
Lisa Loeb
Texter und Komponist(in):
Lisa Loeb
Lisa Loeb3.63:02
10Why Does My Heart Feel So Bad?
Techniker(in), Produzent(in) und Mix:
Moby (electronic musician Richard Melville Hall)
Chorgesang und Gast Chorgesang:
The Shining Light Gospel Choir
Musikvideos:
Why Does My Heart Feel So Bad? (Animated) von Moby (electronic musician Richard Melville Hall)
recording of:
Why Does My Heart Feel So Bad?
Texter und Komponist(in):
Moby (electronic musician Richard Melville Hall)
publisher:
Little Idiot Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Moby43:44
11Turn Back Time
Produzent(in) und Mix:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
phonographisches Urheberrecht (℗) von:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group)
recording of:
Turn Back Time
Verfasser(in):
Claus Norreen und Søren Rasted
publisher:
MCA Music Scandinavia AB und Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.554:06
12It Must Have Been Love
Programmierung:
Clarence Öfwerman (von 1987 bis 1990)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Humberto Gatica
E-Gitarre [electric guitars]:
Jonas Isacsson (von 1987 bis 1990)
Keyboard [keyboards] und Synclavier:
Clarence Öfwerman (von 1987 bis 1990)
Schlagzeug:
Pelle Alsing (von 1987 bis 1990)
vocals:
Marie Fredriksson (von 1987 bis 1990) und Per Gessle (Swedish singer and guitarist) (von 1987 bis 1990)
phonographisches Urheberrecht (℗) von:
EMI Svenska AB (not for release label use!) (in 1990) und Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
aufgenommen bei:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990) und EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990)
mixed at:
Ground Control Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 466)
recording of:
It Must Have Been Love (von 1987 bis 1990)
Texter und Komponist(in):
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jimmy Fun Music
Roxette3.154:19
13Lonely at the Top
Techniker(in) und Mix:
Lee Herschberg
Produzent(in):
Russ Titelman und Lenny Waronker
alto saxophone:
Abe Most (in 1972)
Klavier:
Randy Newman (American singer‐songwriter and score composer) (am 1971-08-21, in 1972)
vocals:
Randy Newman (American singer‐songwriter and score composer) (am 1971-08-21)
arranger:
Randy Newman (American singer‐songwriter and score composer)
live recording of:
It’s Lonely at the Top (am 1971-08-21)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
January Music Corp. (in 1970) und Unichappell Music, Inc. (in 1970)
recording of:
It’s Lonely at the Top (in 1972)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
January Music Corp. (in 1970) und Unichappell Music, Inc. (in 1970)
Randy Newman2:33
14Wives & Lovers
cover recording of:
Wives and Lovers
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Virgin Music (Publishers) Ltd.
Dionne Warwick3:04
15Lady Marmalade
Produzent(in):
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 411) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
LaBelle3.33:55
16Every You Every Me
zusätzlich recording engineer:
Téo Miller und Phil Vinall (UK producer)
Techniker(in):
Adrian Bushby
zusätzliche(r) Techniker(in):
Paul Corkett und Téo Miller
Produzent(in):
Steve Osborne (producer)
Mix:
Phil Vinall (UK producer)
remixer:
Placebo (UK alternative rock band) und Phil Vinall (UK producer)
recording of:
Every You Every Me
Texter:
Paul Campion und Brian Molko
Komponist(in):
Placebo (UK alternative rock band)
publisher:
BMG Consortium Music Publishing Germany, BMG FM Music Limited, BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Elevator Lady Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mukka Music, Sony/ATV Music Publishing LLC (1995–2020), Stage Three Music Publishing Limited, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing International Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Placebo43:35
17Have You Met Miss Jones?
recording engineer und Mix:
Al Schmitt
Techniker(in):
Jim Brumby (UK engineer) und Steve Price (UK recording engineer/producer/orchestrator/arranger)
zusätzliche(r) Techniker(in):
Jim Brumby (UK engineer) und Tom Jenkins (English sound engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Steve Genewick
alto saxophone [alto saxophones]:
Iain Dixon und Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Phil Todd (UK flautist/saxophonist)
Bassposaune:
Dave Stewart (trombonist)
E-Gitarre:
Mitch Dalton
Klavier:
Dave Arch (pianist, conductor, arranger and composer)
Kontrabass:
Sam Burgess
Posaune [trombones]:
Gordon Campbell (UK trombone player; BBC Big Band), Richard Edwards (trombonist) und Neil Sidwell
Schlagzeug [drums]:
Ralph Salmins
Tenorsaxophon [tenor saxophones]:
Dave Bishop (saxophonist) und Chris White (UK jazz saxophonist)
Trompete [trumpets]:
John Barclay (trumpeter), Stuart Brooks (trumpet and horn player), Simon Gardner (trumpet player) und Paul Spong (trumpetist)
Vibraphon:
Anthony Kerr
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
Robbie Williams3.42:36
18Hippy Hippy Shake
Produzent(in):
The Georgia Satellites und Brendan O’Brien (engineer)
cover recording of:
Hippy Hippy Shake
Texter und Komponist(in):
Chan Romero
publisher:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) und Universal Music Careers
The Georgia Satellites2.51:48
19Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (von 1967-03-28 bis 1967-04-07)
Texter und Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
Van Morrison3.53:06
20Why
Programmierung:
Marius de Vries, Stephen Lipson und Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Techniker(in):
Heff Moraes
Produzent(in):
Stephen Lipson
assistierende(r) Mix:
Will O'Donovan
Gitarre:
Stephen Lipson
Keyboard:
Marius de Vries, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists), Stephen Lipson und Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
recorder:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographisches Urheberrecht (℗) von:
BMG Ariola Muenchen GmbH (in 1992) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1992)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich und The Church Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
recording of:
Why
Texter und Komponist(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Records (not for release label use! primarily named as distributor in the UK), La Lennoxa Music Co. Ltd. und Universal Music Publishing MGB Ltd.
Annie Lennox3.54:53
21Nothing’s Gonna Stop Us Now
Interpret(in):
Starship (continuation of Jefferson Starship) (in 1987)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
cover recording of:
Nothing’s Gonna Stop Us Now
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
Starship3.754:26
22Cruel Summer
Produzent(in):
Steve Jolley und Tony Swain (songwriter, producer)
Sologesang:
Sara Dallin (in 1983-04), Siobhan Fahey (in 1983-04) und Keren Woodward (in 1983-04)
Interpret(in):
Bananarama (in 1983-04)
phonographisches Urheberrecht (℗) von:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1983) und London Records Ltd. (not release label) (in 1984)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 44) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 414)
recording of:
Cruel Summer (in 1983-04)
Texter:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) und Keren Woodward
Komponist(in):
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) und Keren Woodward
publisher:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:27
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