More Complete Eighties

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Rapture
produttore:
Mike Chapman (Australian producer and songwriter)
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980) e Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 1981, nel 2002)
registrazione di:
Rapture
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation e Rare Blue Music Inc
Blondie4.155:35
2View From a Bridge
produttore:
Ricky Wilde
voce principale:
Kim Wilde
diritti fonografici (℗) detenuti da:
Cherry Pop (a division of Cherry Red Records Ltd.), RAK, EMI France (nel 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1996, nel 2001) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrazione di:
View From a Bridge
autore:
Marty Wilde e Ricky Wilde
Kim Wilde43:31
3Hungry Like the Wolf
tecnico e produttore:
Colin Thurston
esecutore:
Duran Duran (English rock band) (nel 1982)
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (nel 1982) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 398)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
adattamenti:
Hungry Like a Pig
Duran Duran3.353:25
4Talk Talk
produttore:
Rhett Davies
registrazione di:
Talk Talk (Talk Talk)
paroliere e compositore:
Ed Hollis (British songwriter and producer) e Mark Hollis
Talk Talk52:56
5Take the L
registrazione di:
Take the L
autore:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer), Martha Davis (of The Motels) e Marty Jourard (keyboardist and vocalist for The Motels)
editore:
Bug Music (music publishing), Hello Mr. Wilson e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Motels43:39
6Don't Go
tecnico:
John Fryer (British producer and engineer) e Eric Radcliffe (UK producer / engineer / musician)
produttore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) e Daniel Miller (British music producer and founder of Mute Records)
voce:
Alison Moyet
diritti fonografici (℗) detenuti da:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (nel 1982)
registrazione di:
Don’t Go
paroliere e compositore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Mega Music Ltd., Musical Moments Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing Scandinavia KB
Yazoo4.63:01
7It Started With a Kiss
produttore:
Mickie Most (English record producer)
voce principale:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (nel 1982)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2011)
video musicali:
It Started With a Kiss di Hot Chocolate (70s and 80s British soul band)
registrazione di:
It Started With a Kiss (nel 1982)
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. e Universal Music Publishing MGB Australia
Hot Chocolate34:01
8Do You Really Want to Hurt Me?
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd.
Culture Club3.954:21
9Science Fiction
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983) e Chrysalis Records, Inc. (not for release label use!) (nel 1983)
registrazione di:
Science Fiction (Divinyls song)
autore:
Chrissy Amphlett e Mark McEntee
editore:
EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Divinyls3:30
10The Message
produttore:
J. Chase e Sylvia Robinson
voce:
Duke Bootee e Melle Mel (Melvin Glover aka Melle Mel)
diritti fonografici (℗) detenuti da:
Sugar Hill Records (US late 70s/early 80s rap) (dal 1982 a oggi)
edit di:
The Message (original version) di Grandmaster Flash & The Furious Five
registrazione di:
The Message (nel 1982)
autore:
Edward Fletcher, Jiggs Chase, Melvin Glover (Melvin Glover aka Melle Mel) e Sylvia Robinson
editore:
IQ Music Ltd.
Grandmaster Flash & The Furious Five4.353:11
11The Other Guy
registrata a:
Melbourne, Victoria, Australia (nel 1982-09)
produttore:
Little River Band e Ern Rose
basso :
Wayne Nelson (nel 1982-09)
batteria :
Derek Pellicci (nel 1982-09)
chitarra :
Beeb Birtles (nel 1982-09) e Stephen Housden (guitarist) (nel 1982-09)
chitarra acustica :
Beeb Birtles (nel 1982-09) e Graham Goble (nel 1982-09)
pianoforte elettrico :
David Hirschfelder (Australian score composer) (nel 1982-09)
sintetizzatore :
Peter Jones (Australian pianist/composer) (nel 1982-09)
voce:
Beeb Birtles (nel 1982-09) e Graham Goble (nel 1982-09)
voce principale:
John Farnham (nel 1982-09)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1982, nel 2002) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2002)
registrazione di:
The Other Guy (nel 1982-09)
paroliere e compositore:
Graeham Goble
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Music of the World (BMI publisher), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Universal/MCA Music Publishing Pty Ltd
Little River Band3.52:49
12We've Got Tonight
voce principale:
Sheena Easton e Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
esecutore:
Sheena Easton
registrazione cover di:
We’ve Got Tonite
paroliere e compositore:
Bob Seger
editore:
Hideout Records & Distributors, Inc. e Gear Publishing Co (nel 1976)
sub-editore:
大洋音楽 (Taiyō Music)
registrazione di:
We’ve Got Tonite
paroliere e compositore:
Bob Seger
editore:
Hideout Records & Distributors, Inc. e Gear Publishing Co (nel 1976)
sub-editore:
大洋音楽 (Taiyō Music)
Kenny Rogers & Sheena Easton33:48
13She Blinded Me With Science
programmazione degli strumenti:
Thomas Dolby
produttore:
Thomas Dolby e Tim Friese‐Greene
moog [Moog bass] ospite :
Matthew Seligman (nel 1982-08)
violino :
Simon House (nel 1982-08)
voce:
Thomas Dolby (nel 1982-08)
voce di accompagnamento:
Robert John “Mutt” Lange (Robert John Lange) (nel 1982-08) e Miriam Stockley (nel 1982-08)
voce parlata:
Magnus Pyke (nel 1982-08)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983)
registrata presso:
Odyssey Studio (London) in London (Greater London), England, Regno Unito (nel 1982-08)
mixata presso:
Odyssey Studio (London) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 76)
registrazione di:
She Blinded Me With Science (nel 1982-08)
paroliere:
Thomas Dolby e Tim Kerr (songwriter working with Thomas Dolby)
compositore:
Thomas Dolby
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Participation Music Inc.
Thomas Dolby43:42
14Jeopardy
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1983)
registrazione di:
Jeopardy
autore:
Greg Kihn e Steve Wright (bassist for the Greg Kihn Band)
Greg Kihn Band3.353:50
15No Tragedy
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 1983)
registrazione di:
No Tragedy
autore:
Geoff Turner (Australian)
editore:
Rondor Music (Australia) Pty Ltd
The Radiators4:01
16(Keep Feeling) Fascination
produttore:
Martin Rushent
remixer:
Chris Thomas (UK record producer / remixer)
video musicali:
(Keep Feeling) Fascination di The Human League
registrazione di:
(Keep Feeling) Fascination
autore:
Jo Callis e Philip Oakey
The Human League3.253:43
17Listening
tecnico:
Glenn Phimister
co-produttore:
Ross Fraser
produttore e tecnico di missaggio:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York) e Brian Canham (Australian singer ex. Pseudo Echo)
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 1984)
registrazione di:
Listening
autore:
Brian Canham (Australian singer ex. Pseudo Echo) e Tony Lugton
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Mushroom Music Pty. Ltd.
Pseudo Echo52:59
18Computer One
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984)
registrazione di:
Computer One
autore:
Martin Fisher (keyboards, in Dear Enemy) e Chris Langford
editore:
EMI Music Publishing (do not use as a release label!)
Dear Enemy4:36
19Temptation
registrazione di:
Temptation
autore:
Glenn Gregory, Ian Craig Marsh e Martyn Ware
editore:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 1734:11
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Accreditamenti

Pubblicazione

fabbricata a:Australia
fabbricata da:EMI Music Australia Pty. Limited (not for release label use!)
distribuito da:EMI Music Group Australasia (not for release label use! manufacturer and distributor)
copyright (©) detenuto da:EMI Music Australia Pty. Limited (not for release label use!) (nel 2006)
commercializzata da:EMI Music Australia Pty. Limited (not for release label use!)
EMI Music Group Australasia (not for release label use! manufacturer and distributor)
Discogs:https://www.discogs.com/release/2231402 [info]