Jazz Volume: Oscar Peterson

~ Veröffentlichung von Oscar Peterson (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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© «2024 UMG Recordings, Inc.»
℗ «2024 UMG Recordings, Inc. FP»

Anmerkung zuletzt geändert am 2024-09-26 22:12 UTC.

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1Honey Dripper
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-12-15, von 1962-12-15 bis 1962-12-16)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1962-12-15, von 1962-12-15 bis 1962-12-16)
Kontrabass:
Ray Brown (jazz bassist) (am 1962-12-15, von 1962-12-15 bis 1962-12-16)
Schlagzeug:
Ed Thigpen (am 1962-12-15, von 1962-12-15 bis 1962-12-16)
instrumental recording of:
The Honeydripper (am 1962-12-15)
Texter und Komponist(in):
Joe Liggins
recording of:
The Honeydripper (von 1962-12-15 bis 1962-12-16)
Texter und Komponist(in):
Joe Liggins
Oscar Peterson Trio2:22
2Now’s The Time
Oscar Peterson Trio2:34
3Turtle Neck
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-11-25)
Gitarre:
Barney Kessel (am 1951-11-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1951-11-25)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1951-11-25)
Oscar Peterson Trio2:20
4Gravy Waltz
Techniker(in):
Val Valentin
Produzent(in):
Jim Davis (jazz producer)
recording of:
Gravy Waltz (in 1963-02)
Texter:
Steve Allen (US actor, musician & comedian)
Komponist(in):
Ray Brown (jazz bassist)
Bill Henderson & Oscar Peterson Trio2:22
5Orange Colored Sky
Oscar Peterson Trio2:15
6Just In Time
recorded in:
Paris, Île-de-France, Frankreich (am 1959-05-18)
Gast-Bass und Kontrabass:
Ray Brown (jazz bassist) (am 1959-05-18)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-05-18)
Schlagzeug:
Ed Thigpen (am 1959-05-18)
instrumental recording of:
Just in Time (Bells Are Ringing) (am 1959-05-18)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
recording of:
Just in Time (Bells Are Ringing)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
Oscar Peterson Trio1:49
7Come Dance With Me
recorded in:
Paris, Île-de-France, Frankreich (am 1959-05-18)
Gast-Kontrabass und Kontrabass:
Ray Brown (jazz bassist) (am 1959-05-18)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-05-18)
Schlagzeug:
Ed Thigpen (am 1959-05-18)
instrumental recording of:
Come Dance With Me (am 1959-05-18)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und フジパシフィックミュージック (Fujipacific Music, Inc.)
recording of:
Come Dance With Me
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und フジパシフィックミュージック (Fujipacific Music, Inc.)
Oscar Peterson Trio42:19
8I See Your Face Before Me
Techniker(in):
Val Valentin
Produzent(in):
Jim Davis (jazz producer)
recording of:
I See Your Face Before Me (in 1963-02)
Texter und Komponist(in):
Howard Dietz (librettist) und Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. und Chappell & Co.
Bill Henderson & Oscar Peterson Trio2:27
9A Lot Of Livin To Do
Techniker(in):
Val Valentin
Produzent(in):
Jim Davis (jazz producer)
recording of:
A Lot of Livin’ to Do (from “Bye Bye Birdie”) (in 1963-02)
Texter:
Lee Adams (US musical theatre lyricist & librettist)
Komponist(in):
Charles Strouse
Teil von:
Bye Bye Birdie
Bill Henderson & Oscar Peterson Trio2:28
10Hallelujah!
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-06)
Gitarre:
Barney Kessel (am 1953-12-06)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-12-06)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-12-06)
recording of:
Hallelujah!
Texter:
Clifford Grey (in 1927) und Leo Robin (US composer, lyricist & songwriter) (in 1927)
Komponist(in):
Vincent Youmans (in 1927)
Teil von:
Hit the Deck (1955 movie)
Oscar Peterson Trio2:30
11I Hear Music
recorded in:
New York, New York, Vereinigte Staaten (am 1953-05-21)
Gitarre:
Barney Kessel (am 1953-05-21)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-05-21)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
I Hear Music (Dancing on a Dime) (am 1953-05-21)
Texter:
Frank Loesser
Komponist(in):
Burton Lane
recording of:
I Hear Music (Dancing on a Dime)
Texter:
Frank Loesser
Komponist(in):
Burton Lane
Oscar Peterson Trio2:28
12It’s Only A Paper Moon
recording of:
It’s Only a Paper Moon
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
Oscar Peterson Trio2:32
13Wild Is Love
Techniker(in):
Val Valentin
Produzent(in):
Jim Davis (jazz producer)
recording of:
Wild Is Love (in 1963-02)
Verfasser(in):
Raymond Rasch und Dottie Wayne
Bill Henderson & Oscar Peterson Trio2:40
14Autumn In New York
recorded in:
New York, New York, Vereinigte Staaten (am 1953-05-21)
Gitarre:
Barney Kessel (am 1953-05-21)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-05-21)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
Autumn in New York (1934) (am 1953-05-21)
Texter und Komponist(in):
Vernon Duke
publisher:
Chappell & Co. und Warner Bros., Inc. (not for release label use!)
Oscar Peterson Trio3:58
15Birth Of The Blues
recorded in:
Paris, Île-de-France, Frankreich (am 1959-05-18)
Gast-Bass:
Ray Brown (jazz bassist) (am 1959-05-18)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-05-18)
Schlagzeug:
Ed Thigpen (am 1959-05-18)
instrumental recording of:
Birth of the Blues (am 1959-05-18)
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
Oscar Peterson Trio2:35
16You Make Me Feel So Young
recorded in:
Paris, Île-de-France, Frankreich (am 1959-05-18)
Gast-Bass und Kontrabass:
Ray Brown (jazz bassist) (am 1959-05-18)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-05-18)
Schlagzeug:
Ed Thigpen (am 1959-05-18)
instrumental recording of:
You Make Me Feel So Young (am 1959-05-18)
Texter:
Mack Gordon
Komponist(in):
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
E bi eit barn med deg
recording of:
You Make Me Feel So Young
Texter:
Mack Gordon
Komponist(in):
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
E bi eit barn med deg
Oscar Peterson Trio42:37
17Stranger On The Shore
Bill Henderson & Oscar Peterson Trio2:34
18Unforgettable
recording of:
Unforgettable
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
Oscar Peterson Trio2:40
19Minor Blues
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1950-08)
recording of:
Minor Blues (in 1950-08)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
Oscar Peterson Trio3:39
20Days Of Wine And Roses
Oscar Peterson Trio2:43
21Volare
Oscar Peterson Trio2:46
22That Makes A Difference To Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1952-05 bis 1952-06)
Gitarre:
Barney Kessel (in 1952)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1952)
Oscar Peterson Trio2:52
23I Only Have Eyes For You
Oscar Peterson Trio2:46
24Pooper
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-11-25)
Gitarre:
Barney Kessel (am 1951-11-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1951-11-25)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1951-11-25)
Oscar Peterson Trio2:55
25Moten Swing
recording of:
Moten Swing
Verfasser(in):
Bennie Moten (jazz pianist)
Komponist(in):
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) und Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
Oscar Peterson Trio2:53
26The Tender Trap
Oscar Peterson Trio2:41
27Quiet Nights Of Quiet Stars (Corcovado)
recording engineer:
Bob Simpson (US jazz engineer/producer)
Techniker(in):
Val Valentin
Produzent(in):
Jim Davis (jazz producer)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1964-10-19)
Kontrabass:
Ray Brown (jazz bassist) (am 1964-10-19)
Schlagzeug:
Ed Thigpen (am 1964-10-19)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1964-10-19 bis 1964-10-20)
instrumental cover recording of:
Quiet Nights of Quiet Stars (lyric version #2, with "Corcovado" included in the lyric) (am 1964-10-19)
Texter:
Gene Lees
Komponist(in):
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
übersetzte Version von:
Corcovado (original Portuguese version)
recording of:
Quiet Nights of Quiet Stars (lyric version #2, with "Corcovado" included in the lyric)
Texter:
Gene Lees
Komponist(in):
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
übersetzte Version von:
Corcovado (original Portuguese version)
Oscar Peterson Trio2:49
28Spring Is Here
recorded in:
New York, New York, Vereinigte Staaten (am 1953-05-21)
Gitarre:
Barney Kessel (am 1953-05-21)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-05-21)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
Spring Is Here (am 1953-05-21)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
Oscar Peterson Trio2:46
29Incoherent Blues
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1964-02-26)
Kontrabass:
Ray Brown (jazz bassist) (am 1964-02-26)
Schlagzeug:
Ed Thigpen (am 1964-02-26)
Trompete:
Clark Terry (American swing trumpeter) (am 1964-02-26)
aufgenommen bei:
RCA Studios (Toronto, ON, Canada) in Toronto, Ontario, Kanada (am 1964-02-26)
recording of:
Incoherent Blues (am 1964-02-26)
Komponist(in):
Clark Terry (American swing trumpeter)
Oscar Peterson Trio & Clark Terry2:42
30The Lamp Is Low
Techniker(in):
Val Valentin
Produzent(in):
Jim Davis (jazz producer)
recording of:
The Lamp Is Low (1939 song) (in 1963-02)
Texter:
Mitchell Parish
Komponist(in):
Maurice Ravel (French composer)
zusätzliche(r) Komponist(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio) und Bert Shefter
basiert auf:
Pavane pour une infante défunte (original version for solo piano)
Bill Henderson & Oscar Peterson Trio2:51
31Until The Real Thing Comes Along
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-11-25)
Gitarre:
Barney Kessel (am 1951-11-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1951-11-25)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1951-11-25)
instrumental recording of:
Until the Real Thing Comes Along (am 1951-11-25)
Texter und Komponist(in):
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner und Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
Oscar Peterson Trio2:47
32Soft Winds - 78 Version
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-06)
Gitarre:
Barney Kessel (am 1953-12-06)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-12-06)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-12-06)
instrumental recording of:
Soft Winds (also attributed to Fletcher Henderson) (am 1953-12-06)
Komponist(in):
Benny Goodman (clarinetist and bandleader)
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label) und Twenty-Eighth Street Music
Oscar Peterson Trio2:49
33Carioca - Trio Version
instrumental recording of:
Carioca (from "Flying Down to Rio")
Texter:
Edward Eliscu und Gus Kahn
Komponist(in):
Vincent Youmans
Teil von:
Academy Award for Best Original Song (Nummer: 1934 nominee)
Oscar Peterson Trio2:52
34Easy Does It
recording of:
Easy Does It
Verfasser(in):
James Oliver Young und Sy Oliver
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Warock Corp.
Oscar Peterson Trio2:43
35At Long Last Love
Bill Henderson & Oscar Peterson Trio2:31
36I Get A Kick Out Of You
recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Oscar Peterson Trio3:00
37Booket T. Blues
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1952-12)
Oscar Peterson Trio3:04
38Jim
recording of:
Jim
Texter:
Nelson Shawn
Komponist(in):
Edward Ross und Caesar Petrillo
publisher:
MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Oscar Peterson Trio & Clark Terry3:01
39Goodbye J.D.
recording of:
Goodbye, J.D.
Komponist(in):
Oscar Peterson (Canadian jazz pianist and composer)
Oscar Peterson Trio2:57
40Blue Moon
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-07)
Gitarre:
Barney Kessel (am 1953-12-07)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-12-07)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-12-07)
instrumental recording of:
Blue Moon (am 1953-12-07)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
Oscar Peterson Trio, Herb Ellis & Ray Brown2:57
41Saturday Night (Is The Loneliest Night In The Week)
recorded in:
Paris, Île-de-France, Frankreich (am 1959-05-18)
Gast-Bass:
Ray Brown (jazz bassist) (am 1959-05-18)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-05-18)
Schlagzeug:
Ed Thigpen (am 1959-05-18)
instrumental recording of:
Saturday Night (Is the Loneliest Night in the Week) (am 1959-05-18)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell Music Ltd., Producers Music Publishing Co., Quaytor Productions LLC und WC Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oscar Peterson Trio2:55
42Polka Dots And Moonbeams (Around A Pug‐Nosed Dream)
recorded in:
New York, New York, Vereinigte Staaten (am 1953-05-21)
Gitarre:
Barney Kessel (am 1953-05-21)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-05-21)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
Polka Dots and Moonbeams (am 1953-05-21)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher und Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Oscar Peterson Trio3:11
43Pettiford’s Tune (Little Boy)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1952-05 bis 1952-06)
Gitarre:
Barney Kessel (in 1952)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1952)
Oscar Peterson Trio3:13
44Witchcraft
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-05-18)
Kontrabass:
Ray Brown (jazz bassist) (am 1959-05-18)
Schlagzeug:
Ed Thigpen (am 1959-05-18)
instrumental recording of:
Witchcraft (am 1959-05-18)
Texter:
Carolyn Leigh
Komponist(in):
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC und WB Music Corp. (1929–2019)
Oscar Peterson Trio3:09
45This Could Be The Start Of Something
Oscar Peterson Trio3:07
46I Can’t Give You Anything But Love
recorded in:
New York, New York, Vereinigte Staaten (am 1953-05-21)
Gitarre:
Barney Kessel (am 1953-05-21)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-05-21)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
I Can’t Give You Anything but Love, Baby (am 1953-05-21)
Texter:
Dorothy Fields (American librettist and lyricist)
Verfasser(in):
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Oscar Peterson Trio3:06
47How About You
recorded in:
Paris, Île-de-France, Frankreich (am 1959-05-18)
Gast-Bass:
Ray Brown (jazz bassist) (am 1959-05-18)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-05-18)
Schlagzeug:
Ed Thigpen (am 1959-05-18)
instrumental recording of:
How About You? (am 1959-05-18)
Texter:
Ralph Freed
Komponist(in):
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
Oscar Peterson Trio3:11
48Tea For Two
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-06)
Gitarre:
Barney Kessel (am 1953-12-06)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-12-06)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-12-06)
instrumental recording of:
Tea for Two (No, No, Nanette) (am 1953-12-06)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
Oscar Peterson Trio3:19
49These Foolish Things
Lester Young & Oscar Peterson Trio3:24
50Squeaky’s Blues
recording of:
Squeaky’s Blues
Komponist(in):
Oscar Peterson (Canadian jazz pianist and composer)
Oscar Peterson Trio & Clark Terry3:28
51C Jam Blues
recording of:
“C” Jam Blues
Komponist(in):
Barney Bigard und Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
Oscar Peterson Trio3:26
52People
recording engineer:
Bob Simpson (US jazz engineer/producer)
Techniker(in):
Val Valentin
Produzent(in):
Jim Davis (jazz producer)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1964-10-20)
Kontrabass:
Ray Brown (jazz bassist) (am 1964-10-20)
Schlagzeug:
Ed Thigpen (am 1964-10-20)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1964-10-19 bis 1964-10-20)
instrumental cover recording of:
People (Funny Girl) (am 1964-10-20)
Texter:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
Komponist(in):
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Funny Girl (Broadway musical)
Oscar Peterson Trio3:31
53Love For Sale
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1959)
Kontrabass:
Ray Brown (jazz bassist) (in 1959)
Schlagzeug:
Ed Thigpen (in 1959)
instrumental recording of:
Love for Sale (in 1959)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
Oscar Peterson Trio3:28
54On The Sunny Side Of The Street
recording of:
On the Sunny Side of the Street
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
Lester Young & Oscar Peterson Trio3:29
55Streets Boogie
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1952-12)
Oscar Peterson Trio3:23
56It’s Easy To Remember
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-11-25)
Gitarre:
Barney Kessel (am 1951-11-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1951-11-25)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1951-11-25)
instrumental recording of:
It’s Easy to Remember (and So Hard to Forget) (am 1951-11-25)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Oscar Peterson Trio3:29
57Willow Weep For Me - Alt Take 4
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1952-05 bis 1952-06)
Gitarre:
Barney Kessel (in 1952)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1952)
instrumental recording of:
Willow Weep for Me (in 1952)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Oscar Peterson Trio3:23
58The Gypsy
Produzent(in):
Norman Granz
alto saxophone:
Sonny Stitt (am 1959-05-18)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-05-18)
Kontrabass:
Ray Brown (jazz bassist) (am 1959-05-18)
Schlagzeug:
Ed Thigpen (am 1959-05-18)
Sonny Stitt3:26
59All Of Me
recorded in:
Paris, Île-de-France, Frankreich (am 1959-05-18)
Gast-Bass:
Ray Brown (jazz bassist) (am 1959-05-18)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-05-18)
Schlagzeug:
Ed Thigpen (am 1959-05-18)
instrumental recording of:
All of Me (am 1959-05-18)
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
Oscar Peterson Trio3:22
60March Past
recording of:
March Past
Komponist(in):
Oscar Peterson (Canadian jazz pianist and composer)
publisher:
Tomi Music Corp. (BMI affiliated)
Oscar Peterson Trio3:25
61Brotherhood Of Man
recording of:
Brotherhood of Man (How to Succeed in Business Without Really Trying)
Texter und Komponist(in):
Frank Loesser
Oscar Peterson Trio & Clark Terry3:31
62I Wish You Love
Techniker(in):
Val Valentin
Produzent(in):
Jim Davis (jazz producer)
cover recording of:
I Wish You Love (in 1963-02)
Texter:
Charles Trenet
Verfasser(in) und Übersetzer:
Albert Beach
Komponist(in):
Léo Chauliac und Charles Trenet
publisher:
Éditions Salabert France, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music, Inc., Leeds Music, MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), On Backstreet Music Inc. und Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Que reste-t-il de nos amours ?
Bill Henderson3:43
63I’m Confessin’
recorded in:
New York, New York, Vereinigte Staaten (am 1952-11-28)
Gitarre:
Barney Kessel (am 1952-11-28)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-11-28)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-11-28)
Schlagzeug:
J.C. Heard (am 1952-11-28)
Tenorsaxophon:
Lester Young (saxophonist) (am 1952-11-28)
instrumental recording of:
I’m Confessin’ (That I Love You) (am 1952-11-28)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
Lester Young & Oscar Peterson Trio3:44
64Almost Like Being In Love
Lester Young & Oscar Peterson Trio3:32
65Learnin The Blues
recorded in:
Paris, Île-de-France, Frankreich (am 1959-05-18)
Gast-Bass:
Ray Brown (jazz bassist) (am 1959-05-18)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-05-18)
Schlagzeug:
Ed Thigpen (am 1959-05-18)
instrumental recording of:
Learnin’ the Blues (am 1959-05-18)
Texter und Komponist(in):
Dolores Vicki Silvers
publisher:
Barton Music Corp.
Oscar Peterson Trio3:38
66You Are Too Beautiful
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-06)
Gitarre:
Barney Kessel (am 1953-12-06)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-12-06)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-12-06)
instrumental recording of:
You Are Too Beautiful (am 1953-12-06)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Oscar Peterson Trio3:36
67All Or Nothing At All
Techniker(in):
Val Valentin
Produzent(in):
Jim Davis (jazz producer)
recording of:
All or Nothing at All (in 1963-02)
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Arthur Altman und Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Henderson & Oscar Peterson Trio3:42
68Detour Ahead
recording of:
Detour Ahead
Komponist(in):
Lou Carter (in 1947), Herb Ellis (jazz guitarist) (in 1947) und Johnny Frigo (US jazz musician) (in 1947)
publisher:
Woodrow Music
Stan Getz & Oscar Peterson Trio3:37
69Sweet Lorraine
Oscar Peterson Trio3:32
70I Can’t Get Started
recorded in:
New York, New York, Vereinigte Staaten (am 1952-11-28)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-11-28)
Kontrabass:
Ray Brown (jazz bassist) (am 1951-11-28)
Schlagzeug:
J.C. Heard (am 1951-11-28)
Tenorsaxophon:
Lester Young (saxophonist) (am 1952-11-28)
recording of:
I Can’t Get Started (am 1952-11-28)
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
instrumental recording of:
I Can’t Get Started (am 1952-11-28)
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Lester Young & Oscar Peterson Trio3:38
71Stardust
recording of:
Stardust (the jazz standard)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
Lester Young & Oscar Peterson Trio3:34
72Where Are You
Techniker(in):
Val Valentin
Produzent(in):
Jim Davis (jazz producer)
recording of:
Where Are You?
Texter:
Harold Adamson
Verfasser(in):
Harold Adamson und Jimmy McHugh (songwriter)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, Harold Adamson Music und Leo Feist, Inc.
Bill Henderson & Oscar Peterson Trio3:39
73You Go To My Head
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-01-26)
Gitarre:
Irving Ashby (am 1952-01-26)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-01-26)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1952-01-26)
instrumental recording of:
You Go to My Head (am 1952-01-26)
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
Oscar Peterson Trio3:55
74Band Call
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-12-15 bis 1962-12-16)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1962-12-15 bis 1962-12-16)
Kontrabass:
Ray Brown (jazz bassist) (von 1962-12-15 bis 1962-12-16)
Schlagzeug:
Ed Thigpen (von 1962-12-15 bis 1962-12-16)
recording of:
Band Call (von 1962-12-15 bis 1962-12-16)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Oscar Peterson Trio3:53
75I’m A Fool To Want You
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1962-09-27)
Techniker(in):
Val Valentin
Produzent(in):
Jim Davis (jazz producer)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1962-09-27)
Kontrabass:
Ray Brown (jazz bassist) (am 1962-09-27)
Schlagzeug:
Ed Thigpen (am 1962-09-27)
instrumental recording of:
I’m a Fool to Want You (am 1962-09-27)
Verfasser(in):
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) und Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Oscar Peterson Trio3:44
76Blues For Herky
Stan Getz & Oscar Peterson Trio3:45
77Young And Foolish
Techniker(in):
Val Valentin
Produzent(in):
Jim Davis (jazz producer)
recording of:
Young and Foolish
Texter:
Arnold Horwitt
Komponist(in):
Albert Hague
publisher:
Chappell & Co. und Chappell Music (UK)
Bill Henderson & Oscar Peterson Trio3:55
78Georgia On My Mind
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-12-15 bis 1962-12-16)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1962-12-15 bis 1962-12-16)
Kontrabass:
Ray Brown (jazz bassist) (von 1962-12-15 bis 1962-12-16)
Schlagzeug:
Ed Thigpen (von 1962-12-15 bis 1962-12-16)
instrumental recording of:
Georgia on My Mind (von 1962-12-15 bis 1962-12-16)
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
Oscar Peterson Trio3:46
79Something’s Coming
Oscar Peterson Trio3:52
80The Girl From Ipanema (Garota De Ipanema)
recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
Oscar Peterson Trio3:52
81The Folks Who Live On The Hill
Techniker(in):
Val Valentin
Produzent(in):
Jim Davis (jazz producer)
recording of:
The Folks Who Live on the Hill (in 1963-02)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
High, Wide and Handsome (1937 film)
Bill Henderson & Oscar Peterson Trio3:44
82Girl From Ipanema
recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
Oscar Peterson Trio3:54
83Manteca
Oscar Peterson Trio4:05
84My Heart Belongs To Daddy
cover recording of:
My Heart Belongs to Daddy
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
Oscar Peterson Trio3:55
85Au Privave
Produzent(in):
Norman Granz
alto saxophone:
Sonny Stitt (am 1959-05-18)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-05-18)
Kontrabass:
Ray Brown (jazz bassist) (am 1959-05-18)
Schlagzeug:
Ed Thigpen (am 1959-05-18)
Sonny Stitt4:00
86Baby Mine
Techniker(in):
Val Valentin
Produzent(in):
Jim Davis (jazz producer)
Bill Henderson & Oscar Peterson Trio4:08
87West Coast Blues
recording of:
West Coast Blues
Komponist(in):
Wes Montgomery
publisher:
Taggie Music Co. (publisher)
Oscar Peterson Trio4:03
88Here’s That Rainy Day
recording of:
Here’s That Rainy Day
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oscar Peterson Trio4:09
89The Continental - Alt Take‐1
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-06)
Gitarre:
Barney Kessel (am 1953-12-06)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-12-06)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-12-06)
recording of:
The Continental (from the 1934 film "The Gay Divorcee") (am 1953-12-06)
Texter:
Herb Magidson (in 1934)
Komponist(in):
Con Conrad (songwriter and producer) (in 1934)
publisher:
Harms, Inc., Magidson Music, Inc., The Songwriters Guild und Warner Bros., Inc. (not for release label use!)
Teil von:
Academy Award for Best Original Song (Nummer: 1934 winner)
Oscar Peterson Trio4:03
90The Things We Did Last Summer
recorded in:
New York, New York, Vereinigte Staaten (am 1953-05-21)
Gitarre:
Barney Kessel (am 1953-05-21)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-05-21)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
The Things We Did Last Summer (am 1953-05-21)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Warner/Chappell North America Ltd. (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Oscar Peterson Trio3:59
91Place St. Henri
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1964-09-09)
Kontrabass:
Ray Brown (jazz bassist) (am 1964-09-09)
Schlagzeug:
Ed Thigpen (am 1964-09-09)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
recording of:
Place St. Henri
Komponist(in):
Oscar Peterson (Canadian jazz pianist and composer)
publisher:
Tomi Music Corp. (BMI affiliated)
Oscar Peterson Trio3:58
92Reprise
Oscar Peterson Trio3:55
93Roundalay
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1964-02-26)
Kontrabass:
Ray Brown (jazz bassist) (am 1964-02-26)
Schlagzeug:
Ed Thigpen (am 1964-02-26)
Trompete:
Clark Terry (American swing trumpeter) (am 1964-02-26)
aufgenommen bei:
RCA Studios (Toronto, ON, Canada) in Toronto, Ontario, Kanada (am 1964-02-26)
instrumental recording of:
Roundalay (am 1964-02-26)
Komponist(in):
Oscar Peterson (Canadian jazz pianist and composer)
Oscar Peterson Trio & Clark Terry3:55
94I’ve Got A Crush On You
Techniker(in):
Val Valentin
Produzent(in):
Jim Davis (jazz producer)
Bass:
Ray Brown (jazz bassist)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Schlagzeug:
Ed Thigpen
vocals:
Bill Henderson (US jazz vocalist & actor)
recording of:
I’ve Got a Crush on You (in 1963-02)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
Bill Henderson & Oscar Peterson Trio4:05
95Baubles, Bangles, And Beads
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1962-09-27)
Techniker(in):
Val Valentin
Produzent(in):
Jim Davis (jazz producer)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1962-09-27)
Kontrabass:
Ray Brown (jazz bassist) (am 1962-09-27)
Schlagzeug:
Ed Thigpen (am 1962-09-27)
instrumental recording of:
Baubles, Bangles and Beads (from “Kismet”) (am 1962-09-27)
Verfasser(in):
George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. und Scheffel Music Corp
basiert auf:
String Quartet no. 2 in D major: II. Scherzo. Allegro
Teil von:
Kismet (full musical)
Oscar Peterson Trio4:13
96Tricrotism
Oscar Peterson Trio4:17
9752nd Street Theme
recorded in:
Stratford Shakespearean Festival, Ontario, Kanada (am 1956-08-08) und Newport, Rhode Island, Vereinigte Staaten (am 1957-07-07)
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (am 1957-07-07)
E-Gitarre [guitar]:
Herb Ellis (jazz guitarist) (am 1956-08-08)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-07-07)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1956-08-08, am 1957-07-07)
Kontrabass:
Ray Brown (jazz bassist) (am 1956-08-08)
aufgenommen bei:
Stratford Shakespearean Festival 1956 (1956)
live recording of:
52nd Street Theme (am 1956-08-08)
Komponist(in):
Thelonious Monk
publisher:
Embassy Music Corporation
recording of:
52nd Street Theme
Komponist(in):
Thelonious Monk
publisher:
Embassy Music Corporation
Oscar Peterson Trio4:14
98Ballad To The East
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1964-09-09)
Kontrabass:
Ray Brown (jazz bassist) (am 1964-09-09)
Schlagzeug:
Ed Thigpen (am 1964-09-09)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
recording of:
Ballad to the East
Komponist(in):
Oscar Peterson (Canadian jazz pianist and composer)
publisher:
Tomi Music Corp. (BMI affiliated)
Oscar Peterson Trio4:08
99Have You Met Miss Jones?
recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
Oscar Peterson Trio4:11
100I Was Doing All Right
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (am 1957-10-10)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-10)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-10)
Tenorsaxophon:
Stan Getz (am 1957-10-10)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-10)
instrumental recording of:
I Was Doing All Right (am 1957-10-10)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
recording of:
I Was Doing All Right
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
Stan Getz & Oscar Peterson Trio4:07
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