Love Me Tender: Greatest Hits

~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1Don’t Be Cruel
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 11) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 197)
recording of:
Don’t Be Cruel (am 1956-07-02)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. und Williamson Music Company
3.82:04
2That’s All Right Mama
cover recording of:
That’s All Right
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
1:58
3Shake, Rattle and Roll
cover recording of:
Shake, Rattle and Roll
zusätzlicher Texter:
Daryl Bosteels
Verfasser(in):
Charles Calhoun und Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music und Unichappell Music, Inc.
2:30
4I’m Gonna Sit Right Down and Cry
cover recording of:
I’m Gonna Sit Right Down and Cry (Over You)
Texter und Komponist(in):
Howard Biggs und Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Angle Music, Coblin Music Co., Copyright Records und EMI Music Publishing Ltd. (PRS‐affiliated)
2:03
5Baby, Let’s Play House
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1955-01-30 bis 1955-02-04)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1955-01-30 bis 1955-02-04)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1953, in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1955-01-30 bis 1955-02-04)
cover recording of:
Baby Let’s Play House (von 1955-01-30 bis 1955-02-04)
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
recording of:
Baby Let’s Play House
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
3.852:17
6Lawdy, Miss Crawdy
cover recording of:
Lawdy Miss Clawdy
Texter und Komponist(in):
Lloyd Price (US R&B/soul singer) (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC und Venice Music
2:09
7My Baby Left Me
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10, von 1956-01-30 bis 1956-02-03) und Scotty Moore (American guitarist and recording engineer) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Schlagzeug:
D.J. Fontana (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956) und BMG Music (in 1956)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-30, von 1956-01-30 bis 1956-01-31, am 1956-02-03)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 29)
cover recording of:
My Baby Left Me (von 1956-01-30 bis 1956-02-03)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. und Williamson Music Company
recording of:
My Baby Left Me
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. und Williamson Music Company
3.252:13
8How Do You Think I Feel
cover recording of:
How Do You Think I Feel
Komponist(in):
Webb Pierce und Wiley Walker
2:12
9Anyplace Is Paradise
recording of:
Anyplace Is Paradise
Texter und Komponist(in):
Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Elvis Presley Music und Elvis Presley Music Inc.
2:26
10Milk Cow Blues Boogie
cover recording of:
Milk Cow Blues (Kokomo Arnold's version)
Texter und arranger:
Kokomo Arnold
Komponist(in):
[traditional] (special purpose artist) und Kokomo Arnold
publisher:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) und Universal Music Corp. (USA, affiliated with ASCAP)
Version von:
Milk Cow Blues
2:37
11I Was the One
recording of:
I Was the One
Verfasser(in):
Hal Blair, Claude Demetrius, Bill Peppers und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. und Rachel’s Own Music
2:35
12How’s the World Treating You
cover recording of:
How’s the World Treating You
Komponist(in):
Chet Atkins und Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI)
recording of:
How’s the World Treating You
Komponist(in):
Chet Atkins und Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI)
2:26
13I’m Left, You’re Right, She’s Gone
cover recording of:
I’m Left, You’re Right, She’s Gone
Verfasser(in):
Stan Kesler (US session musician, composer and producer) und Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2:37
14Love Me
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-09-01, von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-09-01, von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03)
Schlagzeug:
D.J. Fontana (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
The Jordanaires (southern gospel group) (von 1956-09-01 bis 1956-09-03)
zusätzlich vocals:
The Jordanaires (southern gospel group) (am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
cover recording of:
Love Me (von 1956-09-01 bis 1956-09-03)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) und Sony/ATV Songs LLC
recording of:
Love Me, Love Me
Verfasser(in):
George Richey und Glenn Sutton (US songwriter and producer)
42:47
15Blue Moon
cover recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
2:59
16When My Blue Moon Turns Gold Again
cover recording of:
When My Blue Moon Turns to Gold Again
Verfasser(in):
Gene Sullivan (in 1940) und Wiley Walker (in 1940)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Peer International Corporation (BMI) (am 1941-12-03)
2:24
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