Jukebox Favourites: Hits of the 30s & 40s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Boogie Woogie Bugle Boy
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1941-01-02)
vocals:
The Andrews Sisters (am 1941-01-02), Maxene Andrews (am 1941-01-02), Laverne Andrews (am 1941-01-02) und Patti Andrews (am 1941-01-02)
Orchester:
Vic Schoen and His Orchestra (am 1941-01-02)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1941)
recording of:
Boogie Woogie Bugle Boy (am 1941-01-02)
Verfasser(in):
Hughie Prince und Don Raye
publisher:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
The Andrews Sisters2:43
2Chattanooga Choo Choo
recording of:
Chattanooga Choo Choo
Texter:
Mack Gordon (in 1941)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1941)
publisher:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
Glenn Miller3:25
3Into Each Life Some Rain Must Fall
cover recording of:
Into Each Life Some Rain Must Fall
Texter:
Allan Roberts (songwriter)
Komponist(in):
Doris Fisher
The Ink Spots & Ella Fitzgerald3:07
4On a Slow Boat to China
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1947-11-06)
Sologesang:
Harry Babbitt (am 1947-11-06) und Gloria Wood (am 1947-11-06)
Orchester:
Kay Kyser and His Orchestra (am 1947-11-06)
cover recording of:
On a Slow Boat to China (am 1947-11-06)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Kay Kyser3:20
5Hey! Ba‐Ba Re‐Bob
recording of:
Hey! Ba-Ba-Re-Bop
Verfasser(in):
Curley Hamner und Lionel Hampton
Lionel Hampton3:23
6Smoke, Smoke, Smoke - That Cigarette
Tex Williams and His Western Caravan2:57
7Dinah
Bing Crosby & The Mills Brothers2:51
8Kicking the Gong Around
Banjo:
Morris White (jazz guitarist) (am 1931-10-21)
Holzblasinstrumente:
Walter Thomas (am 1931-10-21)
Klavier:
Benny Payne (jazz pianist and vocalist) (am 1931-10-21)
Kontrabass:
Jimmy Smith (Cotton Club bassist) (am 1931-10-21)
Posaune:
DePriest Wheeler (am 1931-10-21) und Harry White (jazz trombonist) (am 1931-10-21)
Rohrblattinstrumente:
Andrew Brown (jazz saxophonist) (am 1931-10-21)
Schlagzeug:
Leroy Maxey (jazz drummer) (am 1931-10-21)
Trompete:
Reuben Reeves (am 1931-10-21), Edwin Swayze (am 1931-10-21) und Lammar Wright (am 1931-10-21)
Sologesang:
Cab Calloway (am 1931-10-21)
vocals:
Cab Calloway (am 1931-10-21)
recording of:
Kickin’ the Gong Around (am 1931-10-21)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
Cab Calloway3:15
9Between the Devil and the Deep Blue Sea
Louis Armstrong3:04
10Cheek to Cheek
vocals:
Sam Browne (am 1935-10-12)
Orchester:
Lew Stone & His Band (am 1935-10-12)
recording of:
Cheek to Cheek (from “Top Hat”) (am 1935-10-12)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
Lew Stone & Sam Browne3:05
11Blue Skies
recording of:
Blue Skies
Texter und Komponist(in):
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Benny Goodman3:37
12Sweet Leilani
vocals:
Bing Crosby (am 1937-02-23)
Interpret(in):
Lani McIntire and His Hawaiians (am 1937-02-23)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
cover recording of:
Sweet Leilani (am 1937-02-23)
Texter und Komponist(in):
Harry Owens (am 1934-10-20)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1937 winner)
Bing Crosby3:13
13I Get a Kick Out of You
recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Ethel Merman & Johnny Green3:07
14Night and Day
Fred Astaire3:33
15Little Brown Jug
Glenn Miller2:57
16You’re Driving Me Crazy - What Did I Do
Guy Lombardo & His Royal Canadians3:19
17Over the Rainbow
vocals:
Judy Garland (am 1938-10-07)
Orchester:
MGM Orchestra (am 1938-10-07)
conductor:
Georgie Stoll (am 1938-10-07) und Herbert Stothart (composer) (am 1938-10-07)
arranger:
Herbert Stothart (composer)
Orchestrator(in):
Murray Cutter
recording of:
Over the Rainbow (The Wizard of Oz) (am 1938-10-07)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
Judy Garland4.52:47
18It’s a Sin to Tell a Lie
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-06-05)
Klavier:
Fats Waller (am 1936-06-05)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-06-05)
Rohrblattinstrumente:
Gene Sedric (am 1936-06-05)
Schlagzeug:
Arnold Boling (am 1936-06-05)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-06-05)
vocals:
Fats Waller (am 1936-06-05)
cover recording of:
It’s a Sin to Tell a Lie (am 1936-06-05)
Texter und Komponist(in):
Billy Mayhew (in 1936)
Fats Waller2:59
19Let’s Face the Music & Dance
vocals:
Harry Roy (am 1936-03-23)
Orchester:
Harry Roy & His Orchestra (am 1936-03-23)
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (am 1936-03-23)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
Harry Roy and His Orchestra3:04
20One O’clock Jump
Count Basie & Buck Clayton3:01
21A Message from the Man in the Moon
vocals:
Joséphine Baker (am 1937-11-06)
Orchester:
Orchestre Wal-Berg (am 1937-11-06)
recording of:
A Message from the Man in the Moon (am 1937-11-06)
Texter:
Gus Kahn
Komponist(in):
Walter Jurmann und Bronisław Kaper
Joséphine Baker3:00
22He Ain’t Got Rhythm
vocals:
Nat Gonella (am 1937-07-19)
Orchester:
Nat Gonella & His Georgians (am 1937-07-19)
recording of:
He Ain’t Got Rhythm (am 1937-07-19)
Texter und Komponist(in):
Irving Berlin
Nat Gonella And His Georgians3:14
23You Go to My Head
recording of:
You Go to My Head (am 1938-05-11)
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
Billie Holiday2:55
24Minnie the Moocher
Cab Calloway3:13
25I Let a Song Out of My Heart
Mildred Bailey2:58
26Begin the Beguine
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1938-07-24) und Les Robinson (am 1938-07-24)
Gitarre:
Al Avola (am 1938-07-24)
Klarinette:
Artie Shaw (am 1938-07-24)
Klavier:
Les Burness (am 1938-07-24)
Kontrabass:
Sid Weiss (am 1938-07-24)
Posaune:
George Arus (am 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (am 1938-07-24) und Ted Vesely (am 1938-07-24)
Schlagzeug:
Cliff Leeman (am 1938-07-24)
Tenorsaxophon:
Tony Pastor (am 1938-07-24) und Ronnie Perry (am 1938-07-24)
Trompete:
Claude Bowen (am 1938-07-24), John Best (jazz trumpeter) (am 1938-07-24) und Chuck Peterson (trumpet) (am 1938-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1938-07-24)
conductor:
Artie Shaw (am 1938-07-24)
arranger:
Jerry Gray (US big band arranger and conductor)
aufgenommen bei und engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1938-07-24)
instrumental recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Artie Shaw33:15
27I, Yi, Yi, Yi, Yi - I Like You Very Much
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1941-01-05)
vocals:
Carmen Miranda (am 1941-01-05)
Orchester:
Bando da Lua e Garoto (Brazilian vocal & instrumental ensemble) (am 1941-01-05)
recording of:
I, yi, yi, yi, yi (am 1941-01-05)
Verfasser(in):
Mack Gordon und Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp.
Teil von:
That Night in Rio (musical film, 1941)
Carmen Miranda2:15
28Cherokee
recording of:
Cherokee
Texter und Komponist(in):
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
Charlie Barnet3:21
29Stormy Weather
conductor:
Lou Bring (conductor and pianist) (am 1941-12-15)
cover recording of:
Stormy Weather (am 1941-12-15)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
Lena Horne3:49
30Anything Goes
Cole Porter3:06
31At the Woodchoppers’ Ball
Woody Herman3:19
32New San Antonio Rose
Bob Wills & His Texas Playboys2:38
33You Are My Sunshine
recording of:
You Are My Sunshine (am 1941-06-18)
Nationalhymne von:
Louisiana, Vereinigte Staaten
Verfasser(in):
Jimmie Davis (American politician, singer and songwriter) und Charles Mitchell (1940s songwriter and steel guitarist)
publisher:
Peer International (BMI) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (am 1940-01-30)
Gene Autry2:29
34String of Pearls
Benny Goodman2:59
35La Mer
vocals:
Charles Trenet (am 1946-03-19)
conductor:
Albert Lasry (French pianist, orchestra leader and composer) (am 1946-03-19)
recording of:
La Mer (am 1946-03-19)
Texter:
Charles Trenet (in 1945)
Komponist(in):
Albert Lasry (French pianist, orchestra leader and composer) (in 1945) und Charles Trenet (in 1945)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Charles Trenet3:25
36Don’t Get Around Much Anymore
cover recording of:
Don’t Get Around Much Anymore (am 1942-07-28)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
The Ink Spots33:05
37Jingle, Jangle, Jingle
recording of:
Jingle Jangle Jingle (am 1942-05-21)
Verfasser(in):
Joseph J. Lilley
Komponist(in):
Frank Loesser
Kay Kyser & Harry Babbitt3:20
38Cocktails for Two
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-11-29)
vocals:
City Slickers und Carl Grayson (am 1944-11-29)
Orchester:
Spike Jones and His City Slickers (am 1944-11-29)
Teil von:
V Disc (by matrix number) (Nummer: VP 939 (2))
recording of:
Cocktails for Two (am 1944-11-29)
Texter:
Arthur Johnston (American composer and songwriter)
Komponist(in):
Sam Coslow
Spike Jones & His City Slickers43:00
39Oh, What a Beautiful Mornin’ - from Oklahoma
conductor:
Jay Blackton
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!) (von 1943-10-20 bis 1944-05-24)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Alfred Drake2:35
40Take the a Train
alto saxophone:
Harry Carney (am 1941-02-15), Otto Hardwick (am 1941-02-15) und Johnny Hodges (am 1941-02-15)
baritone saxophone:
Harry Carney (am 1941-02-15)
Gitarre:
Fred Guy (am 1941-02-15)
Klarinette:
Barney Bigard (am 1941-02-15), Harry Carney (am 1941-02-15) und Johnny Hodges (am 1941-02-15)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1941-02-15)
Kontrabass [bass]:
Jimmie Blanton (am 1941-02-15)
Kornett:
Rex Stewart (am 1941-02-15)
Posaune:
Lawrence Brown (jazz trombonist) (am 1941-02-15) und Joe Nanton (am 1941-02-15)
Schlagzeug [drums]:
Sonny Greer (am 1941-02-15)
Tenorsaxophon:
Barney Bigard (am 1941-02-15) und Ben Webster (am 1941-02-15)
Trompete:
Wallace Jones (am 1941-02-15) und Ray Nance (am 1941-02-15)
Ventilposaune:
Juan Tizol (am 1941-02-15)
recording of:
Take the “A” Train (version with lyrics by Sherrill) (am 1941-02-15)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
Duke Ellington12:58
41All or Nothing At All
recorded in:
New York, Vereinigte Staaten (am 1939-08-31)
alto saxophone:
Claude Lakey (am 1939-08-31) und Dave Matthews (jazz saxophonist) (am 1939-08-31)
Gitarre:
Red Kent (am 1939-08-31)
Klavier:
Jack Gardner (piano) (am 1939-08-31)
Kontrabass:
Thurman Teague (Jazz bassist) (am 1939-08-31)
Posaune:
Russell Brown (Swing trombonist) (am 1939-08-31), Truett Jones (Jazz trombonist) (am 1939-08-31) und Dalton Rizzotto (Jazz trombonist) (am 1939-08-31)
Schlagzeug:
Ralph Hawkins (jazz drummer) (am 1939-08-31)
Tenorsaxophon:
Bill Luther (Jazz saxophonist) (am 1939-08-31) und Drew Page (am 1939-08-31)
Trompete:
Claude Bowen (am 1939-08-31), Harry James (US big band leader, trumpeter & actor) (am 1939-08-31), Jack Palmer (jazz trumpeter and singer) (am 1939-08-31) und Jack Schaeffer (am 1939-08-31)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1939-08-31)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1939-08-31)
Orchester:
Harry James and His Orchestra (am 1939-08-31)
conductor:
Harry James (US big band leader, trumpeter & actor) (am 1939-08-31)
arranger:
Andy Gibson (trumpet, arranger, composer) (am 1939-08-31)
recording of:
All or Nothing at All (am 1939-08-31)
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Arthur Altman und Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Harry James & Frank Sinatra33:00
42Paper Doll
vocals:
Donald Mills (am 1942-02-18), Harry Mills (am 1942-02-18), Herbert Mills (am 1942-02-18) und John Mills, Sr. (am 1942-02-18)
recording of:
Paper Doll (am 1942-02-18)
Texter und Komponist(in):
Johnny S. Black (in 1915)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Mills Brothers2:38
43Milkman Keep Those Bottles Quiet
Ella Mae Morse2:38
44Ac‐Cent‐Tchu‐Ate the Positive
recording of:
Ac‐cent‐tchu‐ate the Positive
Texter:
Johnny Mercer (in 1944)
Komponist(in):
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
Johnny Mercer and The Pied Pipers2:49
45A Slick Chick - On the Mellow Side
Klavier:
Red Richards (am 1946-10-03)
Kontrabass:
Johnny Williams (jazz bassist) (am 1946-10-03)
Schlagzeug:
Walter Johnson (drums) (am 1946-10-03)
vocals:
Dinah Washington (am 1946-10-03)
recording of:
A Slick Chick (On the Mellow Side) (am 1946-10-03)
Texter und Komponist(in):
Harvey Brooks (US jazz pianist and composer)
Dinah Washington & Tab Smith12:43
46Bell Bottom Trousers
Louis Prima Orchestra & Lilyann Carol2:51
47Rockin´ Chair Blues
recording of:
Rockin’ Chair Blues
Texter und Komponist(in):
William York
Ray Charles2:48
48Mairzy Doats
recording of:
Mairzy Doats
Komponist(in):
Milton Drake, Al Hoffman und Jerry Livingston (songwriter)
publisher:
Al Hoffman Songs Inc., Hallmark Music Co. Inc. (ASCAP affiliated), Milton Music Corp. und Sony/ATV Tunes LLC (ASCAP)
The Merry Macs42:46
49You Always Hurt the One You Love
recording of:
You Always Hurt the One You Love
Texter:
Allan Roberts (songwriter)
Komponist(in):
Doris Fisher
publisher:
Doris Fisher Music Corp.
The Mills Brothers3:25
50Rum and Coca Cola
vocals:
The Andrews Sisters (am 1944-10-18)
recording of:
Rum and Coca‐Cola (calypso) (am 1944-10-18)
Texter:
Lord Invader (calypso vocalist and songwriter)
zusätzlicher Texter:
Morey Amsterdam
Komponist(in):
Lionel Belasco (Trinidadian-Venezuelan calypso pianist, composer and bandleader)
zusätzliche(r) Komponist(in):
Paul Baron (conductor) und Jeri Sullivan
publisher:
EMI Feist Catalog Inc. und EMI Partnership Musikverlag GmbH
The Andrews Sisters3:10
51My Dreams Are Getting Better All the Time
recording of:
My Dreams Are Getting Better All The Time
Texter:
Mann Curtis
Komponist(in):
Vic Mizzy (US television & movie composer) (in 1945)
Doris Day3:20
52Opus One
recording of:
Opus One (1943 song)
Texter:
Sidney Reginald Garris
Komponist(in):
Sy Oliver
publisher:
Embassy Music Corp. (am 1943-06-23)
Teil von:
New York, New York (1977 musical film soundtrack)
Tommy Dorsey2:59
53You Won’t Be Satisfied - Until You Break My Heart
recorded in:
New York, New York, Vereinigte Staaten (am 1946-01-18)
alto saxophone:
George Koenig (am 1946-01-18) und Bill Stegmeyer (am 1946-01-18)
baritone saxophone:
Milton Schatz (am 1946-01-18)
Bass:
Trigger Alpert (am 1946-01-18)
Gitarre:
Danny Perri (am 1946-01-18)
Klarinette und Rohrblattinstrumente:
Bill Stegmeyer (am 1946-01-18)
Klavier:
Joe Bushkin (am 1946-01-18)
Kontrabass:
Trigger Alpert (am 1946-01-18)
Schlagzeug:
Cozy Cole (am 1946-01-18)
Solo-Trompete:
Louis Armstrong
Tenorsaxophon:
Art Drelinger (am 1946-01-18) und Jack Greenberg (am 1946-01-18)
Trompete:
Louis Armstrong (am 1946-01-18) und Billy Butterfield (am 1946-01-18)
vocals:
Louis Armstrong (am 1946-01-18) und Ella Fitzgerald (American jazz singer) (am 1946-01-18)
Orchester:
Bob Haggart and His Orchestra (am 1946-01-18)
conductor:
Bob Haggart (am 1946-01-18)
arranger:
Bob Haggart
cover recording of:
You Won’t Be Satisfied (Until You Break My Heart) (am 1946-01-18)
Verfasser(in):
Freddy James und Larry Stock
Ella Fitzgerald & Louis Armstrong42:54
54Caldonia
vocals:
Woody Herman
recording of:
Caldonia (What Makes Your Big Head Hard?)
Texter und Komponist(in):
Louis Jordan (US jazz, blues and r&b musician and songwriter) und Fleecie Moore
publisher:
Chappell Morris Ltd., Cherio Corp. und Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (am 1945-04-16)
Woody Herman3:04
55Besame Mucho
Xavier Cugat3:27
56Put Your Shoes On, Lucy
Petula Clark2:45
57Little White Lies
accordion:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1947-12-12)
vocals:
Dinah Shore (am 1947-12-12)
recording of:
Little White Lies (am 1947-12-12)
Texter und Komponist(in):
Walter Donaldson
publisher:
Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
Dinah Shore2:25
58I Cover the Waterfront
The Ink Spots3:03
59Caravan
Joe Liggins & His Honeydrippers2:58
60The Night Has a Thousand Eyes
Produzent(in):
Jack Rollins (songwriter)
Gitarre:
Jimmy Raney
Klavier:
Al Haig
Kontrabass:
Tommy Potter
Tenorsaxophon:
Zoot Sims (US jazz saxophonist)
Sologesang:
Harry Belafonte
arranger:
Fred Norman
recording of:
The Night Has a Thousand Eyes
Texter:
Buddy Bernier
Komponist(in):
Buddy Bernier und Jerry Brainin
Teil von:
The Real Book (compilation of jazz standards, volume I)
Harry Belafonte2:52
61I Got the Sun in the Morning
Mel Tormé2:59
62Nat Meets June
Nat King Cole & June Christy3:09
63Girl of My Dreams
Orchester:
Russ Case and His Orchestra
recording of:
Girl of My Dreams
Texter und Komponist(in):
Charles Clapp (in 1927)
Perry Como3:15
64Civilisation
vocals:
The Andrews Sisters (am 1947-09-27) und Danny Kaye (am 1947-09-27)
Orchester:
Vic Schoen and His Orchestra (am 1947-09-27)
recording of:
Civilization (Angel in the Wings) (am 1947-09-27)
Texter:
Bob Hilliard (in 1947)
Komponist(in):
Carl Sigman (in 1947)
Danny Kaye & The Andrews Sisters23:04
65Glow Worm
recording of:
The Glow‐Worm (Johnny Mercer version)
zusätzlicher Texter:
Johnny Mercer
Komponist(in):
Paul Lincke
Übersetzer:
Lilla Cayley Robinson
übersetzte Version von:
Lysistrata: „Glühwürmchen, Glühwürmchen flimm're” (Glühwürmchen-Idyll)
Johnny Mercer, Alvino Rey & Paul Weston2:54
66How Are Things in Glocca Mora
recording of:
How Are Things in Glocca Morra? (from "Finian's Rainbow")
Texter:
Yip Harburg
Komponist(in):
Burton Lane
publisher:
Chappell & Co., Inc. (USA) und Glocca Morra Music Corp.
Teil von:
Finian’s Rainbow (1947 Broadway musical)
Dick Haymes3:03
67Black Coffee
Sologesang:
Sarah Vaughan (am 1949-01-20)
Orchester:
Joe Lipman & His Orchestra (am 1949-01-20)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Black Coffee (1948 song) (am 1949-01-20)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
Sarah Vaughan4.53:19
68Mam’selle
Frankie Laine2:54
69Bewitched, Bothered and Bewildered
Hintergrundgesang:
The Mellomen (American singing quartet) (in 1950)
vocals:
Doris Day (in 1950)
Orchester:
John Rarig and His Orchestra (in 1950)
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
Doris Day2:45
70Nature Boy
recorded in:
New York, New York, Vereinigte Staaten (am 1947-08-22)
Geige / Violine:
Harry Bluestone (am 1947-08-22)
Klavier:
Nat King Cole (am 1947-08-22)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1947-08-22)
zusätzlich Gitarre:
Oscar Moore (am 1947-08-22)
vocals:
Nat King Cole (am 1947-08-22)
Orchester:
Frank De Vol Orchestra (am 1947-08-22)
recording of:
Nature Boy (am 1947-08-22)
Texter und Komponist(in):
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole32:54
71Chi Baba Chi Baba
Hintergrundgesang:
The Satisfiers (in 1947)
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (am 1947-04-10)
Orchester:
Lloyd Shaffer and His Orchestra (in 1947)
recording of:
Chi-Baba, Chi-Baba (My Bambino Go to Sleep)
Verfasser(in):
Mack David (American lyricist and songwriter), Al Hoffman und Jerry Livingston (songwriter)
Perry Como2:58
72Crazy He Calls Me
Gitarre:
Tony Mottola (am 1949-10-19)
Holzblasinstrumente:
John Fulton (am 1949-10-19)
Klavier:
Bernie Leighton (am 1949-10-19)
Kontrabass:
Jack Lesberg (am 1949-10-19)
Rohrblattinstrumente:
Milt Yaner (am 1949-10-19)
Schlagzeug:
Norris "Bunny" Shawker (am 1949-10-19)
Trompete:
Bobby Hackett (am 1949-10-19)
vocals:
Billie Holiday (am 1949-10-19)
aufgenommen bei:
Decca Studios (New York) in New York, New York, Vereinigte Staaten (am 1949-10-19)
recording of:
Crazy He Calls Me (am 1949-10-19)
Texter:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
Komponist(in):
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Billie Holiday3.753:05
73Cuanto Le Gusta
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1947-11-29)
vocals:
The Andrews Sisters (am 1947-11-29) und Carmen Miranda (am 1947-11-29)
Orchester:
Bando da Lua e Garoto (Brazilian vocal & instrumental ensemble) (am 1947-11-29) und Vic Schoen and His Orchestra (am 1947-11-29)
recording of:
Cuanto le gusta (am 1947-11-29)
Texter:
Ray Gilbert
Komponist(in):
Gabriel Ruiz (Mexican composer)
Carmen Miranda3:01
74Pennies from Heaven
Rose Murphy2:18
75Buttons and Bows
accordion:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1947-11-30)
vocals:
Dinah Shore (am 1947-11-30)
recording of:
Buttons and Bows (1947 song) (am 1947-11-30)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (am 1948-02-25)
Teil von:
The 21st Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1948 winner)
Dinah Shore12:04
76Manana
vocals:
Peggy Lee (jazz vocalist) (am 1947-11-25)
Orchester:
Dave Barbour and The Brazilians (am 1947-11-25)
cover recording of:
Mañana (Is Soon Enough for Me) (am 1947-11-25)
Verfasser(in):
Dave Barbour und Peggy Lee (jazz vocalist)
Peggy Lee2:52
77You’re Breaking My Heart
recording of:
You’re Breaking My Heart (based on the Italian song Mattinata)
Texter und arranger:
Pat Genaro (Songwriter) und Sunny Skylar
basiert auf:
Mattinata
Vic Damone3:15
78Smoke Gets in Your Eyes
recording engineer:
Harry Belafonte
Produzent(in):
Jack Rollins (songwriter)
Gitarre:
Jimmy Raney
Klavier:
Al Haig
Kontrabass:
Tommy Potter
Tenorsaxophon:
Zoot Sims (US jazz saxophonist)
Sologesang:
Harry Belafonte
arranger:
Fred Norman
cover recording of:
Smoke Gets in Your Eyes
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Harry Belafonte2:56
79Fine Brown Frame
Nellie Lutcher2:58
80That’s My Desire
Hadda Brooks2:46
81Doin’ What Comes Natur’lly
vocals:
Betty Hutton
recording of:
Doin’ What Comes Natur’lly (Annie Get Your Gun)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Ltd.
Teil von:
Annie Get Your Gun
Betty Hutton2:42
82Let the Good Times Roll
recorded in:
New York, New York, Vereinigte Staaten (am 1946-06-26)
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1946-06-26)
E-Gitarre:
Carl Hogan (am 1946-06-26)
Klavier:
Wild Bill Davis (am 1946-06-26)
Kontrabass:
Jesse ‘Po’ Simpkins (am 1946-06-26)
Schlagzeug:
Eddie Byrd (US drummer) (am 1946-06-26)
Tenorsaxophon:
Josh Jackson (tenor saxophone player) (am 1946-06-26)
Trompete:
Aaron Izenhall (am 1946-06-26)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1946-06-26)
recording of:
Let the Good Times Roll (am 1946-06-26)
Verfasser(in):
Fleecie Moore (in 1946) und Sam Theard (in 1946)
publisher:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing und Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Louis Jordan2:48
83I’ll Get Along Somehow
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
alto saxophone:
Vincent Bair-Bey (am 1949-09-18)
baritone saxophone:
Ernie Caceres (am 1949-09-18)
Klavier:
Earl Washington (am 1949-09-18)
Kontrabass [bass]:
Leonard Gaskin (am 1949-09-18)
Posaune:
Tyree Glenn (am 1949-09-18)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1949-09-18)
Tenorsaxophon:
Budd Johnson (am 1949-09-18)
Trompete:
Harold Baker (am 1949-09-18)
Sologesang:
Ruth Brown (am 1949-09-18)
Orchester:
Budd Johnson's Orchestra (am 1949-09-18)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1949-09-18)
recording of:
I’ll Get Along Somehow (am 1949-09-18)
Verfasser(in):
Buddy Fields und Gerald Marks
publisher:
Bourne, Inc.
Ruth Brown2:38
84Barbra Lee
The Orioles2:10
85I’ll Always Love You
Petula Clark3:10
86Blues Before Sunrise
cover recording of:
Blues Before Sunrise
Texter und Komponist(in):
Leroy Carr
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Ray Charles2:50
87Butcher Pete, Part I
baritone saxophone:
Leroy Rankins (New Orleans tenor saxophonist) (am 1949-11-02)
Bassgitarre:
Tommy Shelvin (US bassist) (am 1949-11-02)
Gitarre:
Louis Sargent (am 1949-11-02)
Klavier:
Edward Santineo (am 1950-04-19)
Schlagzeug:
Frank Parker (1950s US R&B drummer) (am 1949-11-02)
Tenorsaxophon:
Johnny Fontenette (am 1949-11-02)
Trompete:
Teddy Riley (US R&B singer & producer) (am 1949-11-02)
vocals:
Roy Brown (blues musician)
teilweise recording of:
Butcher Pete (am 1949-11-02)
Verfasser(in):
Roy Brown (blues musician) (bis 1949-11-02) und Henry Bernard (bis 1949-11-02)
Roy Brown3.52:34
88Butcher Pete, Part II
Roy Brown2:47