The Ultimate Jazz Archive, Set 42: Vocalists

~ Veröffentlichung von Sarah Vaughan, Ella Fitzgerald, Joe Williams, Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, 44 vorhanden)

Titelliste

1▼CD: Sarah Vaughan
Nr.TitelKünstlerBewertungLänge
1Nice Work If You Can Get It
recorded in:
New York, New York, Vereinigte Staaten (am 1950-05-19)
Produzent(in):
George Treadwell
Bass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-19)
E-Gitarre:
Mundell Lowe (am 1950-05-19)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-19)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-19)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-19)
Schlagzeug:
J.C. Heard (am 1950-05-19)
Solo-Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-19)
Tenorsaxophon:
Budd Johnson (am 1950-05-19)
vocals:
Sarah Vaughan (am 1950-05-19)
Orchester:
George Treadwell & His All Stars und with George Treadwell and his All Stars (am 1950-05-19)
cover recording of:
Nice Work If You Can Get It (am 1950-05-19)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
Sarah Vaughan2:38
2Can’t Get Out of This Mood
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Solo-Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Solo-Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Solo-Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
with George Treadwell and his All Stars (am 1950-05-18)
cover recording of:
Can’t Get Out of This Mood (am 1950-05-18)
Texter:
Frank Loesser
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Peermusic Ltd (UK) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
sub-publisher:
SEMI Société (SEMI Société)
Sarah Vaughan2:52
3Mean to Me
Bass:
Billy Taylor Jr. (jazz bassist)
E-Gitarre:
Mundell Lowe
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975)
Posaune:
Bennie Green (jazz trombonist)
Schlagzeug:
J.C. Heard
Solo-Tenorsaxophon:
Budd Johnson
Solo-Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter)
vocals:
Sarah Vaughan
cover recording of:
Mean to Me
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. und Pencil Mark Music (ASCAP)
Sarah Vaughan2:56
4Come Rain or Come Shine
recorded in:
New York, New York, Vereinigte Staaten
Produzent(in):
George Treadwell
Bass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-19)
Gitarre:
Mundell Lowe (am 1950-05-19)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-19)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-19)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-19)
Schlagzeug:
J.C. Heard (am 1950-05-19)
Solo-E-Gitarre:
Mundell Lowe
Solo-Tenorsaxophon:
Budd Johnson
Tenorsaxophon:
Budd Johnson (am 1950-05-19)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-19)
vocals:
Sarah Vaughan (am 1950-05-19)
Orchester:
with George Treadwell and his All Stars (am 1950-05-19)
cover recording of:
Come Rain or Come Shine (am 1950-05-19)
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
Sarah Vaughan3:27
5It Might as Well Be Spring
Produzent(in):
George Treadwell
Gitarre:
Freddie Green (am 1950-05-18)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
with George Treadwell and his All Stars (am 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, Vereinigte Staaten (am 1950-05-18)
cover recording of:
It Might as Well Be Spring (State Fair) (am 1950-05-18)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
Sarah Vaughan3:14
6Ain’t Misbehavin’
Produzent(in):
George Treadwell
Gitarre:
Freddie Green (am 1950-05-18)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
George Treadwell and his All Stars (am 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, Vereinigte Staaten (am 1950-05-18)
cover recording of:
Ain’t Misbehavin’ (am 1950-05-18)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
Sarah Vaughan3:02
7The Nearness of You
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975)
vocals:
Sarah Vaughan
cover recording of:
The Nearness of You
Texter:
Ned Washington (in 1938)
Komponist(in):
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
Sarah Vaughan3:22
8If You Could See Me Now
Tadd Dameron and his Orchestra2:52
9Can’t Get Out of This Mood (2)
George Treadwell & His All Stars2:51
10Shulie a Bop
Sarah Vaughan and Her Trio2:41
11Lover Man
Sarah Vaughan and Her Trio3:18
12They Can’t Take That Away From Me
Sarah Vaughan and Her Trio2:45
13Prelude to a Kiss
Sarah Vaughan and Her Trio2:48
14Polka Dots and Moonbeams
Sarah Vaughan and Her Trio2:35
15Body and Soul
Sarah Vaughan and Her Trio3:13
16You’re Not That Kind
recorded in:
New York, New York, Vereinigte Staaten (am 1954-12-16)
flute:
Herbie Mann (am 1954-12-16)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1954-12-16)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1954-12-16)
Tenorsaxophon:
Paul Quinichette (am 1954-12-16)
Trompete:
Clifford Brown (trumpet) (am 1954-12-16)
vocals:
Sarah Vaughan (am 1954-12-16)
conductor:
Ernie Wilkins (am 1954-12-16)
arranger:
Ernie Wilkins
cover recording of:
You’re Not the Kind (am 1954-12-16)
Verfasser(in):
Will Hudson und Irving Mills
Sarah Vaughan4:44
17September Song
flute:
Herbie Mann (am 1954-12-16)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1954-12-16)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1954-12-16)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1954-12-16)
Tenorsaxophon:
Paul Quinichette (am 1954-12-16)
Trompete:
Clifford Brown (trumpet) (am 1954-12-16)
vocals:
Sarah Vaughan (am 1954-12-16)
conductor:
Ernie Wilkins (am 1954-12-16)
arranger:
Ernie Wilkins
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1954-12-16)
recording of:
Knickerbocker Holiday: September Song (am 1954-12-16)
Texter:
Maxwell Anderson
Komponist(in):
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) und Crawford Music Corp. (am 1938-09-24)
Teil von:
Knickerbocker Holiday (Kurt Weill musical)
Sarah Vaughan5:47
18He’s My Guy
cover recording of:
He’s My Guy (am 1954-12-16)
Texter:
Don Raye
Komponist(in):
Gene de Paul
Sarah Vaughan4:14
19April in Paris
cover recording of:
April in Paris (am 1954-12-16)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Sarah Vaughan6:22
20Lullaby of Birdland
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Sarah Vaughan4:00
2▶CD: Ella Fitzgerald
3▶CD: Joe Williams
4▶CD: Billie Holiday