Notting Hill: Music From the Motion Picture

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 11 vorhanden)

Anmerkung

Australian edition with bonus track 14 "Pulp"

Anmerkung zuletzt geändert am 2017-04-17 11:12 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1You've Got a Way (Notting Hill mix)
Programmierung:
Olle Romo (Swedish music producer, songwriter, and drummer)
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Bass:
Joe Chemay
E-Sitars:
Dann Huff
Gitarre:
Joe Chemay, Dann Huff und Bill Watson
Schlagzeug:
Paul Leim
Synthesizer:
Arthur Stead
remixer:
Olle Romo (Swedish music producer, songwriter, and drummer)
recording of:
You’ve Got a Way
Verfasser(in):
Eilleen Regina Lange und Robert John Lange
publisher:
Out-of-Pocket Productions Ltd.
Shania Twain3:24
2I Do (Cherish You)
Assistent recording engineer:
Greg Parker (engineer)
recording engineer und Mix:
Bill Whittington
drum machine-Programmierung:
Mark Hammond (US drummer/producer/drum programmer)
Produzent(in):
Keith Thomas (CCM, country, pop producer & songwriter)
Bass und Keyboard:
Keith Thomas (CCM, country, pop producer & songwriter)
guitar family:
Gordon Kennedy (US country/bluegrass songwriter/musician)
Sologesang:
Nick Lachey
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1998)
aufgenommen bei und mixed at:
The Bennett House in Franklin, Tennessee, Vereinigte Staaten
cover recording of:
I Do (Cherish You)
Verfasser(in):
Dan Hill (Canadian singer/songwriter) und Keith Stegall (American country singer / songwriter and record producer)
publisher:
Big Picture Entertainment, If Dreams Had Wings Music Ltd., November One Songs, Songs of Kobalt Music Publishing, Universal Music–Z Songs und Smash Vegas Music (in 1997)
98 Degrees53:47
3She
recording engineer:
Gareth Cousins und Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Paul Hicks
Produzent(in):
Trevor Jones (South African score composer)
Mix:
Gareth Cousins
Bassgitarre:
Trevor Barry
Instrumente:
Clem Clempson
Klavier:
Dave Hartley (pianist)
Schlagzeug:
Paul Clarvis (percussionist)
Vibraphon:
Frank Ricotti (percussionist)
vocals:
Elvis Costello
Orchester:
London Symphony Orchestra
conductor:
Geoffrey Alexander
arranger:
Julian Kershaw
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1999)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
cover recording of:
She (Seven Faces of Woman)
Texter:
Herbert Kretzmer
Komponist(in):
Charles Aznavour
publisher:
Essex Music International, Inc. und Standard Music Publishing Ltd.
übersetzte Version von:
Tous les visages de l’amour
Elvis Costello2.53:08
4Ain't No Sunshine
recording engineer:
Bill Halverson (in 1971) und Bill Lazarus (in 1971)
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
Akustikgitarre:
Stephen Stills (in 1971)
E-Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
Sologesang:
Bill Withers (in 1971)
Saiteninstrumente arranger:
Booker T. Jones
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
Teil von:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 280) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 309)
recording of:
Ain’t No Sunshine (in 1971)
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Bill Withers4.552:05
5How Can You Mend a Broken Heart
Produzent(in):
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
E-Bass:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
Orgel und Klavier:
Charles Hodges (soul organist)
Posaune:
Jack Hale (trombone)
Saxophon:
James Mitchell (US saxophonist/arranger)
Schlagzeug:
Howard Grimes und Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Ed Logan
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
Hintergrundgesang:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes und Sandra Rhodes
aufgenommen bei:
Royal Studios in Memphis, Tennessee, Vereinigte Staaten
cover recording of:
How Can You Mend a Broken Heart
geschrieben in:
Kensington, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Abigail Music (London) Ltd. (publisher), BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Robin Gibb Publishing Ltd., Songs of Universal, Inc. (BMI), Universal Music Careers und Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Al Green3.76:25
6In Our Lifetime
recording engineer:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Johnny Mac, Kenny McDonald (engineer) und Sharleen Spiteri
Programmierung:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Johnny McElhone, Sharleen Spiteri und Texas (Scottish pop rock band)
zusätzliche Programmierung:
Kenny MacDonald
Produzent(in):
Johnny Mac
Mix:
Mark “Spike” Stent (producer, engineer)
Gitarre:
Johnny McElhone und Ally McErlaine (Scottish guitarist)
Keyboard:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Johnny McElhone und Sharleen Spiteri
Schlagzeug:
Richard Hynd
zusätzlich Perkussion [beats]:
Ben Chapman
Hintergrundgesang:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens und Sharleen Spiteri
phonographisches Urheberrecht (℗) von:
Grand Central Records Ltd. und Mercury Records Ltd. (London) (for copyrights use only)
aufgenommen bei:
Park Lane Studios in Glasgow, Scotland, Vereinigtes Königreich und Shar's House in Scotland, Vereinigtes Königreich
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich und The Mix Suite in London (Greater London), England, Vereinigtes Königreich
recording of:
In Our Lifetime
Texter und Komponist(in):
Johnny McElhone und Sharleen Spiteri
publisher:
EMI 10 Music
Texas34:07
7Gimme Some Lovin'
recording of:
Gimme Some Lovin’
Verfasser(in):
Spencer Davis, Muff Winwood (bass player, songwriter, producer) und Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) und Island Music Ltd. (vom 1966 bis ????)
The Spencer Davis Group3:00
8When You Say Nothing at All
Programmierung und Produzent(in):
Stephen Lipson
Techniker(in) und Mix:
Heff Moraes
accordion und Trillerpfeife:
James McNally
Bass:
Stephen Lipson
Gitarre:
Dominic Miller (guitarist)
Keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Schlagzeug:
Andy Duncan (UK drummer and producer)
Hintergrundgesang:
Tessa Niles und Miriam Stockley
vocals:
Ronan Keating
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) und Polygram Ireland Ltd. (in 1999)
aufgenommen bei:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich und The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
mixed at:
The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
When You Say Nothing at All
Verfasser(in):
Paul Overstreet (country singer and songwriter) und Don Schlitz
Ronan Keating2.754:15
9Ain't No Sunshine
recording engineer und Mix:
Phil Bodger (engineer)
Programmierung:
Gota Yashiki
Produzent(in):
Tim Laws und Paul Tucker
Bass:
Wayne Stobbart
Gitarre:
Mark Jalmes
Klavier:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Hintergrundgesang:
Lawrence Johnson und Priscilla-Mae Jones
Saiteninstrumente arranger:
Wil Malone
aufgenommen bei und mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Ain’t No Sunshine
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Lighthouse Family3:43
10From the Heart
Techniker(in):
Ali Boudris und Mario Luccy
leitende(r) Produzent(in):
Diane Warren (US songwriter)
Produzent(in):
Khris Kellow
assistierende(r) Mix:
Tom Bender (engineer)
Mix:
Mick Guzauski
Gitarre:
Ali Boudris
aufgenommen bei:
Bananaboat Studios in Burbank, California (Kalifornien), Vereinigte Staaten und Realsongs in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Barking Doctor Recording in Mount Kisco, New York, Vereinigte Staaten
recording of:
From the Heart
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Realsongs
Another Level4:54
11Everything About You
recording of:
Everything About You
Texter und Komponist(in):
Steve Poltz
Steve Poltz3:57
12Will and Anna (score)
recording engineer und Mix:
Gareth Cousins und Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Paul Hicks
Produzent(in):
Trevor Jones (South African score composer)
Akustikgitarre:
Craig Ogden (guitarist)
Klavier:
Dave Arch (pianist, conductor, arranger and composer)
Synthesizer:
Trevor Jones (South African score composer)
Orchester:
The London Symphony Orchestra (London Symphony Orchestra)
conductor:
Geoffrey Alexander
Orchestrator(in):
Geoffrey Alexander, Trevor Jones (South African score composer) und Julian Kershaw
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich und CMMP Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Will and Anna (Notting Hill)
Komponist(in):
Trevor Jones (South African score composer)
Trevor Jones3:38
13Notting Hill (score)
recording engineer und Mix:
Gareth Cousins und Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Paul Hicks
Produzent(in):
Trevor Jones (South African score composer)
Akustikgitarre:
Craig Ogden (guitarist)
Gitarre:
Clem Clempson
Klavier:
Dave Arch (pianist, conductor, arranger and composer)
Synthesizer:
Trevor Jones (South African score composer)
Orchester:
The London Symphony Orchestra (London Symphony Orchestra)
conductor:
Geoffrey Alexander
Orchestrator(in):
Geoffrey Alexander, Trevor Jones (South African score composer) und Julian Kershaw
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich und CMMP Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Notting Hill
Komponist(in):
Trevor Jones (South African score composer)
Trevor Jones4:47
14Born to Cry
assistierende(r) Techniker(in):
Paul 'Pdub' Walton
Produzent(in):
Simon Dawson (engineer)
zusätzliche(r) Produzent(in):
Mark “Spike” Stent (producer, engineer)
Mix:
Mark “Spike” Stent (producer, engineer)
Editing:
Jan Kybert (producer / mixer / engineer)
Sologesang:
Jarvis Cocker
aufgenommen bei:
Axis Studios in Doncaster, Doncaster, South Yorkshire, England, Vereinigtes Königreich (von 1998-10-31 bis 1998-11-01)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1998 bis 1999)
recording of:
Born to Cry
Texter:
Jarvis Cocker
Komponist(in):
Nick Banks, Jarvis Cocker, Candida Doyle, Richard Hawley (English guitarist, singer-songwriter and producer from Sheffield), Steve Mackey (producer; Pulp bassist) und Mark Andrew Webber (Guitarist with Pulp)
Premiere bei:
Pulp at Motorpoint Arena (2012-12-08)
Pulp5:33

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