100% Swing

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Take the ‘a’ Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
Duke Ellington & His Orchestra2:57
2But Not for Me
recording of:
But Not for Me
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Chet Baker3:03
3Things Are Swingin’
vocals:
Peggy Lee (jazz vocalist) (am 1958-05-19)
recording of:
Things Are Swingin’ (am 1958-05-19)
Verfasser(in):
Peggy Lee (jazz vocalist) und Jack Marshall (US jazz guitarist, composer, arranger & record producer)
Peggy Lee2:11
4I’ve Got You Under My Skin
Danny Williams3:16
5Have You Met Miss Jones
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1960-10-19)
vocals:
Sarah Vaughan (am 1960-10-19)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1960-10-19)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (am 1960-10-19)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
Sarah Vaughan2:21
6Just a Gigolo / I Ain’t Got Nobody
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1956-04-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber Jr. (am 1956-04-19)
Posaune:
Jimmy 'Little Red' Blount (am 1956-04-19) und Lou Sineaux (am 1956-04-19)
Schlagzeug:
Bobby Morris (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (am 1956-04-19)
Texter:
Julius Brammer und Roger Graham
Komponist(in):
Leonello Casucci und Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
Übersetzer:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America und Wiener Bohème Verlag GmbH
Medley von:
Just a Gigolo (English version)
Medley von:
I Ain’t Got Nobody
Louis Prima44:43
7On Broadway
Lou Rawls2:26
8My Heart Belongs to Daddy
Produzent(in):
Richard Bock (record producer)
Gitarre:
Joe Pass (jazz guitarist) (am 1965-07-12)
Holzblasinstrumente:
Bud Shank (am 1965-07-12)
Instrumente:
The Bud Shank Quintet (am 1965-07-12)
Klavier:
Russ Freeman (pianist) (am 1965-07-12)
Kontrabass:
Monty Budwig (am 1965-07-12)
membranophone und Schlagzeug:
Colin Bailey (drummer) (am 1965-07-12)
vocals:
Julie London (am 1965-07-12)
arranger:
Russ Freeman (pianist)
aufgenommen bei:
Pacific Jazz Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-07-12)
cover recording of:
My Heart Belongs to Daddy (am 1965-07-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
Julie London2:42
9Crazy
Kay Starr2:57
10Please Don’t Talk About Me When I’m Gone
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
cover recording of:
Please Don’t Talk About Me When I’m Gone
Texter:
Sidney Clare
Komponist(in):
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Remick Music Corp.
Sammy Davis Jr.42:40
11The Best Things in Life Are Free
Bing Crosby52:25
12Diamonds Are a Girl Best Friend
recording of:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Leo Robin (US composer, lyricist & songwriter) und Jule Styne
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Teil von:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Marilyn Monroe3:31
13Why Don’t You Do Right
assistierende(r) Techniker(in):
Tommy Civello und Yvonne Yedibalian
Techniker(in):
Gary Chester (production, engineer)
Produzent(in):
Sinéad O’Connor (Irish singer‐songwriter) und Phil Ramone
Mix:
Gary Chester (production, engineer) und Phil Ramone
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
conductor:
Torrie Zito
arranger:
Patrick Williams (composer, arranger)
cover recording of:
Why Don’t You Do Right?
Texter und Komponist(in):
Kansas Joe McCoy
publisher:
Edwin Morris Music und Morley Music Co
Version von:
Weed Smoker’s Dream
Sinéad O’Connor42:30
14Music to Watch Girls By
recording of:
Music to Watch Girls By
Verfasser(in):
Sid Ramin und Tony Velona
publisher:
Sidray Enterprises Ltd. und Sony Music Publishing (worldwide except Japan, ended 1995)
Matt Monro2:11
15Nature Boy
Johnny Hartman3:30
16Baltimore Oriole
Sheila Jordan2:27
17Cheek to Cheek
recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
Fred Astaire3:47
18Swingin’ the Blues
recording of:
Swingin’ the Blues
Komponist(in):
Count Basie (pianist) (in 1938) und Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1938)
Count Basie & His Orchestra3:14
19Hello Young Lovers
Produzent(in):
Ray Ellis (US producer, arranger and conductor) (in 1965)
vocals:
Lena Horne (in 1965)
conductor:
Ray Ellis (US producer, arranger and conductor) (in 1965)
arranger:
Ray Ellis (US producer, arranger and conductor) (in 1965)
cover recording of:
Hello, Young Lovers (The King and I) (in 1965)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company und Williamson Music, Inc.
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. und Williamson Music Ltd.
Teil von:
The King and I (Rodgers & Hammerstein musical)
Lena Horne2:19
20Strangers in the Night
Vikki Carr2:23
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