Beverly Sills and Friends

~ Veröffentlichung von Beverly Sills (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Compilation of arias from releases dated 1959-1973
CD 2: Tracks 7-12 were originally published on several releases
as "A Beverly Sills Concert." See > http://www.beverlysillsonline.com/discography-recitals.htm#emi

Anmerkung zuletzt geändert am 2017-02-21 19:14 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Manon : Acte III, Scene 1. “Je marche sur tous les chemins” (Manon)
Techniker(in):
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) und Andrew Stephens (recording engineer) (in 1970-07)
Produzent(in):
Michael Williamson (classical music producer) (in 1970-07)
Soprangesang:
Beverly Sills (soprano) (in 1970-07)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1970-07)
recording of:
Manon: Acte III, Scène I. “Je marche sur tous les chemins” (Manon) (in 1970-07)
Komponist(in):
Jules Massenet (French Romantic composer)
Teil von:
Manon: Acte III
Jules Massenet2:51
2Manon : Acte III, Scene 1. Gavotte “Obéissons, quand leur voix appelle” (Manon, Britgny)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) und Andrew Stephens (recording engineer) (in 1970-07)
Techniker(in):
Robert Gooch (British classical sound engineer, active from late 1950's) und Andrew Stephens (recording engineer)
assistierende(r) Produzent(in):
Michael Gardener (UK classical producer) (in 1970-07)
Partner-Produzent(in):
Siva Elia (recording producer) (in 1970-07)
Produzent(in):
Michael Williamson (classical music producer) (in 1970-07)
Baritongesang:
Michel Trempont (Belgian operatic baritone) (in 1970-07)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-07)
Soprangesang:
Beverly Sills (soprano) (in 1970-07)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-07)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1970-07, von 1970-07-15 bis 1970-07-29)
recording of:
Manon: Acte III, Scène I. Gavotte “Obéissons quand leur voix appelle” (Manon, Brétigny, Chœur) (in 1970-07)
Komponist(in):
Jules Massenet (French Romantic composer)
Librettist:
Philippe Gille und Henri Meilhac
Teil von:
Manon: Acte III
Jules Massenet3:54
3Manon : Acte IV. “Un mot, s’il vous plaît, Chevalier” (Manon, des Grieux, cast)
Techniker(in):
Robert Gooch (British classical sound engineer, active from late 1950's) und Andrew Stephens (recording engineer)
Produzent(in):
Michael Williamson (classical music producer)
Baritongesang:
Gérard Souzay (baritone) (in 1970-07)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-07)
Mezzosoprangesang:
Patricia Kern (mezzo-soprano) (in 1970-07)
Soprangesang:
Beverly Sills (soprano) (in 1970-07) und Helia T'Hezan (soprano) (in 1970-07)
Tenor-Gesang:
Nico Castel (tenor) (in 1970-07) und Nicolai Gedda (tenor) (in 1970-07)
vocals:
Michele Raynaud (opera singer) (in 1970-07)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-07)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1970-07)
recording of:
Manon: Acte IV. “Un mot, s’il vous plait, Chevalier” (Guillot, des Grieux, Manon, Cast) (in 1970-07)
Komponist(in):
Jules Massenet (French Romantic composer)
Librettist:
Philippe Gille und Henri Meilhac
Teil von:
Manon: Acte IV
Jules Massenet3:28
4Lucia di Lammermoor: Atto I. Duetto “Sulla tomba che rinserra” (Edgardo, Lucia)
recording engineer:
Stuart Ectham (recording engineer) und Richard Hale (baritone)
Produzent(in):
Michael Williamson (classical music producer)
Gast Soprangesang:
Beverly Sills (soprano) (in 1970-08)
Tenor-Gesang:
Carlo Bergonzi (tenor) (in 1970-08)
Orchester:
London Symphony Orchestra (in 1970-08)
conductor:
Thomas Schippers (conductor and composer) (in 1970-08)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970-08)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4b) Duetto "Sulla tomba che rinserra" (Edgardo, Lucia) (in 1970-08)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (in 1970-08)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4d) “Verranno a te sull’aure” (Edgardo, Lucia) (in 1970-08)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Lucia di Lammermoor: Atto I
Gaetano Donizetti10:53
5Lucia di Lammermoor: Atto II. Scena 2. “Chi mi frena in tal momento?“ / “Chi raffrena il mio furore?“ (Sextet, coro)
recording engineer:
Stuart Ectham (recording engineer) und Richard Hale (baritone)
Produzent(in):
Michael Williamson (classical music producer)
Baritongesang:
Piero Cappuccilli (baritone) (in 1970-08)
bass-baritone vocals:
Justino Díaz (operatic bass) (in 1970-08)
Mezzosoprangesang:
Patricia Kern (mezzo-soprano) (in 1970-08)
Soprangesang:
Beverly Sills (soprano) (in 1970-08)
Tenor-Gesang:
Carlo Bergonzi (tenor) (in 1970-08) und Adolf Dallapozza (tenor) (in 1970-08)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-08)
Orchester:
London Symphony Orchestra (in 1970-08)
conductor:
Thomas Schippers (conductor and composer) (in 1970-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-08)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970-08)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (in 1970-08)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:55
6I puritani: Atto I, Scena 2. Duetta “O amato zio“ … “Sai com’arde in petlo mio“ (Elvira, Giorgio)
recording engineer:
Michael Gray (UK classical recording engineer)
Produzent(in):
John Mordler (producer)
Bass-Gesang:
Paul Plishka (operatic bass) (in 1973-08)
Soprangesang:
Beverly Sills (soprano) (in 1973-08)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1973-08)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1973-08)
conductor:
Julius Rudel (conductor) (in 1973-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1973-08)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1973-08)
recording of:
I puritani: Atto I, scena 2. N°5a Duetto “O amato zio” … “Sai com'arde in petto mio” (Elvira, Giorgio) (in 1973-08)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Carlo Pepoli (Italian librettist, 19th c.)
Teil von:
I puritani: Atto I
Vincenzo Bellini6:10
7I puritani: Atto I, Scena 2. “Chi mosse a’ miei desir il genitor?“
recording engineer:
Michael Gray (UK classical recording engineer)
Produzent(in):
John Mordler (producer)
Bass-Gesang:
Paul Plishka (operatic bass) (in 1973-08)
Soprangesang:
Beverly Sills (soprano) (in 1973-08)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1973-08)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1973-08)
conductor:
Julius Rudel (conductor) (in 1973-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1973-08)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1973-08)
recording of:
I puritani: Atto I, scena 2. N°5b “Piangi, o figlia” … “Chi mosse a' miei desir il genitor?” (Elvira, Giorgio) (in 1973-08)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Carlo Pepoli (Italian librettist, 19th c.)
Teil von:
I puritani: Atto I
Vincenzo Bellini3:34
8I puritani: Atto I, Scena 2. “Odi … Qual suon si desta?“
recording engineer:
Michael Gray (UK classical recording engineer)
Produzent(in):
John Mordler (producer)
Bass-Gesang:
Paul Plishka (operatic bass) (in 1973-08)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1973-08)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1973-08)
conductor:
Julius Rudel (conductor) (in 1973-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1973-08)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1973-08)
recording of:
I puritani: Atto I, scena 2. N°5c “Odi...Qual suon si desta?” (Elvira, Giorgio, Coro) (in 1973-08)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Carlo Pepoli (Italian librettist, 19th c.)
Teil von:
I puritani: Atto I
Vincenzo Bellini4:08
9Anna Bolena: Atto II, Scena 1. “Dio, che mi vedi in core“
recording engineer:
Michael Gray (UK classical recording engineer) und Richard Hale (baritone)
Produzent(in):
David Mottley (producer)
Mezzosoprangesang:
Shirley Verrett (mezzo-soprano) (in 1972-08)
Mezzosoprangesang [Giovanna]:
Shirley Verrett (mezzo-soprano) (in 1972)
Soprangesang:
Beverly Sills (soprano) (in 1972-08)
Soprangesang [Anna]:
Beverly Sills (soprano) (in 1972)
Orchester:
London Symphony Orchestra (in 1972, in 1972-08)
conductor:
Julius Rudel (conductor) (in 1972, in 1972-08)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1972-08)
recording of:
Anna Bolena: Atto II, Scena 1. Duetto “Dio, che mi vedi in core” (Anna, Giovanna) (in 1972-08)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Anna Bolena: Atto II
recording of:
Anna Bolena: Atto II, Scena 1. Duetto “Dio, che mi vedi in core” (Anna, Giovanna) (in 1972)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Anna Bolena: Atto II
Gaetano Donizetti7:13
10Anna Bolena: Atto II, Scena 1. Duetto “Sul suo capo aggravi un Dio“ (Anna, Giovanna)
recording engineer:
Michael Gray (UK classical recording engineer) und Richard Hale (baritone)
Produzent(in):
David Mottley (producer)
Mezzosoprangesang:
Shirley Verrett (mezzo-soprano) (in 1972-08)
Soprangesang:
Beverly Sills (soprano) (in 1972-08)
Orchester:
London Symphony Orchestra (in 1972-08)
conductor:
Julius Rudel (conductor) (in 1972-08)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1972-08)
recording of:
Anna Bolena: Atto II, Scena 1. Duetto “Sul suo capo aggravi un Dio” (Anna, Giovanna) (in 1972-08)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Anna Bolena: Atto II
Gaetano Donizetti3:32
11Anna Bolena: Atto II, Scena 1. “Dal mio cor punita io sono“
recording engineer:
Michael Gray (UK classical recording engineer) und Richard Hale (baritone)
Produzent(in):
David Mottley (producer)
Mezzosoprangesang:
Shirley Verrett (mezzo-soprano) (in 1972-08)
Mezzosoprangesang [Giovanna]:
Shirley Verrett (mezzo-soprano) (in 1972)
Soprangesang:
Beverly Sills (soprano) (in 1972-08)
Soprangesang [Anna]:
Beverly Sills (soprano) (in 1972)
Orchester:
London Symphony Orchestra (in 1972, in 1972-08)
conductor:
Julius Rudel (conductor) (in 1972, in 1972-08)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1972-08)
recording of:
Anna Bolena: Atto II, Scena 1. Duetto “Dal mio cor punita io sono” (Giovanni, Anna) (in 1972-08)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Anna Bolena: Atto II
recording of:
Anna Bolena: Atto II, Scena 1. Duetto “Dal mio cor punita io sono” (Giovanni, Anna) (in 1972)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Anna Bolena: Atto II
Gaetano Donizetti2:55
12Anna Bolena: Atto II, Scena 1. “Va, infelice, e teco reca“
recording engineer:
Michael Gray (UK classical recording engineer) und Richard Hale (baritone)
Produzent(in):
David Mottley (producer)
Mezzosoprangesang:
Shirley Verrett (mezzo-soprano) (in 1972-08)
Mezzosoprangesang [Giovanna]:
Shirley Verrett (mezzo-soprano) (in 1972)
Soprangesang:
Beverly Sills (soprano) (in 1972-08)
Soprangesang [Anna]:
Beverly Sills (soprano) (in 1972)
Orchester:
London Symphony Orchestra (in 1972, in 1972-08)
conductor:
Julius Rudel (conductor) (in 1972, in 1972-08)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1972-08)
recording of:
Anna Bolena: Atto II, Scena 1. Duetto " Va, infelice, e teco reca" (Anna, Giovanna) (in 1972-08)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Anna Bolena: Atto II
recording of:
Anna Bolena: Atto II, Scena 1. Duetto " Va, infelice, e teco reca" (Anna, Giovanna) (in 1972)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Anna Bolena: Atto II
Gaetano Donizetti3:17
13Roberto Devereux: Atto I, Scena 1. “Nunzio son del Parlamento“
Partner recording engineer:
Richard Lush
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
Produzent(in):
Michael Williamson (classical music producer)
Bass-Gesang:
Don Garrard (operatic bass) (in 1969-06) und Gwynne Howell (operatic bass) (in 1969-06)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1969-06)
Mezzosoprangesang:
Beverly Wolff (mezzo-soprano) (in 1969-06)
Soprangesang:
Beverly Sills (soprano) (in 1969-06)
Tenor-Gesang:
Kenneth MacDonald (tenor) (in 1969-06)
Orchester:
Royal Philharmonic Orchestra (in 1969-06)
conductor:
Charles Mackerras (Australian conductor) (in 1969-06)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1969-06)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1969-06)
recording of:
Roberto Devereux: Atto I, Scena 3. “Nunzio son del Parlamento” (Elisabetta, Sara, Lord Cecil, Page, Raleigh, Lords) (in 1969-06)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Roberto Devereux: Atto I
Gaetano Donizetti5:52
14Maria Stuarda: Atto II, Scena 3. “Deh! l’accogli!“ … “Morta al mondo, e morta al trono"“ (Leicester, Maria)
recording engineer:
Bob Auger (Robert Auger, engineer)
Produzent(in):
Michael Williamson (classical music producer)
Baritongesang:
Louis Quilico (baritone) (in 1971-06)
Chorgesang:
The John Alldis Choir (in 1971-06)
Gast Baritongesang:
Christian du Plessis (baritone) (in 1971-06)
Mezzosoprangesang:
Patricia Kern (mezzo-soprano) (in 1971-06)
Soprangesang:
Eileen Farrell (soprano) (in 1971-06) und Beverly Sills (soprano) (in 1971-06)
Tenor-Gesang:
Stuart Burrows (tenor) (in 1971-06)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1971-06)
conductor:
Aldo Ceccato (conductor) (in 1971-06)
aufgenommen bei:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, Vereinigtes Königreich (in 1971-06)
recording of:
Maria Stuarda: Atto II, no. 10. "Deh! l'accogli... Morta al mondo, e morta al trono" (Maria, Elisabetta, Anna, Leicester, Talbot, Cecil) (in 1971-06)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Maria Stuarda: Atto II
Gaetano Donizetti8:05
15Maria Stuarda: Atto II, Scena 3. “Va, preparati, furente“ (Elisabetta)
recording engineer:
Bob Auger (Robert Auger, engineer)
Produzent(in):
Michael Williamson (classical music producer)
Baritongesang:
Christian du Plessis (baritone) (in 1971-06) und Louis Quilico (baritone) (in 1971-06)
Chorgesang:
The John Alldis Choir (in 1971-06)
Mezzosoprangesang:
Patricia Kern (mezzo-soprano) (in 1971-06)
Soprangesang:
Eileen Farrell (soprano) (in 1971-06) und Beverly Sills (soprano) (in 1971-06)
Tenor-Gesang:
Stuart Burrows (tenor) (in 1971-06)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1971-06)
conductor:
Aldo Ceccato (conductor) (in 1971-06)
aufgenommen bei:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, Vereinigtes Königreich (in 1971-06)
recording of:
Maria Stuarda: Atto II, no. 11. Stretta Finale "Va, preparati, furente" (Maria, Elisabetta, Anna, Leicester, Cecil, Talbot, Coro) (in 1971-06)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Maria Stuarda: Atto II
Gaetano Donizetti2:59
2▶CD

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2006)
ASIN:US: B000ICLSWE [Info]
Diskografieeintrag:http://www.beverlysillsonline.com/text/csillsnfriends.htm [Info]
https://www.allmusic.com/album/mw0001944093 [Info]