The World's Absolute Best Ever Beer Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1We Are the Champions
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
assistierende(r) Produzent(in) und Koproduzent(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
Queen (UK rock group)
Bassgitarre:
John Deacon
E-Gitarre und Gitarre:
Brian May (Queen guitarist)
Klavier und Sologesang:
Freddie Mercury
Schlagzeug:
Roger Taylor (Queen drummer)
Hintergrundgesang:
Brian May (Queen guitarist), Freddie Mercury und Roger Taylor (Queen drummer)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2011)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 25)
recording of:
We Are the Champions
Texter und Komponist(in):
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.953:01
2I'm Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:38
3Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work4.053:38
4Let Me Entertain You
Programmierung:
Kerry Hopwood und Steve Power
assistierende(r) Techniker(in):
Jim Brumby (UK engineer) und Matt Hay
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
Mix:
Steve Power
Bass:
David Catlin‐Birch (UK bassist and guitarist)
Gitarre:
Fil Eisler (Czech score composer) und Chester Kamen
Keyboard [keyboards]:
Guy Chambers (English songwriter and record producer)
Perkussion:
Andy Duncan (UK drummer and producer)
Schlagzeug [drums]:
Chris Sharrock
Solo-Trompete:
Steve Sidwell (English composer & wind instrumentalist) und Derek Watkins (trumpeter)
Hintergrundgesang:
Claudia Fontaine (vocals, background vocals), Beverley Skeete, Carroll Thompson und Robbie Williams
vocals:
Robbie Williams
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Steve Sidwell (English composer & wind instrumentalist)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd (not for release label use! company behind the Chrysalis imprint) (in 1997)
aufgenommen bei:
Matrix Maison Rouge Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
recording of:
Let Me Entertain You
Texter und Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Robbie Williams44:24
5S.M.D.U. (feat. Blur 'Song 2')
Produzent(in):
Brock Landars, David Conway (producer) und Larry Lush
Editing:
Anthony De Rothschild
vocals:
Nesto
arranger:
Brock Landars, David Conway (producer) und Larry Lush
Samples:
Smack My Bitch Up von Prodigy (UK electronic group, main member Liam Howlett) und Song 2 von Blur (UK alternative rock band)
recording of:
S.M.D.U.
Verfasser(in):
Damon Albarn, Cedric Miller, Graham Coxon, Liam Howlett, Alex James (UK bassist for Blur/Fat Les), Maurice Smith, Trevor Randolph, Dave Rowntree und Keith Matthew Thornton
Brock Landars44:17
6The Boys Light Up
Techniker(in):
Ross Cockle
Produzent(in):
David Briggs (producer, guitarist of Little River Band)
Gitarre und Slide-Gitarre:
Simon Binks (von 1981-03 bis 1981-04)
Keyboard:
Peter Jones (Australian pianist/composer) (von 1981-03 bis 1981-04), Mal Logan (von 1981-03 bis 1981-04), Keith McKay (von 1981-03 bis 1981-04) und Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer) (von 1981-03 bis 1981-04)
Mundharmonika:
James Reyne (von 1981-03 bis 1981-04)
Perkussion:
Bill McDonough (von 1981-03 bis 1981-04) und Derek Pellicci (von 1981-03 bis 1981-04)
Saxophon:
Bill Harrower (von 1981-03 bis 1981-04)
Schlagzeug:
Bill McDonough (von 1981-03 bis 1981-04)
vocals:
Bill McDonough (von 1981-03 bis 1981-04), James Reyne (von 1981-03 bis 1981-04), Brad Robinson (von 1981-03 bis 1981-04), Mal Stainton (von 1981-03 bis 1981-04) und Paul Williams (bassist in 'Australian Crawl') (von 1981-03 bis 1981-04)
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) und EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 2002)
aufgenommen bei:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australien (von 1981-03 bis 1981-04)
mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australien
recording of:
Boys Light Up (von 1981-03 bis 1981-04)
Verfasser(in):
James Reyne
publisher:
Warner/Chappell Music Ltd. (1996–2019)
recording of:
The Boys Light Up (von 1981-03 bis 1981-04)
Verfasser(in):
James Reyne
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner/Chappell Pty. Ltd.
Australian Crawl34:40
7Prisoner of Society
Assistent recording engineer und assistierende(r) Techniker(in):
Matt Voight
recording engineer und Techniker(in):
Lindsay Gravina (engineer & guitarist)
Produzent(in):
Lindsay Gravina (engineer & guitarist) und The Living End (Australian punk band)
Mix:
Jerry Finn
phonographisches Urheberrecht (℗) von:
The Living End Pty. Ltd. (in 1997, in 1998)
aufgenommen bei:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australien
mixed at:
Conway Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Prisoner of Society (US version) (film clip) von The Living End (Australian punk band)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 41) und Triple J’s Hottest 100: Twenty Years (2013) (Nummer: 20)
recording of:
Prisoner of Society
Texter und Komponist(in):
Chris Cheney (The Living End frontman)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. und EMI Music Publishing (do not use as a release label!)
The Living End3.653:53
8Wild Thing
Produzent(in):
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
E-Gitarre:
Chris Britton (The Troggs) (in 1966)
Okarina und Sologesang:
Reg Presley (in 1966)
Schlagzeug:
Ronnie Bond (The Troggs) (in 1966)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 257)
cover recording of:
Wild Thing (in 1966)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH und April Music (in 1981)
The Troggs4.42:37
9We're Not Gonna Take It
recording engineer und Mix:
Geoff Workman
assistierende(r) Techniker(in):
Gary McGachan
Techniker(in):
John Agnello (engineer & producer), Greg Laney und Geoff Workman
Produzent(in):
Tom Werman
Bassgitarre:
Mark Mendoza (Twisted Sister bassist)
E-Gitarre:
Jay Jay French und Eddie Ojeda
Schlagzeug:
A.J. Pero
Hintergrundgesang:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero und Dee Snider
Sologesang:
Dee Snider
arranger:
Twisted Sister und Tom Werman
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-02 bis 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1984-02 bis 1984-03) und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-02 bis 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 47) und Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 81)
recording of:
We’re Not Gonna Take It
Texter und Komponist(in):
Dee Snider
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Tunes
Teil von:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (Nummer: 7)
Twisted Sister4.353:38
10La Grange
E-Bass:
Dusty Hill
E-Gitarre:
Billy Gibbons
Perkussion und Schlagzeug:
Frank Beard (ZZ Top drummer)
vocals:
Billy Gibbons und Dusty Hill
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
La Grange
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic und Stage Three Songs
basiert auf:
Boogie Chillen’
ZZ Top4.23:52
11Mony Mony
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1981-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981) und Chrysalis Records, Inc. (not for release label use!) (in 1981)
Musikvideos:
Mony, Mony (live) von Billy Idol (English rock singer‐songwriter)
cover recording of:
Mony Mony (in 1981-07)
Verfasser(in):
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry und Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Planetary Nom (London) Ltd.
Billy Idol3.25:02
12My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.24:00
13Real Wild Child
drum machine [Linn drum]-Programmierung:
David Richards (Swiss-based producer and engineer) (von 1986-04 bis 1986-05)
Techniker(in):
David Richards (Swiss-based producer and engineer)
Produzent(in) und Mix:
David Bowie (English singer‐songwriter) und David Richards (Swiss-based producer and engineer)
Bass, Schlagzeug, Orgel, Sampler [Akai S900], Synthesizer [Yamaha DX7] und Geige / Violine:
Erdal Kızılçay (von 1986-04 bis 1986-05)
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05) und Steve Jones (Sex Pistols member) (von 1986-04 bis 1986-05)
Hintergrundgesang:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05), David Bowie (English singer‐songwriter) (von 1986-04 bis 1986-05) und Erdal Kızılçay (von 1986-04 bis 1986-05)
Sologesang:
Iggy Pop (von 1986-04 bis 1986-05)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1986)
aufgenommen bei:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1986-04 bis 1986-05)
cover recording of:
Wild One (Real Wild Child) (von 1986-04 bis 1986-05)
Verfasser(in):
Johnny Greenan, Johnny O’Keefe und Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Southern Music (publisher)
Iggy Pop3.853:38
14Wild Wild Life
Assistent recording engineer:
Kathy Botich, Nick Del Re und Melanie West (engineer)
recording engineer:
Eric “E.T.” Thorngren
Produzent(in):
Talking Heads
assistierende(r) Mix:
Charles Brocco, Robin Laine und Tom Nist (engineer)
Mix:
Mick Guzauski
Bassgitarre [bass]:
Tina Weymouth
Gitarre:
David Byrne (Talking Heads) und Jerry Harrison (Talking Heads & producer)
Keyboard:
Jerry Harrison (Talking Heads & producer)
Schlagzeug [drums]:
Chris Frantz
Hintergrundgesang:
Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
Sologesang:
David Byrne (Talking Heads)
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1986)
aufgenommen bei:
Sigma Sound (New York) in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
O’Henry Studios in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Wild Wild Life
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Index Music, Inc.
Talking Heads3.653:41
15Scooby Snacks
Assistent recording engineer:
Edward Douglas (engineer) (von 1995-04-25 bis 1995-05-20) und Juan Garcia (assistant at Magic Shop) (von 1995-04-25 bis 1995-05-20)
recording engineer:
Tim Latham (von 1995-04-25 bis 1995-05-20)
Produzent(in):
Fun Lovin’ Criminals
assistierende(r) Mix:
Sean “Puffy” Coffey (US recording engineer) (von 1995-06-03 bis 1995-07-19)
Mix:
Tim Latham (von 1995-06-03 bis 1995-07-19)
Interpret(in):
Fun Lovin’ Criminals
arranger:
Fun Lovin’ Criminals
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1996)
aufgenommen bei:
Steve Rosenthal’s Magic Shop in Manhattan, New York, New York, Vereinigte Staaten (von 1995-04-25 bis 1995-05-20)
mixed at:
Platinum Island NYC in New York, New York, Vereinigte Staaten (von 1995-06-03 bis 1995-07-19)
Samples:
Movement of Fear von Tones on Tail
recording of:
Scooby Snacks
zusätzlicher Texter:
Quentin Tarantino
Verfasser(in):
Stephen Borgovini, Brian Leiser und Huey Morgan (DJ for the BBC)
publisher:
Beggars Banquet Music Ltd., DiFontaine Carting & Asbestos Removal, Co., Notting Hill Music (UK) Ltd., Universal Music Careers und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Fun Lovin’ Criminals3.63:05
16Peaches
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
assistierende(r) Mix:
Benny King (engineer)
Mix:
Doug Bennett (producer, engineer)
Bassgitarre:
Jean‐Jacques Burnel (von 1976-12-20 bis 1977-01-28)
Gitarre und Sologesang:
Hugh Cornwell (English rock musician) (von 1976-12-20 bis 1977-01-28)
Keyboard:
Dave Greenfield (von 1976-12-20 bis 1977-01-28)
Schlagzeug:
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (von 1976-12-20 bis 1977-01-28)
Herausgeber:
EMI April Music Inc.
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1976-12-20 bis 1977-01-28)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
produced at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1977-01 bis 1977-02)
recording of:
Peaches (von 1976-12-20 bis 1977-01-28)
Verfasser(in):
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Albion Music Ltd., April Music Ltd., Complete Music, Complete Music Ltd., Musik-Edition Discoton GmbH und Universal Music Publishing MGB Ltd.
The Stranglers4.154:07
172-4-6-8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:19
18One Bourbon, One Scotch, One Beer (live)
live cover recording of:
One Bourbon, One Scotch, One Beer
Texter:
John Lee Hooker (US blues singer, songwriter & guitarist)
Komponist(in):
Rudolph Toombs
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Tristan Music Ltd.
basiert auf:
House Rent Boogie
George Thorogood & the Destroyers55:49
19Dirty Old Town
Techniker(in):
Nick Robbins (engineer) und Paul Scully
Produzent(in):
Elvis Costello
aufgenommen bei:
Elephant Studios in Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
Dirty Old Town
Texter und Komponist(in):
Ewan MacColl (folksinger, songwriter, actor) (in 1949)
publisher:
Albert Music Publishing, Cooking Vinyl Ltd. (use “Cooking Vinyl” for release label), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Francis, Day & Hunter (publisher) und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
The Pogues4.83:46
20Khe Sahn
Techniker(in):
Alan Wright (engineer)
Akustikgitarre:
Peter Walker (Australian producer & engineer)
Bass:
Phil Small
Gitarre:
Ian Moss
Klavier und Orgel:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
Mundharmonika:
Dave Blight
Schlagzeug:
Steve Prestwich
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Cold Chisel Pty Ltd (in 1991, in 2001) und Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1991)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 8)
recording of:
Khe Sanh
Texter und Komponist(in):
Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Rondor Music, Rondor Music (Australia) Pty Ltd und Universal Music Publishing Group, Pty. Ltd
Cold Chisel4:07
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Veröffentlichung

Discogs:https://www.discogs.com/release/471372 [Info]