The Complete Verve Studio Master Takes

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1Trav’lin’ Light
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-07)
Bass:
Aaron Bell (jazz double bassist) (am 1956-06-07)
Gitarre:
Kenny Burrell (am 1956-06-06, am 1956-06-07)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1956-06-06, am 1956-06-07)
Klavier:
Wynton Kelly (am 1956-06-06, am 1956-06-07)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1956-06-06)
Schlagzeug:
Lenny McBrowne (US jazz drummer) (am 1956-06-06, am 1956-06-07)
Tenorsaxophon:
Paul Quinichette (am 1956-06-06, am 1956-06-07)
Trompete:
Charlie Shavers (am 1956-06-06, am 1956-06-07)
vocals:
Billie Holiday (am 1956-06-06)
recording of:
Trav’lin’ Light (am 1956-06-06)
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Jimmy Mundy (in 1942) und Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation (American copyright holder in both popular and classical music), Rytvoc, Inc. (ASCAP) und WB Music Corp. (1929–2019)
23:10
2I Must Have That Man
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-06)
Gitarre:
Kenny Burrell (am 1956-06-06)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1956-06-06)
Klavier:
Wynton Kelly (am 1956-06-06)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1956-06-06)
Schlagzeug:
Lenny McBrowne (US jazz drummer) (am 1956-06-06)
Tenorsaxophon:
Paul Quinichette (am 1956-06-06)
Trompete:
Charlie Shavers (am 1956-06-06)
vocals:
Billie Holiday (am 1956-06-06)
recording of:
I Must Have That Man (am 1956-06-06)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
43:06
3Some Other Spring
Gitarre:
Kenny Burrell (am 1956-06-06)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1956-06-06)
Klavier:
Wynton Kelly (am 1956-06-06)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1956-06-06)
Schlagzeug:
Lenny McBrowne (US jazz drummer) (am 1956-06-06)
Tenorsaxophon:
Paul Quinichette (am 1956-06-06)
Trompete:
Charlie Shavers (am 1956-06-06)
vocals:
Billie Holiday (am 1956-06-06)
recording of:
Some Other Spring (am 1956-06-06)
Komponist(in):
Arthur Herzog, Jr. und Irene Kitchings
3:38
4Lady Sings the Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-06)
Gitarre:
Kenny Burrell (am 1956-06-06)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1956-06-06)
Klavier:
Wynton Kelly (am 1956-06-06)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1956-06-06)
Schlagzeug:
Lenny McBrowne (US jazz drummer) (am 1956-06-06)
Tenorsaxophon:
Paul Quinichette (am 1956-06-06)
Trompete:
Charlie Shavers (am 1956-06-06)
vocals:
Billie Holiday (am 1954-06-06)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten
recording of:
Lady Sings the Blues (am 1956-06-06)
Texter:
Billie Holiday
Komponist(in):
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
43:46
5Strange Fruit
Gitarre:
Kenny Burrell (am 1956-06-07)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1956-06-07)
Klavier:
Wynton Kelly (am 1956-06-07)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1956-06-07)
Schlagzeug:
Lenny McBrowne (US jazz drummer) (am 1956-06-07)
Tenorsaxophon:
Paul Quinichette (am 1956-06-07)
Trompete:
Charlie Shavers (am 1956-06-07)
vocals:
Billie Holiday (am 1956-06-07)
recording of:
Strange Fruit (am 1956-06-07)
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
3:04
6God Bless the Child
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-07)
Bass und Kontrabass:
Aaron Bell (jazz double bassist) (am 1956-06-07)
Gitarre:
Kenny Burrell (am 1956-06-07)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1956-06-07)
Klavier:
Wynton Kelly (am 1956-06-07)
Schlagzeug:
Lenny McBrowne (US jazz drummer) (am 1956-06-07)
Tenorsaxophon:
Paul Quinichette (am 1956-06-07)
Trompete:
Charlie Shavers (am 1956-06-07)
vocals:
Billie Holiday (am 1956-06-07)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten
recording of:
God Bless the Child (am 1956-06-07)
Texter:
Billie Holiday
Komponist(in):
Arthur Herzog, Jr.
publisher:
Basart Editions (beendet) und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
4:00
7Good Morning Heartache
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-07)
Gitarre:
Kenny Burrell (am 1956-06-07)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1956-06-07)
Klavier:
Wynton Kelly (am 1956-06-07)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1956-06-07)
Posaune:
Charlie Shavers (am 1956-06-07)
Schlagzeug:
Lenny McBrowne (US jazz drummer) (am 1956-06-07)
Tenorsaxophon:
Paul Quinichette (am 1956-06-07)
vocals:
Billie Holiday (am 1956-06-07)
recording of:
Good Morning Heartache (am 1956-06-07)
Texter:
Ervin Drake (songwriter)
Komponist(in):
Dan Fisher (U.S. songwriter ("Good Morning Heartache"), author, producer) und Irene Higginbotham
publisher:
Fisher Music Corp., Lindabet Music, Inc. und Universal/MCA Music (music publisher; do not use as release label!)
43:30
8No Good Man
Gitarre:
Kenny Burrell (am 1956-06-07)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1956-06-07)
Klavier:
Wynton Kelly (am 1956-06-07)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1956-06-07)
Schlagzeug:
Lenny McBrowne (US jazz drummer) (am 1956-06-07)
Tenorsaxophon:
Paul Quinichette (am 1956-06-07)
Trompete:
Charlie Shavers (am 1956-06-07)
vocals:
Billie Holiday (am 1956-06-07)
recording of:
No Good Man (am 1956-06-07)
Texter:
Sammy Gallop
Komponist(in):
Dan Fisher (U.S. songwriter ("Good Morning Heartache"), author, producer) und Irene Higginbotham
43:20
9Do Nothin’ Till You Hear From Me
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1956-08-14)
Klavier:
Jimmy Rowles (am 1956-08-14)
Kontrabass [bass]:
Joe Mondragon (am 1956-08-14)
Schlagzeug:
Alvin Stoller (am 1956-08-14)
Tenorsaxophon:
Ben Webster (am 1956-08-14)
Trompete:
Harry “Sweets” Edison (am 1956-08-14)
vocals:
Billie Holiday (am 1956-08-14)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-08-14)
recording of:
Do Nothin’ Till You Hear From Me (am 1956-08-14)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
44:15
10Cheek to Cheek
Gitarre:
Barney Kessel (am 1956-08-14)
Klavier:
Jimmy Rowles (am 1956-08-14)
Kontrabass:
Joe Mondragon (am 1956-08-14)
Schlagzeug:
Alvin Stoller (am 1956-08-14)
Tenorsaxophon:
Ben Webster (am 1956-08-14)
Trompete:
Harry “Sweets” Edison (am 1956-08-14)
vocals:
Billie Holiday (am 1956-08-14)
recording of:
Cheek to Cheek (from “Top Hat”) (am 1956-08-14)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
3:37
11Ill Wind
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1956-08-14)
Klavier:
Jimmy Rowles (am 1956-08-14)
Kontrabass [bass]:
Joe Mondragon (am 1956-08-14)
Schlagzeug:
Alvin Stoller (am 1956-08-14)
Tenorsaxophon:
Ben Webster (am 1956-08-14)
Trompete:
Harry “Sweets” Edison (am 1956-08-14)
vocals:
Billie Holiday (am 1956-08-14)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-08-14)
recording of:
Ill Wind (am 1956-08-14)
Texter:
Ted Koehler (in 1934)
Komponist(in):
Harold Arlen (in 1934)
46:17
12Speak Low
Gitarre:
Barney Kessel (am 1956-08-14)
Klavier:
Jimmy Rowles (am 1956-08-14)
Kontrabass:
Joe Mondragon (am 1956-08-14)
Schlagzeug:
Alvin Stoller (am 1956-08-14)
Tenorsaxophon:
Ben Webster (am 1956-08-14)
Trompete:
Harry “Sweets” Edison (am 1956-08-14)
vocals:
Billie Holiday (am 1956-08-14)
recording of:
Speak Low (One Touch of Venus) (am 1956-08-14)
Texter:
Ogden Nash
Komponist(in):
Kurt Weill (composer)
publisher:
Chappell & Co.
Teil von:
One Touch of Venus (1943 musical)
4:28
13We’ll Be Together Again
Gitarre:
Barney Kessel (am 1956-08-18)
Klavier:
Jimmy Rowles (am 1956-08-18)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-08-18)
Schlagzeug:
Alvin Stoller (am 1956-08-18)
Tenorsaxophon:
Ben Webster (am 1956-08-18)
Trompete:
Harry “Sweets” Edison (am 1956-08-18)
vocals:
Billie Holiday (am 1956-08-18)
recording of:
We’ll Be Together Again (am 1956-08-18)
Texter:
Frankie Laine
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:26
14All or Nothing at All
Gitarre:
Barney Kessel (am 1956-08-18)
Klavier:
Jimmy Rowles (am 1956-08-18)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-08-18)
Schlagzeug:
Alvin Stoller (am 1956-08-18)
Tenorsaxophon:
Ben Webster (am 1956-08-18)
Trompete:
Harry “Sweets” Edison (am 1956-08-18)
vocals:
Billie Holiday (am 1956-08-18)
recording of:
All or Nothing at All (am 1956-08-18)
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Arthur Altman und Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:42
15Sophisticated Lady
Gitarre:
Barney Kessel (am 1956-08-18)
Klavier:
Jimmy Rowles (am 1956-08-18)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-08-18)
Schlagzeug:
Alvin Stoller (am 1956-08-18)
Tenorsaxophon:
Ben Webster (am 1956-08-18)
Trompete:
Harry “Sweets” Edison (am 1956-08-18)
vocals:
Billie Holiday (am 1956-08-18)
recording of:
Sophisticated Lady (am 1956-08-18)
Texter:
Mitchell Parish und Irving Mills (in 1932)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (beendet), Mills Music, Inc. (beendet), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Teil von:
Sophisticated Ladies (1981 musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
4:51
16April in Paris
Gitarre:
Barney Kessel (am 1956-08-18)
Klavier:
Jimmy Rowles (am 1956-08-18)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-08-18)
Schlagzeug:
Alvin Stoller (am 1956-08-18)
Tenorsaxophon:
Ben Webster (am 1956-08-18)
Trompete:
Harry “Sweets” Edison (am 1956-08-18)
vocals:
Billie Holiday (am 1956-08-18)
recording of:
April in Paris (am 1956-08-18)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:02
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