The Complete Verve Studio Master Takes

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1They Can’t Take That Away From Me
Gitarre:
Barney Kessel (am 1957-01-09)
Klavier:
Jimmy Rowles (am 1957-01-09)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-09)
Schlagzeug:
Larry Bunker (am 1957-01-09)
Tenorsaxophon:
Ben Webster (am 1957-01-09)
Trompete:
Harry “Sweets” Edison (am 1957-01-09)
vocals:
Billie Holiday (am 1957-01-09)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1957-01-09)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
4:11
2Embraceable You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-09)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1957-01-09)
Klavier:
Jimmy Rowles (am 1957-01-09)
Kontrabass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-09)
Schlagzeug:
Larry Bunker (am 1957-01-09)
Tenorsaxophon:
Ben Webster (am 1957-01-09)
Trompete:
Harry “Sweets” Edison (am 1957-01-09)
vocals:
Billie Holiday (am 1957-01-09)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-01-07 bis 1957-01-09)
recording of:
Embraceable You (am 1957-01-09)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
56:48
3Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-09)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1957-01-09)
Klavier:
Jimmy Rowles (am 1957-01-09)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-09)
Schlagzeug:
Larry Bunker (am 1957-01-09)
Tenorsaxophon:
Ben Webster (am 1957-01-09)
Trompete:
Harry “Sweets” Edison (am 1957-01-09)
vocals:
Billie Holiday (am 1957-01-09)
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (am 1957-01-09)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
3:25
4Gee, Baby, Ain’t I Good to You
Gitarre:
Barney Kessel (am 1957-01-09)
Klavier:
Jimmy Rowles (am 1957-01-09)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-09)
Schlagzeug:
Larry Bunker (am 1957-01-09)
Tenorsaxophon:
Ben Webster (am 1957-01-09)
Trompete:
Harry “Sweets” Edison (am 1957-01-09)
vocals:
Billie Holiday (am 1957-01-09)
recording of:
Gee, Baby Ain’t I Good to You (am 1957-01-09)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
5:38
5All the Way
recorded in:
New York, New York, Vereinigte Staaten (am 1959-03-03)
alto saxophone und Bassklarinette:
Romeo Penque (am 1959-03-03)
Celesta und Klavier:
Hank Jones (piano) (am 1959-03-03)
Harfe:
Janet Putnam (harpist) (am 1959-03-03)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1959-03-03)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1959-03-03)
Schlagzeug:
Osie Johnson (am 1959-03-03)
vocals:
Billie Holiday (am 1959-03-03)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-03)
arranger:
Ray Ellis (US producer, arranger and conductor)
recording of:
All the Way (from “The Joker Is Wild”) (am 1959-03-03)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network und Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1957 winner)
3.753:26
6It’s Not for Me to Say
Gitarre:
Kenny Burrell (am 1959-03-03)
Harfe:
Janet Putnam (harpist) (am 1959-03-03)
Klavier:
Hank Jones (piano) (am 1959-03-03)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1959-03-03)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1959-03-03)
Schlagzeug:
Osie Johnson (am 1959-03-03)
vocals:
Billie Holiday (am 1959-03-03)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-03)
recording of:
It’s Not for Me to Say (am 1959-03-03)
Texter:
Al Stillman
Komponist(in):
Robert Allen (US songwriter/arranger/pianist)
publisher:
Campbell Connelly & Co. Ltd., Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., Kitty Anne Music Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
42:30
7I’ll Never Smile Again
Gitarre:
Kenny Burrell (am 1959-03-03)
Harfe:
Janet Putnam (harpist) (am 1959-03-03)
Klavier:
Hank Jones (piano) (am 1959-03-03)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1959-03-03)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1959-03-03)
Schlagzeug:
Osie Johnson (am 1959-03-03)
vocals:
Billie Holiday (am 1959-03-03)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-03)
recording of:
I’ll Never Smile Again (am 1959-03-03)
Texter und Komponist(in):
Ruth Lowe
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Pickwick Music (publisher), Universal Music Corp. (USA, affiliated with ASCAP) und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
43:27
8Just One More Chance
Gitarre:
Kenny Burrell (am 1959-03-03)
Harfe:
Janet Putnam (harpist) (am 1959-03-03)
Klavier:
Hank Jones (piano) (am 1959-03-03)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1959-03-03)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1959-03-03)
Schlagzeug:
Osie Johnson (am 1959-03-03)
vocals:
Billie Holiday (am 1959-03-03)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-03)
recording of:
Just One More Chance (am 1959-03-03)
Texter:
Sam Coslow
Komponist(in):
Arthur Johnston (American composer and songwriter)
43:47
9When It’s Sleepy Time Down South
alto saxophone:
Gene Quill (am 1959-03-04)
Gitarre:
Barry Galbraith (am 1959-03-04)
Klavier:
Hank Jones (piano) (am 1959-03-04)
Kontrabass:
Milt Hinton (am 1959-03-04)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1959-03-04)
Schlagzeug:
Osie Johnson (am 1959-03-04)
Trompete:
Harry “Sweets” Edison (am 1959-03-04)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-04)
recording of:
When It’s Sleepy Time Down South (am 1959-03-04)
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
44:08
10Don’t Worry ’Bout Me
alto saxophone:
Gene Quill (am 1959-03-04)
Gitarre:
Barry Galbraith (am 1959-03-04)
Klavier:
Hank Jones (piano) (am 1959-03-04)
Kontrabass:
Milt Hinton (am 1959-03-04)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1959-03-04)
Schlagzeug:
Osie Johnson (am 1959-03-04)
Trompete:
Harry “Sweets” Edison (am 1959-03-04)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-04)
recording of:
Don’t Worry ’Bout Me (am 1959-03-04)
Texter:
Ted Koehler (in 1939)
Verfasser(in):
Rube Bloom (American songwriter, pianist and vocalist) und Ted Koehler
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. und Redwood Music Ltd. (Carlin)
43:11
11Sometimes I’m Happy
alto saxophone:
Gene Quill (am 1959-03-04)
Gitarre:
Barry Galbraith (am 1959-03-04)
Klavier:
Hank Jones (piano) (am 1959-03-04)
Kontrabass:
Milt Hinton (am 1959-03-04)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1959-03-04)
Schlagzeug:
Osie Johnson (am 1959-03-04)
Trompete:
Harry “Sweets” Edison (am 1959-03-04)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-04)
recording of:
Sometimes I’m Happy (am 1959-03-04)
Texter:
Vincent Youmans
Komponist(in):
Irving Caesar
publisher:
Harms, Inc.
Teil von:
Hit the Deck (1927 musical)
Teil von:
Hit the Deck (1955 movie)
52:50
12You Took Advantage of Me
alto saxophone:
Gene Quill (am 1959-03-04)
Gitarre:
Barry Galbraith (am 1959-03-04)
Klavier:
Hank Jones (piano) (am 1959-03-04)
Kontrabass:
Milt Hinton (am 1959-03-04)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1959-03-04)
Schlagzeug:
Osie Johnson (am 1959-03-04)
Trompete:
Harry “Sweets” Edison (am 1959-03-04)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-04)
recording of:
You Took Advantage of Me (am 1959-03-04)
Texter:
Lorenz Hart (in 1928)
Komponist(in):
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
43:11
13There’ll Be Some Changes Made
baritone saxophone:
Danny Bank (reeds) (am 1959-03-11)
Gitarre:
Barry Galbraith (am 1959-03-11)
Klavier:
Hank Jones (piano) (am 1959-03-11)
Kontrabass:
Milt Hinton (am 1959-03-11)
Posaune:
Billy Byers (am 1959-03-11)
Schlagzeug:
Osie Johnson (am 1959-03-11)
Tenorsaxophon:
Al Cohn (am 1959-03-11)
Trompete:
Harry “Sweets” Edison (am 1959-03-11) und Joe Wilder (am 1959-03-11)
vocals:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-11)
recording of:
There’ll Be Some Changes Made (am 1959-03-11)
publisher:
Harry H. Pace (in 1921)
Texter:
Billy Higgins (1920s composer and singer)
Komponist(in):
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
42:56
14’Deed I Do
baritone saxophone:
Danny Bank (reeds) (am 1959-03-11)
Gitarre:
Barry Galbraith (am 1959-03-11)
Klavier:
Hank Jones (piano) (am 1959-03-11)
Kontrabass:
Milt Hinton (am 1959-03-11)
Posaune:
Billy Byers (am 1959-03-11)
Schlagzeug:
Osie Johnson (am 1959-03-11)
Tenorsaxophon:
Al Cohn (am 1959-03-11)
Trompete:
Harry “Sweets” Edison (am 1959-03-11) und Joe Wilder (am 1959-03-11)
vocals:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-11)
recording of:
’Deed I Do (am 1959-03-11)
Texter:
Walter Hirsch
Komponist(in):
Fred Rose (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd.
42:16
15All of You
baritone saxophone:
Danny Bank (reeds) (am 1959-03-11)
Gitarre:
Barry Galbraith (am 1959-03-11)
Klavier:
Hank Jones (piano) (am 1959-03-11)
Kontrabass:
Milt Hinton (am 1959-03-11)
Posaune:
Billy Byers (am 1959-03-11)
Schlagzeug:
Osie Johnson (am 1959-03-11)
Tenorsaxophon:
Al Cohn (am 1959-03-11)
Trompete:
Harry “Sweets” Edison (am 1959-03-11) und Joe Wilder (am 1959-03-11)
vocals:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-11) und Billie Holiday (am 1959-03-11)
recording of:
All of You (Silk Stockings musical) (am 1959-03-11)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
42:34
16Baby, Won’t You Please Come Home?
baritone saxophone:
Danny Bank (reeds) (am 1959-03-11)
Gitarre:
Barry Galbraith (am 1959-03-11)
Klavier:
Hank Jones (piano) (am 1959-03-11)
Kontrabass:
Milt Hinton (am 1959-03-11)
Posaune:
Billy Byers (am 1959-03-11)
Schlagzeug:
Osie Johnson (am 1959-03-11)
Tenorsaxophon:
Al Cohn (am 1959-03-11)
Trompete:
Harry “Sweets” Edison (am 1959-03-11) und Joe Wilder (am 1959-03-11)
vocals:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-11)
recording of:
Baby Won’t You Please Come Home (am 1959-03-11)
Verfasser(in):
Charles Warfield und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
43:04