16 Most Requested Songs

~ Veröffentlichung von Duke Ellington (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Nr.TitelBewertungLänge
1It Don't Mean a Thing (If It Ain't Got That Swing)
alto saxophone:
Harry Carney und Johnny Hodges
Banjo:
Fred Guy
baritone saxophone:
Harry Carney
Klarinette:
Barney Bigard, Harry Carney und Johnny Hodges
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Kontrabass:
Wellman Braud
Posaune:
Lawrence Brown (jazz trombonist) und Joe "Tricky Sam" Nanton
Schlagzeug:
Sonny Greer
Sopransaxophon:
Johnny Hodges
Tenorsaxophon:
Barney Bigard
Trompete:
Freddie Jenkins, Arthur Whetsel und Cootie Williams
Ventilposaune:
Juan Tizol
Sologesang:
Ivie Anderson
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1932-02-02)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
23:11
2In a Sentimental Mood
alto saxophone und Sopransaxophon:
Johnny Hodges
baritone saxophone:
Harry Carney
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Kontrabass:
Wellman Braud und Billy Taylor Sr. (jazz bassist)
Kornett:
Rex Stewart
recording of:
In a Sentimental Mood (am 1935-04-30)
Texter:
Manny Kurtz und Irving Mills
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music und Sony/ATV Harmony
3:18
3Solitude
alto saxophone:
Harry Carney, Otto Hardwick und Johnny Hodges
baritone saxophone:
Harry Carney
bass saxophone:
Otto Hardwick
Gitarre:
Fred Guy
Klarinette:
Barney Bigard, Harry Carney, Otto Hardwick und Johnny Hodges
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Kontrabass:
Wellman Braud
Posaune:
Lawrence Brown (jazz trombonist) und Joe "Tricky Sam" Nanton
Schlagzeug:
Sonny Greer
Sopransaxophon:
Johnny Hodges
Tenorsaxophon:
Barney Bigard
Trompete:
Freddie Jenkins, Arthur Whetsel und Cootie Williams
recording of:
(In My) Solitude (am 1934-09-12)
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
3:14
4Caravan
baritone saxophone:
Harry Carney
Klarinette:
Barney Bigard
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Kontrabass:
Billy Taylor Sr. (jazz bassist)
Posaune:
Juan Tizol
Schlagzeug:
Sonny Greer
Trompete:
Rex Stewart
recording of:
Caravan (am 1937-05-14)
Texter:
Irving Mills (in 1937)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) und Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony und Lafleur Music Ltd. (vom 1995-12-12 bis heute)
2:41
5I Let a Song Go Out of My Heart
alto saxophone und Sopransaxophon:
Johnny Hodges
baritone saxophone:
Harry Carney
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Kontrabass:
Billy Taylor Sr. (jazz bassist)
Posaune:
Lawrence Brown (jazz trombonist)
Schlagzeug:
Sonny Greer
Trompete:
Cootie Williams
recording of:
I Let a Song Go Out of My Heart (am 1938-03-03)
Texter:
Irving Mills (in 1938), Henry Nemo (in 1938) und John Redmond (House vocalist) (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:10
6Do Nothin' Till You Hear From Me
Gitarre:
Fred Guy
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Kontrabass:
Edgar Brown
Posaune:
Lawrence Brown (jazz trombonist), Tyree Glenn und Claude Jones
Saxophon:
Harry Carney, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges, Russell Procope und Al Sears
Schlagzeug:
Sonny Greer
Trompete:
Wilbur "Dud" Bascomb (Sr., jazz trumpeter), Herman Grimes (trumpeter), Shelton "Scad" Hemphill, Ray Nance und Francis Williams (trumpeter)
Sologesang:
Al Hibbler
recording of:
Do Nothin’ Till You Hear From Me (am 1947-11-18)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
3:05
7Don't Get Around Much Anymore
Gitarre:
Fred Guy
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Kontrabass:
Oscar Pettiford
Posaune:
Lawrence Brown (jazz trombonist), Tyree Glenn und Claude Jones
Saxophon:
Harry Carney, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges, Russell Procope und Al Sears
Schlagzeug:
Sonny Greer
Trompete:
Harold “Shorty” Baker, Wilbur "Dud" Bascomb (Sr., jazz trumpeter), Shelton "Scad" Hemphill, Ray Nance und Francis Williams (trumpeter)
Sologesang:
Al Hibbler
recording of:
Don’t Get Around Much Anymore (am 1947-11-20)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
23:04
8Sophisticated Lady
Horn:
Mercer Ellington
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Klavier [2nd piano]:
Billy Strayhorn
Kontrabass:
Wendell Marshall
Posaune:
Lawrence Brown (jazz trombonist), Tyree Glenn und Quentin Jackson
Saxophon:
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges und Russell Procope
Schlagzeug:
Sonny Greer
Trompete:
William “Cat” Anderson, Harold “Shorty” Baker, Andrew “Fats” Ford (trumpeter), Ray Nance und Nelson Williams (jazz trumpeter)
Sologesang:
Yvonne Lanauze
recording of:
Sophisticated Lady (am 1950-12-18)
Texter:
Mitchell Parish und Irving Mills (in 1932)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (beendet), Mills Music, Inc. (beendet), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Teil von:
Sophisticated Ladies (1981 musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
11:35
9I Got It Bad (and That Ain't Good)
alto saxophone:
Johnny Hodges und Russell Procope
baritone saxophone:
Harry Carney
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Kontrabass:
Jimmy Woode
Posaune:
Quentin Jackson, John Sanders (US jazz trombonist) und Britt Woodman
Schlagzeug:
Sam Woodyard
Tenorsaxophon:
Paul Gonsalves und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
Trompete:
William “Cat” Anderson, Willie Cook (US jazz trumpeter), Ray Nance und Clark Terry (American swing trumpeter)
recording of:
I Got It Bad (and That Ain’t Good) (am 1956-07-07)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:44
10Perdido
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Kontrabass:
Jimmy Woode
Posaune:
Quentin Jackson, John Sanders (US jazz trombonist) und Britt Woodman
Schlagzeug:
Sam Woodyard
Tenorsaxophon:
Paul Gonsalves und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
Trompete:
Clark Terry (American swing trumpeter)
recording of:
Perdido (original instrumental version) (am 1958-04-03)
Komponist(in):
Juan Tizol
2:50
11In a Mellow Tone
alto saxophone:
Johnny Hodges und Russell Procope
baritone saxophone:
Harry Carney
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Klavier [2nd piano]:
Billy Strayhorn
Kontrabass:
Jimmy Woode
Posaune:
Matthew Gee (jazz trombonist), Mitchell Wood und Britt Woodman
Schlagzeug:
James Johnson (US jazz drummer)
Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
Trompete:
Ray Nance
recording of:
In a Mellow Tone (am 1959-12-03)
Texter:
Milt Gabler (in 1939)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
2:42
12Mood Indigo
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Kontrabass:
Jimmy Woode
Posaune:
Quentin Jackson und John Sanders (US jazz trombonist)
Saxophon:
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Rick Henderson (jazz saxophonist), Johnny Hodges und Russell Procope
Schlagzeug:
Sam Woodyard
Trompete:
William “Cat” Anderson, Harold “Shorty” Baker, Willie Cook (US jazz trumpeter), Ray Nance und Clark Terry (American swing trumpeter)
recording of:
Mood Indigo (1930 jazz composition and song) (am 1957-09-09)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:07
13Prelude to a Kiss
recorded in:
New York, New York, Vereinigte Staaten (am 1957-10-01)
alto saxophone:
Johnny Hodges (am 1957-10-01) und Russell Procope (am 1957-10-01)
baritone saxophone und Bassklarinette:
Harry Carney (am 1957-10-01)
Bass:
Jimmy Woode (am 1957-10-01)
Cello:
Ozzie Bailey (am 1957-10-01), Jimmy Grissom (am 1957-10-01) und Ray Nance (am 1957-10-01)
Klarinette:
Harry Carney (am 1957-10-01), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1957-10-01) und Russell Procope (am 1957-10-01)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1957-10-01)
Posaune:
Quentin Jackson (am 1957-10-01), John Sanders (US jazz trombonist) (am 1957-10-01) und Britt Woodman (am 1957-10-01)
Schlagzeug:
Sam Woodyard (am 1957-10-01)
Tenorsaxophon:
Paul Gonsalves (am 1957-10-01) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1957-10-01)
Trompete:
William “Cat” Anderson (am 1957-10-01), Willie Cook (US jazz trumpeter) (am 1957-10-01), Harold Baker (am 1957-10-01), Ray Nance (am 1957-10-01) und Clark Terry (American swing trumpeter) (am 1957-10-01)
instrumental recording of:
Prelude to a Kiss (am 1957-10-01)
Texter:
Irving Gordon (US songwriter) (in 1938) und Irving Mills (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. und Lafleur Music Ltd.
4:44
14Satin Doll
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Kontrabass:
Jimmy Woode
Posaune:
Quentin Jackson, John Sanders (US jazz trombonist) und Britt Woodman
Saxophon:
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges und Russell Procope
Schlagzeug:
Sam Woodyard
Trompete:
William “Cat” Anderson, Harold “Shorty” Baker, Andrew “Fats” Ford (trumpeter), Ray Nance und Clark Terry (American swing trumpeter)
recording of:
Satin Doll (am 1959-02-19)
Texter:
Johnny Mercer (in 1953)
Komponist(in):
Billy Strayhorn (in 1953)
zusätzliche(r) Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) und WB Music Corp. (1929–2019)
2:45
15I'm Beginning to See the Light
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Kontrabass:
Aaron Bell (jazz double bassist)
Posaune:
Lawrence Brown (jazz trombonist), Juan Tizol, Mitchell Wood und Britt Woodman
Saxophon:
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges und Russell Procope
Schlagzeug:
Sam Woodyard
Trompete:
Willie Cook (US jazz trumpeter), Andrew “Fats” Ford (trumpeter), Ed Mullens und Ray Nance
recording of:
I’m Beginning to See the Light (am 1960-05-31)
Texter:
Don George (US songwriter/composer, 1909–1987) (in 1944)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) und Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
2:06
16Take the "A" Train
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Kontrabass:
Aaron Bell (jazz double bassist)
Posaune:
Lawrence Brown (jazz trombonist), Mitchell Wood und Britt Woodman
Saxophon:
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges und Russell Procope
Schlagzeug:
Sam Woodyard
Trompete:
Willie Cook (US jazz trumpeter), Andrew “Fats” Ford (trumpeter), Ed Mullens, Ray Nance und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recording of:
Take the “A” Train (original instrumental version) (am 1960-06-30)
Komponist(in):
Billy Strayhorn
Teil von:
The Real Book (compilation of jazz standards, volume I)
5:29

Nennungen

Veröffentlichungsgruppe

Teil von:16 Most Requested Songs
Discogs:https://www.discogs.com/master/387993 [Info]