16 Most Requested Songs

~ Pubblicazione di Duke Ellington (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1It Don't Mean a Thing (If It Ain't Got That Swing)
banjo :
Fred Guy
batteria :
Sonny Greer
clarinetto :
Barney Bigard, Harry Carney e Johnny Hodges
contrabbasso :
Wellman Braud
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono baritono :
Harry Carney
sassofono contralto :
Harry Carney e Johnny Hodges
sassofono soprano :
Johnny Hodges
sassofono tenore :
Barney Bigard
tromba :
Freddie Jenkins, Arthur Whetsel e Cootie Williams
trombone :
Lawrence Brown (jazz trombonist) e Joe "Tricky Sam" Nanton
trombone a pistoni :
Juan Tizol
voce principale:
Ivie Anderson
registrazione di:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (il 1932-02-02)
paroliere:
Irving Mills (nel 1931)
compositore:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (nel 1931-08)
editore:
Duke Ellington Music e EMI Mills Music (ASCAP-affiliated)
parte di:
The Real Book (compilation of jazz standards, volume I)
23:11
2In a Sentimental Mood
contrabbasso :
Wellman Braud e Billy Taylor Sr. (jazz bassist)
cornetta :
Rex Stewart
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono baritono :
Harry Carney
sassofono contralto e sassofono soprano :
Johnny Hodges
registrazione di:
In a Sentimental Mood (il 1935-04-30)
paroliere:
Manny Kurtz e Irving Mills
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1935)
editore:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music e Sony/ATV Harmony
3:18
3Solitude
batteria :
Sonny Greer
chitarra :
Fred Guy
clarinetto :
Barney Bigard, Harry Carney, Otto Hardwick e Johnny Hodges
contrabbasso :
Wellman Braud
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono baritono :
Harry Carney
sassofono basso :
Otto Hardwick
sassofono contralto :
Harry Carney, Otto Hardwick e Johnny Hodges
sassofono soprano :
Johnny Hodges
sassofono tenore :
Barney Bigard
tromba :
Freddie Jenkins, Arthur Whetsel e Cootie Williams
trombone :
Lawrence Brown (jazz trombonist) e Joe "Tricky Sam" Nanton
registrazione di:
(In My) Solitude (il 1934-09-12)
paroliere:
Eddie DeLange (nel 1934) e Irving Mills (nel 1934)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1934)
editore:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) e J. R. Lafleur & Son Ltd.
3:14
4Caravan
batteria :
Sonny Greer
clarinetto :
Barney Bigard
contrabbasso :
Billy Taylor Sr. (jazz bassist)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono baritono :
Harry Carney
tromba :
Rex Stewart
trombone :
Juan Tizol
registrazione di:
Caravan (il 1937-05-14)
paroliere:
Irving Mills (nel 1937)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1936) e Juan Tizol (nel 1936)
editore:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony e Lafleur Music Ltd. (dal 1995-12-12 a oggi)
2:41
5I Let a Song Go Out of My Heart
batteria :
Sonny Greer
contrabbasso :
Billy Taylor Sr. (jazz bassist)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono baritono :
Harry Carney
sassofono contralto e sassofono soprano :
Johnny Hodges
tromba :
Cootie Williams
trombone :
Lawrence Brown (jazz trombonist)
registrazione di:
I Let a Song Go Out of My Heart (il 1938-03-03)
paroliere:
Irving Mills (nel 1938), Henry Nemo (nel 1938) e John Redmond (House vocalist) (nel 1938)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1938)
parte di:
The Real Book (compilation of jazz standards, volume I)
3:10
6Do Nothin' Till You Hear From Me
batteria :
Sonny Greer
chitarra :
Fred Guy
contrabbasso :
Edgar Brown
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono :
Harry Carney, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges, Russell Procope e Al Sears
tromba :
Wilbur "Dud" Bascomb (Sr., jazz trumpeter), Herman Grimes (trumpeter), Shelton "Scad" Hemphill, Ray Nance e Francis Williams (trumpeter)
trombone :
Lawrence Brown (jazz trombonist), Tyree Glenn e Claude Jones
voce principale:
Al Hibbler
registrazione di:
Do Nothin’ Till You Hear From Me (il 1947-11-18)
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1943)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1943)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e Sony/ATV Harmony
versione di:
Concerto for Cootie
3:05
7Don't Get Around Much Anymore
batteria :
Sonny Greer
chitarra :
Fred Guy
contrabbasso :
Oscar Pettiford
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono :
Harry Carney, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges, Russell Procope e Al Sears
tromba :
Harold “Shorty” Baker, Wilbur "Dud" Bascomb (Sr., jazz trumpeter), Shelton "Scad" Hemphill, Ray Nance e Francis Williams (trumpeter)
trombone :
Lawrence Brown (jazz trombonist), Tyree Glenn e Claude Jones
voce principale:
Al Hibbler
registrazione di:
Don’t Get Around Much Anymore (il 1947-11-20)
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1942)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1940)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. e Sony/ATV Harmony
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
versione di:
Never No Lament
23:04
8Sophisticated Lady
batteria :
Sonny Greer
contrabbasso :
Wendell Marshall
corno :
Mercer Ellington
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
pianoforte [2nd piano] :
Billy Strayhorn
sassofono :
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges e Russell Procope
tromba :
William “Cat” Anderson, Harold “Shorty” Baker, Andrew “Fats” Ford (trumpeter), Ray Nance e Nelson Williams (jazz trumpeter)
trombone :
Lawrence Brown (jazz trombonist), Tyree Glenn e Quentin Jackson
voce principale:
Yvonne Lanauze
registrazione di:
Sophisticated Lady (il 1950-12-18)
paroliere:
Mitchell Parish e Irving Mills (nel 1932)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1932)
editore:
Duke Ellington Music (conclusa), Mills Music, Inc. (conclusa), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (fino al 2007-05) e Sony/ATV Harmony (dal 2007-05 a oggi)
parte di:
Sophisticated Ladies (1981 musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
11:35
9I Got It Bad (and That Ain't Good)
batteria :
Sam Woodyard
contrabbasso :
Jimmy Woode
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono baritono :
Harry Carney
sassofono contralto :
Johnny Hodges e Russell Procope
sassofono tenore :
Paul Gonsalves e Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
tromba :
William “Cat” Anderson, Willie Cook (US jazz trumpeter), Ray Nance e Clark Terry (American swing trumpeter)
trombone :
Quentin Jackson, John Sanders (US jazz trombonist) e Britt Woodman
registrazione di:
I Got It Bad (and That Ain’t Good) (il 1956-07-07)
paroliere:
Paul Francis Webster (nel 1941)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1941)
editore:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony e Webster Music Co.
parte di:
The Real Book (compilation of jazz standards, volume I)
3:44
10Perdido
batteria :
Sam Woodyard
contrabbasso :
Jimmy Woode
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono tenore :
Paul Gonsalves e Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
tromba :
Clark Terry (American swing trumpeter)
trombone :
Quentin Jackson, John Sanders (US jazz trombonist) e Britt Woodman
registrazione di:
Perdido (original instrumental version) (il 1958-04-03)
compositore:
Juan Tizol
2:50
11In a Mellow Tone
batteria :
James Johnson (US jazz drummer)
contrabbasso :
Jimmy Woode
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
pianoforte [2nd piano] :
Billy Strayhorn
sassofono baritono :
Harry Carney
sassofono contralto :
Johnny Hodges e Russell Procope
sassofono tenore :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
tromba :
Ray Nance
trombone :
Matthew Gee (jazz trombonist), Mitchell Wood e Britt Woodman
registrazione di:
In a Mellow Tone (il 1959-12-03)
paroliere:
Milt Gabler (nel 1939)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1939)
editore:
EMI Robbins e Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
2:42
12Mood Indigo
batteria :
Sam Woodyard
contrabbasso :
Jimmy Woode
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono :
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Rick Henderson (jazz saxophonist), Johnny Hodges e Russell Procope
tromba :
William “Cat” Anderson, Harold “Shorty” Baker, Willie Cook (US jazz trumpeter), Ray Nance e Clark Terry (American swing trumpeter)
trombone :
Quentin Jackson e John Sanders (US jazz trombonist)
registrazione di:
Mood Indigo (1930 jazz composition and song) (il 1957-09-09)
paroliere:
Irving Mills (nel 1930)
compositore:
Barney Bigard (nel 1930) e Duke Ellington (US composer, pianist & jazz bandleader) (nel 1930)
editore:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (nel 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1930) e Lawrence Wright Music Co., Ltd. (nel 1930)
sub-editore:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The Real Book (compilation of jazz standards, volume I)
3:07
13Prelude to a Kiss
registrata a:
New York, New York, Stati Uniti (il 1957-10-01)
basso :
Jimmy Woode (il 1957-10-01)
batteria :
Sam Woodyard (il 1957-10-01)
clarinetto :
Harry Carney (il 1957-10-01), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1957-10-01) e Russell Procope (il 1957-10-01)
clarinetto basso e sassofono baritono :
Harry Carney (il 1957-10-01)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1957-10-01)
sassofono contralto :
Johnny Hodges (il 1957-10-01) e Russell Procope (il 1957-10-01)
sassofono tenore :
Paul Gonsalves (il 1957-10-01) e Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1957-10-01)
tromba :
William “Cat” Anderson (il 1957-10-01), Willie Cook (US jazz trumpeter) (il 1957-10-01), Harold Baker (il 1957-10-01), Ray Nance (il 1957-10-01) e Clark Terry (American swing trumpeter) (il 1957-10-01)
trombone :
Quentin Jackson (il 1957-10-01), John Sanders (US jazz trombonist) (il 1957-10-01) e Britt Woodman (il 1957-10-01)
violoncello :
Ozzie Bailey (il 1957-10-01), Jimmy Grissom (il 1957-10-01) e Ray Nance (il 1957-10-01)
registrazione strumentale di:
Prelude to a Kiss (il 1957-10-01)
paroliere:
Irving Gordon (US songwriter) (nel 1938) e Irving Mills (nel 1938)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1938)
editore:
J. R. Lafleur & Son Ltd. e Lafleur Music Ltd.
4:44
14Satin Doll
batteria :
Sam Woodyard
contrabbasso :
Jimmy Woode
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono :
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges e Russell Procope
tromba :
William “Cat” Anderson, Harold “Shorty” Baker, Andrew “Fats” Ford (trumpeter), Ray Nance e Clark Terry (American swing trumpeter)
trombone :
Quentin Jackson, John Sanders (US jazz trombonist) e Britt Woodman
registrazione di:
Satin Doll (il 1959-02-19)
paroliere:
Johnny Mercer (nel 1953)
compositore:
Billy Strayhorn (nel 1953)
compositore aggiunto:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1953)
editore:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) e WB Music Corp. (1929–2019)
2:45
15I'm Beginning to See the Light
batteria :
Sam Woodyard
contrabbasso :
Aaron Bell (jazz double bassist)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono :
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges e Russell Procope
tromba :
Willie Cook (US jazz trumpeter), Andrew “Fats” Ford (trumpeter), Ed Mullens e Ray Nance
trombone :
Lawrence Brown (jazz trombonist), Juan Tizol, Mitchell Wood e Britt Woodman
registrazione di:
I’m Beginning to See the Light (il 1960-05-31)
paroliere:
Don George (US songwriter/composer, 1909–1987) (nel 1944)
autore:
Duke Ellington (US composer, pianist & jazz bandleader)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1944), Johnny Hodges (nel 1944) e Harry James (US big band leader, trumpeter & actor) (nel 1944)
editore:
Anne-Rachel Music Corp.
2:06
16Take the "A" Train
batteria :
Sam Woodyard
contrabbasso :
Aaron Bell (jazz double bassist)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono :
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges e Russell Procope
tromba :
Willie Cook (US jazz trumpeter), Andrew “Fats” Ford (trumpeter), Ed Mullens, Ray Nance e Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
trombone :
Lawrence Brown (jazz trombonist), Mitchell Wood e Britt Woodman
registrazione di:
Take the “A” Train (original instrumental version) (il 1960-06-30)
compositore:
Billy Strayhorn
parte di:
The Real Book (compilation of jazz standards, volume I)
5:29

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parte di:16 Most Requested Songs
Discogs:https://www.discogs.com/master/387993 [info]