For fuld musik 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1You’re in the Army Now
Produzent(in):
Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1986), Mercury Records Ltd. (UK) (in 1986), Phonogram Ltd. (London) (company name, NOT a label!) (in 1986), Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986) und Quo Entertainment (in 1986)
produced for:
Handle Artists
cover recording of:
In the Army Now
Verfasser(in):
Ferdi Bolland und Rob Bolland
publisher:
Beadle Music Ltd., Bolland Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dayglow Music NV, Dayglow Muziekuitgeverij N.V., Island Music Ltd., Nada Music (Dutch publisher), Nada Music International, Nada Music International CV und The International Music Network
Status Quo2.53:42
2Bad Craziness
D‐A‐D3:19
3Come On Eileen
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
künstlerische Leitung:
Clive Langer und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:01
4Red Red Wine
Produzent(in):
Ray “Pablo” Falconer und UB40
arranger:
UB40
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) und DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
Texter und Komponist(in):
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) und Bang Records (Bert Berns label) (in 1968)
UB403.83:02
5Sui-Sui
Sneakers3:49
6Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:27
7Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 Steve Barron version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.43:47
8Forever Young
recording engineer, Programmierung und Mix:
Wolfgang Loos (von 1984-07 bis 1984-08)
zusätzlich recording engineer:
Uli Rudolf (von 1984-07 bis 1984-08)
assistierende Programmierung:
Boris Balin und Thomas Beck (technical assistant, likely German)
Produzent(in):
Wolfgang Loos und Colin Pearson (producer and violinist)
Bass:
Ken Taylor (von 1984-07 bis 1984-08)
drum machine:
Bernhard Lloyd (von 1984-07 bis 1984-08)
Keyboard:
Bernhard Lloyd (von 1984-07 bis 1984-08) und Frank Mertens (German synthpop keyboardist Frank Sorgatz) (von 1984-07 bis 1984-08)
Schlagzeug:
Curt Cress (von 1984-07 bis 1984-08)
zusätzlich Keyboard:
Wolfgang Loos (von 1984-07 bis 1984-08)
Hintergrundgesang:
Gulfstream (von 1984-07 bis 1984-08) und The Rosie Singers (von 1984-07 bis 1984-08)
Sologesang:
Marian Gold (von 1984-07 bis 1984-08)
arranger:
Alphaville (German synth pop band) und Wolfgang Loos
phonographisches Urheberrecht (℗) von:
WEA MUSIK GMBH (company, not a label) (vom 1984 bis heute) und wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (in 1984, in 1994)
aufgenommen bei und mixed at:
Studio 54 (Berlin recording studio) in Deutschland (von 1984-07 bis 1984-08)
recording of:
Forever Young (von 1984-07 bis 1984-08)
Texter:
Marian Gold
Komponist(in):
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold und Bernhard Lloyd
publisher:
Downtown DMP Songs, Fable Music Pty. Ltd. und Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.553:45
9All That She Wants
Techniker(in):
Denniz PoP
Produzent(in):
Jonas Berggren, Ulf Ekberg und Denniz PoP
vocals:
Jonas Berggren, Malin Berggren und Ulf Ekberg
zusätzlich vocals:
Jonas Berggren und Ulf Ekberg
phonographisches Urheberrecht (℗) von:
Playground Music Sweden (in 1992), Mega Records (Danish euro house) (in 1993) und Metronome Musik GmbH (marketing & distribution dept. spun off from Metronome Records GmbH — do not use as a release label) (in 1993)
aufgenommen bei:
SweMix Studio in Stockholm, Stockholms län (Stockholm county), Schweden
Teil von:
The Downloader’s Music Source Book (Nummer: 122)
recording of:
All That She Wants
Texter und Komponist(in):
J. Berggren und Ulf "Buddha" Ekberg
publisher:
Megasong Publishing A/S, PolyGram Songs und Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text)
Ace of Base3.853:24
10Sunshine Reggae
recording of:
Sunshine Reggae
Texter und Komponist(in):
John Guldberg und Tim Stahl
Laid Back3.354:17
11Axel F.
Produzent(in):
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 70)
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer4.153:02
12Elsk mig i nat
Rocazino3:26
13Kom tilbage til mig
Danseorkestret3:58
14Every Little Thing She Does Is Magic
Techniker(in):
Hugh Padgham
Koproduzent(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und The Police (British rock band)
E-Bass:
Sting (singer, songwriter & member of The Police)
E-Gitarre:
Andy Summers
Klavier:
Jean Roussel
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer)
vocals:
Sting (singer, songwriter & member of The Police)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1981) und A&M Records, Inc. (in 1997)
aufgenommen bei:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada
recording of:
Every Little Thing She Does Is Magic
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
The Police3.754:20
15I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.955:00
16Under the Boardwalk
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1987)
cover recording of:
Under the Boardwalk
Verfasser(in):
Arthur Resnick (songwriter, producer) und Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. und Trio Music Company
Bruce Willis2.353:02
17Baby Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-08-13)
Bass:
James Jamerson (am 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (am 1964-08-13)
Gitarre:
Eddie Willis (am 1964-08-13)
Instrumente:
The Funk Brothers (am 1964-08-13)
Klavier:
Earl Van Dyke (am 1964-08-13)
Schlagzeug:
Richard "Pistol" Allen (am 1964-08-13)
Tenorsaxophon:
Henry Cosby (am 1964-08-13)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-08-13)
Hintergrundgesang:
Florence Ballard (am 1964-08-13) und Mary Wilson (am 1964-08-13)
Sologesang:
Diana Ross (am 1964-08-13)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-08-13)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 324) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 499)
recording of:
Baby Love (am 1964-08-13)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music Division
The Supremes4.352:36
18Don't Go Breaking My Heart
Søs Fenger & Peter Frödin4:24
19Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:52
20Black Velvet
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 79)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4:02
21Dance the Night Away
Produzent(in):
Don Cook (US country producer/songwriter) und Raul Malo (The Mavericks lead singer, country music)
phonographisches Urheberrecht (℗) von:
MCA Records Nashville (a division of MCA Records Inc.) (in 1997)
Teil von:
Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 1999)
recording of:
Dance the Night Away
Texter und Komponist(in):
Raul Malo (The Mavericks lead singer, country music)
publisher:
EMI Blackwood Music Inc. und Rumbalo Music
The Mavericks3.44:22
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Veröffentlichungsgruppe

Teil von:For fuld musik (Danish Compilation) (Nummer: 1) (Reihenfolge: 4)