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#TitoloArtistaValutazioneDurata
1We Will Rock You
tecnico:
Mike Stone (producer and engineer, 1960s–80s)
assistente produttore e co-produttore:
Mike Stone (producer and engineer, 1960s–80s)
produttore:
Queen (UK rock group)
battimani e calpestio di piedi [footstomps] :
John Deacon (dal 1977-08 al 1977-09), Brian May (Queen guitarist) (dal 1977-08 al 1977-09), Freddie Mercury (dal 1977-08 al 1977-09) e Roger Taylor (Queen drummer) (dal 1977-08 al 1977-09)
chitarra e chitarra elettrica :
Brian May (Queen guitarist) (dal 1977-08 al 1977-09)
voce di accompagnamento:
Brian May (Queen guitarist) (dal 1977-08 al 1977-09), Freddie Mercury (dal 1977-08 al 1977-09) e Roger Taylor (Queen drummer) (dal 1977-08 al 1977-09)
voce principale:
Freddie Mercury (dal 1977-08 al 1977-09)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (nel 1977) e Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (nel 1977, nel 2001, nel 2011)
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito (dal 1977-08 al 1977-09)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 338)
registrazione di:
We Will Rock You (dal 1977-08 al 1977-09)
paroliere e compositore:
Brian May (Queen guitarist)
editore:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. e Sony/ATV
compresa in:
We Will Rock You (Queen musical)
compresa in:
We Will Rock You (German version of the Queen musical)
Queen3.82:03
2Dancing Queen
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
basso :
Rutger Gunnarsson (dal 1976-08-04 al 1976-08-05)
batteria :
Roger Palm (dal 1976-08-04 al 1976-08-05, il 1976-12-03)
clavinet e tastiera :
Benny Andersson (ABBA) (dal 1976-08-04 al 1976-08-05)
viola :
Åke Arvinder (Swedish violist) (il 1976-09-12), Lars Brolin (il 1976-09-12) e Håkan Roos (Swedish violist) (il 1976-09-12)
violino :
Martin Bylund (Swedish violinist) (il 1976-09-12), Anders Dahl (Swedish violinist) (il 1976-09-12), Lars Stegenberg (Swedish violinist) (il 1976-09-12), Gunnar Michols (Swedish violinist) (il 1976-09-12), Claes Nilsson (Swedish violinist) (il 1976-09-12), Bertil Orsin (Swedish violinist) (il 1976-09-12), Sixten Strömvall (Swedish violinist) (il 1976-09-12), Harry Teike (il 1976-09-12) e Krzysztof Zdrzalka (Swedish violinist) (il 1976-09-12)
violoncello :
Hans‐Göran Eketorp (Swedish cellist) (il 1976-09-12) e Åke Olofsson (Swedish cellist) (il 1976-09-12)
voce principale:
Agnetha Fältskog (nel 1976-09) e Frida (Swedish singer and member of ABBA) (nel 1976-09)
arrangiatore archi :
Sven-Olof Walldoff
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music AB (nel 1976) e Polar Music International AB (nel 1976)
registrata presso:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Svezia (nel 1976), Glen Studio in Stockholms län (Stockholm county), Svezia (dal 1976-08-04 al 1976-08-05) e KMH Studios in Stockholm, Stockholms län (Stockholm county), Svezia (il 1976-12-03)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 2), SWR1 Hitparade 2006 (Baden-Württemberg) (numero: 5), SWR1 Hitparade 2003 (Baden-Württemberg) (numero: 7), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 9), Q50 – December 2005 (numero: 37), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 171) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 286)
registrazione di:
Dancing Queen (nel 1976)
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (dal 1976 a oggi), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1976 a oggi) e Universal/Union Songs Musikförlag AB (dal 1976 a oggi)
eseguita per la prima volta presso:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Svezia (il 1976-06-18)
parte di:
Mamma Mia! (1999 musical)
ABBA4.053:51
3I Was Made for Lovin’ You
tecnico di registrazione e tecnico di missaggio:
Jay Messina
assistente tecnico:
Jim Galante e Jon Mathias (engineer)
produttore:
Vini Poncia
batteria :
Anton Fig
tastiera e voce di accompagnamento:
Vini Poncia
voce principale:
Paul Stanley (KISS frontman)
diritti fonografici (℗) detenuti da:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (nel 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979)
è stato produttore per:
Mad Vincent Productions
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti e The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
I Was Made for Lovin’ You
autore:
Desmond Child, Vini Poncia e Paul Stanley (KISS frontman)
editore:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (nel 1979) e Mad Vincent Music (publisher) (nel 1979)
sub-editore:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS4.454:29
4Far Far Away
produttore:
Bryan “Chas” Chandler
diritti fonografici (℗) detenuti da:
Jim Lea Music Ltd. (nel 1974), Noddy Holder Music Ltd. (nel 1974) e Whild John Ltd. (nel 1974)
registrazione di:
Far Far Away
autore:
Jim Lea e Neville Holder
editore:
Barn Publishing (Slade) Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated)
Slade43:36
5Hot Stuff
produttore:
Pete Bellotte (English lyricist and producer) e Giorgio Moroder
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979)
registrazione di:
Hot Stuff
autore:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer e Keith Forsey (drummer, producer and songwriter)
editore:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer33:49
6Upside Down
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1980)
registrazione di:
Upside Down
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony/ATV Songs LLC e Tommy Jymi Inc.
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross43:37
7Funkytown
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1980)
edit di:
Funkytown (12″ version) di Lipps, Inc.
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 37)
registrazione di:
Funkytown
paroliere e compositore:
Steven Greenberg
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.13:59
8Mamma Lou
registrazione di:
Mama Loo
paroliere e compositore:
Jimmy Bilsbury e Les Humphries
editore:
Sikorski (German publisher) (nel 1973)
Les Humphries Singers3:41
9Striptease
Walkers2:59
10It’s Not Unusual
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Peter Sullivan (UK producer)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1965) e The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 393)
registrazione di:
It’s Not Unusual
autore:
Gordon Mills (60s/70s UK producer and songwriter) e Les Reed
editore:
Leeds Music (conclusa), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) e Universal Duchess Music Corp. (nel 1964)
Tom Jones4.52:00
11Candle in the Wind
tecnico:
David Hentschel
produttore:
Gus Dudgeon
batteria :
Nigel Olsson (nel 1973-05)
chitarra basso :
Dee Murray (nel 1973-05)
chitarra elettrica :
Davey Johnstone (nel 1973-05)
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer) (nel 1973-05)
voce di accompagnamento:
Davey Johnstone (nel 1973-05), Dee Murray (nel 1973-05) e Nigel Olsson (nel 1973-05)
registrata presso:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Francia (nel 1973-05)
video musicali:
Candle in the Wind di Elton John (English singer, songwriter, pianist, and composer)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 7) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 348)
registrazione di:
Candle in the Wind (nel 1973-05)
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
dedicata a:
Marilyn Monroe (US actress, model & singer)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e Universal–Songs of PolyGram International, Inc.
Elton John3.653:50
12Missing You
assistente tecnico:
Ken Stiger (engineer)
tecnico:
Gary Hellman
produttore:
Gary Gersh, David Thoener e John Waite
tecnico di missaggio e editor:
John Luongo
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1984), EMI America Records (holding – file NO releases here!) (nel 1984) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1984)
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite54:01
13I’m Not in Love
tecnico di registrazione:
10cc (nel 1974)
tecnico e tecnico di missaggio:
Eric Stewart
produttore:
10cc
basso e chitarra :
Graham Gouldman (nel 1974)
effetti [musical effects] , pianoforte elettrico e voce principale:
Eric Stewart (nel 1974)
moog :
Kevin (nel 1974)
pianoforte :
Lol (nel 1974)
synclavier [control desk] :
Graham Gouldman (nel 1974), Kevin (nel 1974), Lol (nel 1974) e Eric Stewart (nel 1974)
altra voce [whisper vocals]:
Kathy Redfern (nel 1974)
voce di accompagnamento:
Graham Gouldman (nel 1974), Kevin (nel 1974) e Lol (nel 1974)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1975), Mercury Records Ltd. (London) (for copyrights use only) (nel 1975), Phonogram, Inc. (nel 1975), Phonogram Ltd. (not for release label use!) (nel 1979) e Mercury Records Ltd. (not for release label use!) (nel 1996)
registrata da:
Phonogram Ltd. (London) (company name, NOT a label!)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito (nel 1974)
video musicali:
I’m Not in Love di 10cc
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 319)
registrazione di:
I’m Not in Love (nel 1974)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc3.855:59
14The Logical Song
tecnico audio:
Russel Pope
assistente tecnico:
Lenise Bent e Jeff Harris (recording engineer)
tecnico:
Peter Henderson (English sound engineer)
produttore:
Peter Henderson (English sound engineer) e Supertramp
batteria :
Bob Siebenberg
chitarra basso :
Dougie Thomson
chitarra e tastiera :
Roger Hodgson
legni :
John Helliwell
tastiera :
Rick Davies (UK keyboardist, member of Supertramp)
voce:
Rick Davies (UK keyboardist, member of Supertramp) e Roger Hodgson
diritti fonografici (℗) detenuti da:
A&M Records (nel 2010)
registrata presso:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
mixata presso:
Crystal Sound in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
The Logical Song
autore:
Rick Davies (UK keyboardist, member of Supertramp) e Roger Hodgson
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Delicate Music e Rondor Music
Supertramp4.154:09
15Costa del Sol
C.V. Jørgensen4:00
16Sig du ka' li' mig
registrazione di:
Sig du ka' li' mig (Tøsedrengenes første hit)
paroliere:
Anne Dorte Michelsen (Danish singer and composer)
compositore:
Klaus Kjellerup (Danish musician & producer)
Tøsedrengene3:51
17Dancing in the Street
produttore:
William Stevenson (Motown songwriter)
altri strumenti [tire iron] :
Ivy Jo Hunter (il 1964-06-29)
batteria :
Marvin Gaye (il 1964-06-29)
chitarra :
Joe Messina (il 1964-06-29), Robert White (US funk/soul guitarist) (il 1964-06-29) e Eddie Willis (il 1964-06-29)
chitarra basso :
James Jamerson (il 1964-06-29)
percussione , tamburello e vibrafono [vibes] :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-06-29)
sassofono baritono :
Thomas Bowles (il 1964-06-29)
sassofono tenore :
Henry Cosby (il 1964-06-29)
tromba :
Russell Conway (trumpet player) (il 1964-06-29) e Herbert Williams (trumpet player) (il 1964-06-29)
trombone :
George Bohanon (il 1964-06-29) e Paul Riser (il 1964-06-29)
voce di accompagnamento:
Rosalind Ashford (il 1964-06-29), Ivy Jo Hunter (il 1964-06-29), Betty Kelly (il 1964-06-29) e William Stevenson (Motown songwriter) (il 1964-06-29)
voce principale:
Martha Reeves (il 1964-06-29)
editore:
EMI Music Publishing (do not use as a release label!)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 130) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 403)
registrazione di:
Dancing in the Street (il 1964-06-29)
autore:
I. Hunter, M. Gaye e W. Stevenson (Motown songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha Reeves & the Vandellas3.552:39
18My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.24:01
19California Dreamin’
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Mammas & Pappas4.352:39
20Walking on Sunshine
registrata a:
England, Regno Unito
assistente tecnico:
Jon Goldberger (engineer)
tecnico e tecnico di missaggio:
Scott Litt (producer and engineer)
produttore:
Pat Collier e Katrina and the Waves (British‐American rock band)
produttore aggiunto:
Scott Litt (producer and engineer)
batteria e percussione :
Alex Cooper (drummer, member of “Katrina and the Waves”)
chitarra [lead guitar] :
Kimberley Rew
chitarra [rhythm guitar] e voce principale:
Katrina Leskanich
chitarra basso :
Vince de la Cruz
organo ospite :
Nick Glennie‐Smith
ottoni [Rumour Brass Section] ospite :
Ray Beavis, Dick Hanson e John "Irish" Earl (Irish saxophonist)
voce di accompagnamento:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz e Kimberley Rew
arrangiatore ottoni :
Eamon Fitzpatrick
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1985)
registrata presso:
Alaska Studios in London (Greater London), England, Regno Unito e Greenhouse Studio (London) in London (Greater London), England, Regno Unito
mixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1984-12 al 1985-03)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 378)
registrazione di:
Walking on Sunshine
paroliere:
Kimberley Rew (nel 1983)
compositore:
Kimberley Rew
editore:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina & the Waves3.953:53
21Grease Megamix
voce principale:
Olivia Newton‐John (British‐Australian singer, actress and activist) e John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ mixer:
Ian Curnow e Phil Harding (engineer, producer and remixer)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1990, nel 2003)
DJ mix di e mash-up di:
You’re the One That I Want di John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin’ di John Travolta (American actor and singer) e Summer Nights di John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
registrazione di:
The Grease Megamix
autore:
Warren Casey, John Farrar e Jim Jacobs
medley di:
You’re the One That I Want (Grease, 1978 film)
medley di:
Greased Lightnin’ (Grease, 1971 musical)
medley di:
Summer Nights (Grease, 1971 musical)
John Travolta / Olivia Newton John3.554:47
2▼CD
#TitoloArtistaValutazioneDurata
1You’re in the Army Now
produttore:
Pip Williams (producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1986), Mercury Records Ltd. (UK) (nel 1986), Phonogram Ltd. (London) (company name, NOT a label!) (nel 1986), Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1986) e Quo Entertainment (nel 1986)
è stato produttore per:
Handle Artists
registrazione cover di:
In the Army Now
autore:
Ferdi Bolland e Rob Bolland
editore:
Beadle Music Ltd., Bolland Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dayglow Music NV, Dayglow Muziekuitgeverij N.V., Island Music Ltd., Nada Music (Dutch publisher), Nada Music International, Nada Music International CV e The International Music Network
Status Quo2.53:42
2Bad Craziness
D‐A‐D3:19
3Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
direzione creativa:
Clive Langer e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:01
4Red Red Wine
produttore:
Ray “Pablo” Falconer e UB40
arrangiatore:
UB40
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1983) e DEP International (UB40) (nel 1983)
registrazione cover di:
Red Red Wine
paroliere e compositore:
Neil Diamond (nel 1967)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) e Bang Records (Bert Berns label) (nel 1968)
UB403.83:02
5Sui-Sui
Sneakers3:49
6Wouldn’t It Be Good
tecnico di registrazione:
Julian Mendelsohn (Australian record producer and engineer) (nel 1983)
assistente tecnico:
Roger Howorth
produttore:
Peter Collins (producer)
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
voce principale:
Nik Kershaw (nel 1983)
arrangiatore corno :
Jerry Hey e Nik Kershaw
arrangiatore:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1983, nel 1984) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984)
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 88)
registrazione di:
Wouldn’t It Be Good (nel 1983)
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
parte di:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:27
7Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.43:47
8Forever Young
tecnico di registrazione, programmazione e tecnico di missaggio:
Wolfgang Loos (dal 1984-07 al 1984-08)
tecnico di registrazione aggiunto:
Uli Rudolf (dal 1984-07 al 1984-08)
assistente alla programmazione:
Boris Balin e Thomas Beck (technical assistant, likely German)
produttore:
Wolfgang Loos e Colin Pearson (producer and violinist)
basso :
Ken Taylor (dal 1984-07 al 1984-08)
batteria :
Curt Cress (dal 1984-07 al 1984-08)
drum machine :
Bernhard Lloyd (dal 1984-07 al 1984-08)
tastiera :
Bernhard Lloyd (dal 1984-07 al 1984-08) e Frank Mertens (German synthpop keyboardist Frank Sorgatz) (dal 1984-07 al 1984-08)
tastiera aggiunto:
Wolfgang Loos (dal 1984-07 al 1984-08)
voce di accompagnamento:
Gulfstream (dal 1984-07 al 1984-08) e The Rosie Singers (dal 1984-07 al 1984-08)
voce principale:
Marian Gold (dal 1984-07 al 1984-08)
arrangiatore:
Alphaville (German synth pop band) e Wolfgang Loos
diritti fonografici (℗) detenuti da:
WEA MUSIK GMBH (company, not a label) (dal 1984 a oggi) e wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (nel 1984, nel 1994)
registrata presso e mixata presso:
Studio 54 (Berlin recording studio) in Germania (dal 1984-07 al 1984-08)
registrazione di:
Forever Young (dal 1984-07 al 1984-08)
paroliere:
Marian Gold
compositore:
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold e Bernhard Lloyd
editore:
Downtown DMP Songs, Fable Music Pty. Ltd. e Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.553:45
9All That She Wants
tecnico:
Denniz PoP
produttore:
Jonas Berggren, Ulf Ekberg e Denniz PoP
voce:
Jonas Berggren, Malin Berggren e Ulf Ekberg
voce aggiuntiva:
Jonas Berggren e Ulf Ekberg
diritti fonografici (℗) detenuti da:
Playground Music Sweden (nel 1992), Mega Records (Danish euro house) (nel 1993) e Metronome Musik GmbH (marketing & distribution dept. spun off from Metronome Records GmbH — do not use as a release label) (nel 1993)
registrata presso:
SweMix Studio in Stockholm, Stockholms län (Stockholm county), Svezia
parte di:
The Downloader’s Music Source Book (numero: 122)
registrazione di:
All That She Wants
paroliere e compositore:
J. Berggren e Ulf "Buddha" Ekberg
editore:
Megasong Publishing A/S, PolyGram Songs e Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text)
Ace of Base3.853:24
10Sunshine Reggae
registrazione di:
Sunshine Reggae
paroliere e compositore:
John Guldberg e Tim Stahl
Laid Back3.354:17
11Axel F.
produttore:
Harold Faltermeyer
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) e Geffen Records (nel 1984)
mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 70)
registrazione di:
Axel F (Beverly Hills Cop)
compositore:
Harold Faltermeyer
Harold Faltermeyer4.153:02
12Elsk mig i nat
Rocazino3:26
13Kom tilbage til mig
Danseorkestret3:58
14Every Little Thing She Does Is Magic
tecnico:
Hugh Padgham
co-produttore:
Hugh Padgham
produttore:
Hugh Padgham e The Police (British rock band)
basso elettrico :
Sting (singer, songwriter & member of The Police)
batteria :
Stewart Copeland (drummer, percussionist, pianist and composer)
chitarra elettrica :
Andy Summers
pianoforte :
Jean Roussel
voce:
Sting (singer, songwriter & member of The Police)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1981) e A&M Records, Inc. (nel 1997)
registrata presso:
Le Studio in Morin‐Heights, Québec (Quebec), Canada
registrazione di:
Every Little Thing She Does Is Magic
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
The Police3.754:20
15I Want to Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott “Abada” Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.955:00
16Under the Boardwalk
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1987)
registrazione cover di:
Under the Boardwalk
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. e Trio Music Company
Bruce Willis2.353:02
17Baby Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-08-13)
batteria :
Richard "Pistol" Allen (il 1964-08-13)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-08-13)
chitarra :
Eddie Willis (il 1964-08-13)
pianoforte :
Earl Van Dyke (il 1964-08-13)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-08-13)
sassofono tenore :
Henry Cosby (il 1964-08-13)
strumenti:
The Funk Brothers (il 1964-08-13)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-08-13)
voce di accompagnamento:
Florence Ballard (il 1964-08-13) e Mary Wilson (il 1964-08-13)
voce principale:
Diana Ross (il 1964-08-13)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-08-13)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 324) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 499)
registrazione di:
Baby Love (il 1964-08-13)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music Division
The Supremes4.352:36
18Don't Go Breaking My Heart
Søs Fenger & Peter Frödin4:24
19Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:52
20Black Velvet
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1990)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 79)
registrazione di:
Black Velvet
autore:
David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
editore:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP e Zomba Music Publishing Ltd.
Alannah Myles4:02
21Dance the Night Away
produttore:
Don Cook (US country producer/songwriter) e Raul Malo (The Mavericks lead singer, country music)
diritti fonografici (℗) detenuti da:
MCA Records Nashville (a division of MCA Records Inc.) (nel 1997)
parte di:
Grammy Award: Best Country Performance by a Duo or Group nominees (numero: 1999)
registrazione di:
Dance the Night Away
paroliere e compositore:
Raul Malo (The Mavericks lead singer, country music)
editore:
EMI Blackwood Music Inc. e Rumbalo Music
The Mavericks3.44:22
3▼CD
#TitoloArtistaValutazioneDurata
1Let’s Dance
assistente tecnico:
Dave Greenberg (US engineer Sonopod/Boomtown)
tecnico e tecnico di missaggio:
Bob Clearmountain
produttore:
David Bowie (English singer‐songwriter) e Nile Rodgers
assistente tecnico di missaggio:
David Bowie (English singer‐songwriter) e Nile Rodgers
basso :
Carmine Rojas (dal 1983-01-03 al 1983-01-20)
batteria :
Omar Hakim (dal 1983-01-03 al 1983-01-20)
chitarra :
Nile Rodgers (dal 1983-01-03 al 1983-01-20) e Stevie Ray Vaughan (dal 1983-01-03 al 1983-01-20)
congas, tamburello e wood block :
Sammy Figueroa (dal 1983-01-03 al 1983-01-20)
organo Hammond e tastiera :
Rob Sabino (dal 1983-01-03 al 1983-01-20)
sassofono baritono :
Steve Elson (American saxophonist, clarinetist, flutist & duduk player) (dal 1983-01-03 al 1983-01-20)
sassofono tenore :
Robert Aaron (dal 1983-01-03 al 1983-01-20) e Stan Harrison (American saxophonist) (dal 1983-01-03 al 1983-01-20)
tromba :
Mac Gollehon (dal 1983-01-03 al 1983-01-20)
voce di accompagnamento:
Frank Simms (dal 1983-01-03 al 1983-01-20), George Simms (dal 1983-01-03 al 1983-01-20) e David Spinner (dal 1983-01-03 al 1983-01-20)
voce principale:
David Bowie (English singer‐songwriter) (dal 1983-01-03 al 1983-01-20)
arrangiatore corno :
David Bowie (English singer‐songwriter) e Nile Rodgers
diritti fonografici (℗) detenuti da:
David Bowie (English singer‐songwriter) (nel 1983)
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1983-01-03 al 1983-01-20)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 156)
registrazione di:
Let’s Dance (dal 1983-01-03 al 1983-01-20)
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd e Watanabe Music Publishing CM division
David Bowie4.47:37
2Step It Up
registrazione di:
Step It Up
autore:
Rob Birch (Stereo MCs) e Nick Hallam
editore:
EMI Virgin Songs, Inc. e Virgin Music Ltd.
Stereo MC’s5:00
3Kegle
Sys Bjerre3:21
4Friday I’m in Love
assistente tecnico:
Chris Bandy
tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) e Steve Whitfield
produttore:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) e The Cure
assistente tecnico di missaggio:
Andy Baker (recording engineer from the UK with Westside Studios), Shaun De Feo, Bill Parry (Mixer), Danton Supple e Mark Warner (UK guitarist for Quantum Jump)
tecnico di missaggio:
Mark Saunders (UK record producer)
batteria e percussione :
Boris Williams
chitarra :
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Porl Thompson
chitarra basso :
Simon Gallup
chitarra basso [6-string bass] :
Perry Bamonte
tastiera :
Perry Bamonte e Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
voce principale:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
diritti fonografici (℗) detenuti da:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (nel 1992)
registrata presso:
The Manor in Oxfordshire, England, Regno Unito
mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
video musicali:
Friday I’m in Love di The Cure
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 73)
registrazione di:
Friday I’m in Love
paroliere:
Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure)
compositore:
Boris Williams, Paul S. Thompson, Perry Bamonte, Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure) e Simon Gallup
editore:
BMG Music Publishing Ltd., BMG Songs, Inc. e Fiction Songs Ltd.
The Cure4.63:34
5Don’t You (Forget About Me)
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Jez Coad
esecutore:
Simple Minds (Scottish rock band) (il 1984-07-10)
diritti fonografici (℗) detenuti da:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 25) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 340)
registrazione di:
Don’t You (Forget About Me) (il 1984-07-10)
autore:
Keith Forsey (drummer, producer and songwriter) e Steve Schiff
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. e Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
6Kom lad os brokke os
TV-24:38
7Kærligheden kalder
Sanne4:25
8Sowing the Seeds of Love
produttore:
David Bascombe
organo Hammond :
Ian Stanley
registrazione dal vivo di:
Sowing the Seeds of Love (nel 1990)
autore:
Roland Orzabal (UK musician, songwriter and producer) e Curt Smith
editore:
EMI Virgin Music Ltd. (do not use this as a release label!)
registrazione di:
Sowing the Seeds of Love
autore:
Roland Orzabal (UK musician, songwriter and producer) e Curt Smith
editore:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tears for Fears4.056:18
9More Than Words
registrazione di:
More Than Words
autore:
Nuno Bettencourt e Gary Cherone
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e Funky Metal Publishing
Extreme44:00
10Wind of Change
assistente tecnico:
Shay Baby, Attie Bauw, Albert Boekholt e Tom Fletcher (engineer)
tecnico:
Erwin Musper e Keith Olsen (US producer and engineer)
produttore:
Keith Olsen (US producer and engineer) e Scorpions (German rock band)
tecnico di missaggio:
Shay Baby, Erwin Musper e Keith Olsen (US producer and engineer)
batteria e percussione :
Herman Rarebell (drummer, Germany) (nel 1990)
chitarra acustica :
Rudolf Schenker (nel 1990)
chitarra basso :
Francis Buchholz (nel 1990)
chitarra elettrica [lead guitar] e chitarra elettrica [rhythm guitar] :
Matthias Jabs (nel 1990) e Rudolf Schenker (nel 1990)
chitarra slide :
Matthias Jabs (nel 1990)
tastiera ospite :
Koen van Baal (nel 1990)
voce di accompagnamento:
Francis Buchholz (nel 1990), Matthias Jabs (nel 1990), Klaus Meine (nel 1990), Herman Rarebell (drummer, Germany) (nel 1990) e Rudolf Schenker (nel 1990)
voce principale:
Klaus Meine (nel 1990)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1990, nel 1991) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1990)
registrata presso:
Goodnight LA Studios in Van Nuys, California, Stati Uniti (nel 1990) e Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands (nel 1990)
mixata presso:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
registrazione di:
Wind of Change (nel 1990)
paroliere e compositore:
Klaus Meine
editore:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions3.45:12
11Erase & Rewind
registrazione di:
Erase/Rewind
paroliere:
Nina Persson
compositore:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
The Cardigans3:37
12The Bad Touch
produttore:
Jimmy Pop (member of Bloodhound Gang)
tecnico di missaggio:
Raahu
batteria :
Spanky G
chitarra :
Lüpüs Thünder
moog e voce principale e voce parlata:
Jimmy Pop (member of Bloodhound Gang)
voce di accompagnamento:
DJ Q-Ball
video musicali:
The Bad Touch di Bloodhound Gang
registrazione di:
The Bad Touch
paroliere e compositore:
James Franks
editore:
Universal–Songs of PolyGram International, Inc., PolyGram Music Publishing (dal 2000 al ????), Hey Rudy Music Publishing (publishing company for rock band Bloodhound Gang) (dal 2000 a oggi) e The Jimmy Franks Publishing Company (dal 2000 a oggi)
Bloodhound Gang3.754:21
13Vent på mig
registrazione di:
Vent på mig
paroliere:
Martin Brygmann, Peter Frödin (Danish actor, comedian and singer) e Hella Joof (Danish actress and director)
compositore:
Martin Brygmann
Peter Frödin & Jimmy Jørgensen4:08
14Running in the Family
tecnico e tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
assistente produttore:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Wally Badarou e Level 42
registrazione di:
Running in the Family
autore:
Wally Badarou, Phil Gould e Mark King (bass guitarist and vocalist)
Level 423.43:57
15Summer Son
registrazione di:
Summer Son
paroliere e compositore:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens, Johnny McElhone e Sharleen Spiteri
editore:
23rd Precinct Music Ltd. e BMG 10 Music Ltd.
Texas4:03
16That Don’t Impress Me Much
registrazione di:
That Don’t Impress Me Much
autore:
Robert John “Mutt” Lange (Robert John Lange) e Shania Twain
editore:
Imagem London Ltd.
Shania Twain4:29
17Jukebox
Bent Fabric3:16
18Never Can Say Goodbye
arrangiatore:
City Life (arranger for Gloria Gaynor) e Harold Wheeler
registrazione cover di:
Never Can Say Goodbye
paroliere e compositore:
Clifton Davis (musical theatre actor, singer and songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. e Portable Music Co., Inc.
Gloria Gaynor52:59

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Gruppo di pubblicazioni

parte di:For fuld musik (Danish Compilation) (numero: 1) (ordine: 4)