The ’60s Rock Experience

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1▼CD: The Vietnam Backbeat
#TitoloArtistaValutazioneDurata
1Turn! Turn! Turn! (To Everything There Is a Season)
produttore:
Terry Melcher
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 95)
registrazione cover di:
Turn! Turn! Turn! (To Everything There Is a Season)
paroliere:
[traditional] (special purpose artist)
compositore:
Pete Seeger (nel 1959)
editore:
Melody Trails e TRO Essex Music Ltd.
The Byrds4.853:35
2California Dreamin’
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:39
3Time of the Season
registrazione di:
Time of the Season
paroliere e compositore:
Rod Argent
editore:
Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG), Verulam Music Co. Ltd. e Mainstay Music, Inc. (nel 1968)
The Zombies3:33
4You Really Got Me
produttore:
Shel Talmy (nel 1964-07)
armonica (a bocca) , chitarra [rhythm guitar] , tastiera e voce principale:
Ray Davies (UK singer/songwriter, member of The Kinks) (nel 1964-07)
batteria :
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (nel 1964-07)
chitarra :
Harry Fryer (nel 1964-07)
chitarra [lead guitar] :
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (nel 1964-07)
chitarra basso :
Pete Quaife (Kinks' bass guitarist) (nel 1964-07)
pianoforte aggiunto:
Perry Ford (English pop singer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1964)
supporto a vario titolo:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (incarico: Courtesy of / c/o Celebrity Licensing, Inc.)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (nel 1964-07)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 20), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 36), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 162) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 176)
registrazione di:
You Really Got Me (nel 1964-07)
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. e Jay Boy
The Kinks4.252:14
5On the Road Again
tecnico:
Dino (US Music engineer) e Lanky (US recording engineer)
produttore:
Calvin Carter e Dallas Smith (producer)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1968), Liberty (a division of UMG Recordings, Inc.) (nel 1968) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2005)
registrata presso:
Liberty Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1967-09-06)
registrazione di:
On the Road Again (il 1967-09-06)
paroliere e compositore:
Floyd Jones (blues performer and songwriter) e Alan Wilson (Canned Heat member)
editore:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) e United Partnership Ltd.
Canned Heat45:01
6Kicks
registrazione di:
Kicks
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Paul Revere and the Raiders2:23
7Do You Believe in Magic
diritti fonografici (℗) detenuti da:
Kama Sutra (nel 1965)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 216) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 224)
registrazione di:
Do You Believe in Magic?
paroliere e compositore:
John Sebastian
editore:
Alley Music Corp., Koppelman–Rubin Enterprises, Inc. e Trio Music Co., Inc.
The Lovin’ Spoonful4.52:06
8Sooner or LaterThe Grass Roots2:41
9Rescue Me
produttore:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
voce principale:
Fontella Bass
arrangiatore:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 31)
registrazione di:
Rescue Me
autore:
Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
editore:
United Artists Music Co., Inc. (conclusa), Chevis Music Publ. Corp. e Reservoir 416
Fontella Bass4.352:54
10The Beat Goes On
tecnico:
Stan Ross (recording engineer, mixer & producer)
produttore:
Sonny Bono
direttore d'orchestra:
Harold Battiste
diritti fonografici (℗) detenuti da:
ATCO Records (nel 1967)
lavorazione tecnica effettuata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
The Beat Goes On (nel 1967)
paroliere e compositore:
Sonny Bono
editore:
Chris Marc Music, Cotillion, Cotillion Music, Inc. (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music Australia Pty. Ltd.
Sonny & Cher4.253:29
11Five O’Clock World
registrazione di:
Five O’Clock World
paroliere e compositore:
Allen Reynolds
The Vogues2:08
12Mercy, Mercy, Mercy
registrazione cover di:
Mercy, Mercy, Mercy
compositore:
Josef Zawinul (jazz and fusion keyboard player)
editore:
Zawinul Music
The Buckinghams12:48
13Nowhere to Run
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 359)
registrazione di:
Nowhere to Run
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Holland–Dozier–Holland
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha and the Vandellas4.652:57
14Are You Ready?
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 93)
registrazione di:
Are You Ready?
autore:
Charlie Allen (Pacific Gas & Electric vocalist) e John Hill (American score composer, not to be confused with the mainstream producer)
editore:
Hexagram Music e PG & E Music
Pacific Gas & Electric35:47
15In‐A‐Gadda‐Da‐Vida
diritti fonografici (℗) detenuti da:
ATCO Records (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrazione di:
In‐A‐Gadda‐Da‐Vida
paroliere e compositore:
Douglas Lloyd Ingle
editore:
Ten East‐Cotillion‐Itasca
Iron Butterfly42:54
16Shotgun
tecnico di registrazione:
Lawrence T. Horn
produttore:
Berry Gordy e Lawrence T. Horn
basso :
James Jamerson (nel 1964)
batteria :
Benny Benjamin (US drummer)
chitarra :
Eddie Willis (nel 1964) e Willie Woods (US guitarist & songwriter) (nel 1964)
membranofono :
Benny Benjamin (US drummer) (nel 1964)
organo :
Vic Thomas (keyboard) e Victor Thomas (keyboardist) (nel 1964)
organo Hammond [B-3] :
Johnny Griffith
sassofono tenore e voce principale:
Junior Walker (nel 1964)
tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (nel 1964)
voce di accompagnamento:
Willie Woods (US guitarist & songwriter) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 27)
registrazione di:
Shotgun (nel 1964)
autore:
Autry De Walt
compositore:
Autry De Walt e Junior Walker
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK), Jobete Music Co. e What Does It Take Publishing (BMI-affiliated)
Jr. Walker & the All Stars3:05
17Different Drum
tecnico:
Peter Abbott (US recording engineer) e John Krause (1950s US engineer)
produttore:
Nick Venet
basso :
Lyle Ritz
batteria :
Jimmy Gordon (US drummer with Derek and the Dominos)
chitarra acustica :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt), Bernie Leadon e Al Viola
clavicembalo :
Don Randi
esecutore:
Linda Ronstadt
registrazione cover di:
Different Drum
paroliere e compositore:
Michael Nesmith
editore:
EMI Music Publishing (do not use as a release label!) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Stone Poneys4.352:38
18Universal Soldier
registrazione cover di:
The Universal Soldier
paroliere e compositore:
Buffy Sainte‐Marie
editore:
Peermusic (UK) Limited
Donovan2:13
19Daydream Believer
produttore:
Chip Douglas
basso :
Chip Douglas (dal 1967-06-14 al 1967-08-09)
batteria :
Eddie Hoh (dal 1967-06-14 al 1967-08-09)
chitarra :
Michael Nesmith (dal 1967-06-14 al 1967-08-09)
percussione :
William E. Martin (dal 1967-06-14 al 1967-08-09)
pianoforte :
Peter Tork (dal 1967-06-14 al 1967-08-09)
tromba :
Pete Candoli (dal 1967-06-14 al 1967-08-09), Al Porcino (dal 1967-06-14 al 1967-08-09) e Manuel Stevens (dal 1967-06-14 al 1967-08-09)
trombone :
Richard Noel (trombonist) (dal 1967-06-14 al 1967-08-09)
trombone basso :
Richard Leith (trombonist) (dal 1967-06-14 al 1967-08-09) e Phil Teele (dal 1967-06-14 al 1967-08-09)
violino :
Nathan Kaproff (dal 1967-06-14 al 1967-08-09), George Kast (dal 1967-06-14 al 1967-08-09), Alex Murray (violinist) (dal 1967-06-14 al 1967-08-09) e Erno Neufeld (dal 1967-06-14 al 1967-08-09)
voce di accompagnamento:
Micky Dolenz (dal 1967-06-14 al 1967-08-09)
voce principale:
Davy Jones (The Monkees member) (dal 1967-06-14 al 1967-08-09)
arrangiatore corno e archi :
Shorty Rogers (trumpet)
video musicali:
Daydream Believer di The Monkees
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 39)
registrazione di:
Daydream Believer (dal 1967-06-14 al 1967-08-09)
paroliere e compositore:
John Stewart (singer-songwriter (Kingston Trio))
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.652:57
2▼CD: There'll Be a "Love-In" There
#TitoloArtistaValutazioneDurata
1Somebody to Love
tecnico di registrazione:
David Hassinger (il 1966-11-03)
produttore:
Rick Jarrard (dal 1966-10-31 al 1966-11-22)
basso :
Jack Casady (dal 1966-10-31 al 1966-11-22)
batteria :
Spencer Dryden (dal 1966-10-31 al 1966-11-22)
chitarra [lead guitar] :
Jorma Kaukonen (American blues, folk, and rock guitarist) (dal 1966-10-31 al 1966-11-22)
chitarra [rhythm guitar] :
Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce:
Marty Balin (dal 1966-10-31 al 1966-11-22) e Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce principale:
Grace Slick (dal 1966-10-31 al 1966-11-22)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967) e RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1967)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-10-31 al 1966-11-22)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 274)
registrazione di:
Somebody to Love (Jefferson Airplane song) (dal 1966-10-31 al 1966-11-22)
paroliere e compositore:
Darby Slick
editore:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.552:58
2San Francisco (Be Sure to Wear Flowers in Your Hair)
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.752:58
3Brown Eyed Girl
tecnico di registrazione:
Brooks Arthur (il 1967-03-28)
produttore:
Bert Russell Berns
batteria :
Gary Chester (studio drummer and educator) (il 1967-03-28)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (il 1967-03-28), Hugh McCracken (il 1967-03-28) e Van Morrison (il 1967-03-28)
chitarra basso :
Eric Gale (il 1967-03-28)
organo :
Garry Sherman (mid-20th century composer, arranger & conductor) (il 1967-03-28)
voce di accompagnamento:
The Sweet Inspirations (il 1967-03-28)
voce principale:
Van Morrison (il 1967-03-28)
esecutore:
Van Morrison (il 1967-03-28)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967), Charly Records (nel 1968) e Exile Productions Ltd. (not for Label Release) (nel 1973)
registrata presso:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-03-28) e A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-04-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 71) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 109)
registrazione di:
Brown Eyed Girl (dal 1967-03-28 al 1967-04-07)
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison3.53:04
4Happy Together
diritti fonografici (℗) detenuti da:
White Whale (late 60s/early 70s California) (nel 1967)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 257)
registrazione di:
Happy Together (nel 1967)
autore:
Garry Bonner (singer and songwriter) e Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
editore:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) e Trio Music Co., Inc.
parte di:
Freaky Friday (2003)
The Turtles4.42:55
5Son of a Preacher Man
tecnico:
Ed Kollis
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
batteria :
Gene Chrisman (nel 1968-09)
chitarra basso :
Tommy Cogbill (nel 1968-09)
chitarra e sitar :
Reggie Young (guitarist and songwriter) (nel 1968-09)
pianoforte elettrico e organo :
Bobby Emmons (nel 1968-09)
voce:
Dusty Springfield (nel 1968-09)
voce di accompagnamento:
The Sweet Inspirations (nel 1968-09)
direttore d'orchestra:
Gene Orloff (nel 1968-09)
arrangiatore ottoni :
Tom Dowd
arrangiatore ottoni e archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 168) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 240)
registrazione di:
Son of a Preacher Man (nel 1968-09)
autore:
John Hurley e Ronnie Wilkins
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Dusty Springfield4.452:27
6Along Comes Mary
registrata presso:
Monterey International Pop Music Festival (1967-06-16 – 1967-06-18)
registrata presso:
Monterey County Fairgrounds in Monterey, California, Stati Uniti (il 1967-06-16)
registrazione dal vivo di:
Along Comes Mary (il 1967-06-16)
paroliere e compositore:
Tandyn Almer
The Association2:49
7Mr. Tambourine Man
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1965-01-20)
produttore:
Terry Melcher
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds) (il 1965-01-20)
chitarra :
David Crosby (il 1965-01-20)
chitarra a 12 corde :
Jim McGuinn (il 1965-01-20)
chitarra basso :
Chris Hillman (il 1965-01-20)
tamburello :
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20)
voce:
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20), David Crosby (il 1965-01-20), Chris Hillman (il 1965-01-20) e Jim McGuinn (il 1965-01-20)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1965) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 79) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 230)
registrazione cover di:
Mr. Tambourine Man (il 1965-01-20)
paroliere e compositore:
Bob Dylan (dal 1964-02 al 1964-04)
editore:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
adattamenti:
Setä pelimanni
The Byrds4.152:18
8Incense and Peppermints
produttore:
Frank Slay
registrazione di:
Incense and Peppermints
autore:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) e Tim Gilbert
autore aggiunto:
Ed King (US guitarist, bassist & songwriter) e Mark Weitz (keyboardist)
editore:
MCA Music Ltd.
Strawberry Alarm Clock4.52:48
9(I Know) I’m Losing You
produttore:
Norman Whitfield
voce principale:
David Ruffin (soul singer, member of The Temptations)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1966)
registrazione di:
(I Know) I’m Losing You (dal 1966-09-12 al 1966-09-16)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Cornelius Grant (soul, funk and disco producer and songwriter) e Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Stone Agate Music e Stone Agate Music Division
The Temptations3.52:29
10You Were on My Mind
registrata a:
San Francisco, California, Stati Uniti (nel 1965-04)
produttore:
Frank Werber
basso :
Peter Fullerton (nel 1965-04)
batteria :
Jerry Granelli (nel 1965-04)
chitarra :
Jerry Burgan (nel 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (nel 1965-04) e Michael Stewart (US producer/guitarist from California, 1945–2002) (nel 1965-04)
voce di accompagnamento:
Jerry Burgan (nel 1965-04), Peter Fullerton (nel 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (nel 1965-04) e Michael Stewart (US producer/guitarist from California, 1945–2002) (nel 1965-04)
voce principale:
Beverly Bivens (nel 1965-04)
registrazione cover di:
You Were on My Mind (nel 1965-04)
paroliere e compositore:
Sylvia Tyson
registrazione di:
You Were on My Mind
paroliere e compositore:
Sylvia Tyson
We Five22:36
11Hurdy Gurdy Man
registrata a:
London (Greater London), England, Regno Unito (nel 1968)
produttore:
Mickie Most (English record producer)
basso :
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (nel 1968)
batteria :
Clem Cattini (nel 1968)
chitarra acustica e tambura :
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1968)
chitarra elettrica :
Allan Holdsworth (nel 1968) e Jimmy Page (nel 1968)
voce:
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1968)
arrangiatore:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Hurdy Gurdy Man (nel 1968)
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan Music Ltd.
Donovan53:17
12Crimson and Clover
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Crimson and Clover
autore:
Tommy James (American musician, singer, songwriter and record producer) e Pete Lucia Jr.
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) e Big Seven Music Corp. (nel 1987)
Tommy James & the Shondells3:29
13When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:57
14A Groovy Kind of LoveThe Mindbenders31:58
15I Got You Babe
voce:
Sonny Bono (nel 1965) e Cher (nel 1965)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 444)
registrazione di:
I Got You Babe (nel 1965)
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:08
16Try a Little Tenderness
registrazione cover di:
Try a Little Tenderness
paroliere:
James Campbell (British songwriter and music publisher) e Reginald Connelly
compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell e Campbell Connelly & Co. Ltd. (il 1932-11-04)
Otis Redding3:19
17A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:01
18Reflections
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
Reflections
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, Jobete Music (appears also as: Jobete Msc.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) e Stone Agate Music (nel 1967)
Diana Ross & The Supremes2:52
19Groovin’
registrazione di:
Groovin’
autore:
Eddie Brigati e Felix Cavaliere (American singer, songwriter, record producer, and musician)
editore:
Slacsar
The Young Rascals2:29
20Aquarius / Let the Sunshine In
tecnico audio, tecnico e produttore:
Bones Howe
assistente produttore:
Ann McClelland
basso :
Joe Osborne (American bass guitar player, session musician and songwriter)
batteria e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
esecutore:
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo e Ron Townson
arrangiatore:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) e Bones Howe
arrangiatore voci:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
diritti fonografici (℗) detenuti da:
Arista (American label owned by Sony Music Entertainment) (nel 1969)
video musicali:
Age of Aquarius / Let the Sunshine In di The 5th Dimension (1960’s group)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 435)
medley che comprende una registrazione di:
Aquarius (from “Hair”)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI United Partnership Ltd. e United Artist Music Publishing
parte di:
Hair (1967 musical)
registrazione di:
Aquarius / Let the Sunshine In (The Flesh Failures)
autore:
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) e Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arrangiatore:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) e Bones Howe
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. e United Artists Music Co., Inc.
adattamenti:
Era de aquário / Deixa o sol entrar
medley di:
Aquarius (from “Hair”)
medley di:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley che comprende una registrazione di:
Let the Sunshine In
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI Music Publishing Scandinavia AB e United Artists Music Co., Inc.
The 5th Dimension4.154:48
3▼CD: Message & Meaning
#TitoloArtistaValutazioneDurata
1Get Together
registrata a:
New York, New York, Stati Uniti (nel 1966-11)
produttore:
Felix Pappalardi
basso e voce principale:
Jesse Colin Young (nel 1966-11)
batteria :
Joe Bauer (founding member of ''The Youngbloods'') (nel 1966-11)
chitarra e voce di accompagnamento:
Jerry Corbitt (nel 1966-11) e Lowell Levinger (nel 1966-11)
tastiera :
Lowell Levinger (nel 1966-11)
registrazione cover di:
Let’s Get Together (nel 1966-11)
paroliere e compositore:
Chet Powers
editore:
Irving Music (BMI) e Irving Music, Inc.
The Youngbloods3.754:38
2Time Has Come Today
produttore:
David Rubinson
esecutore:
The Chambers Brothers
diritti fonografici (℗) detenuti da:
IDOL (Independent Distribution On Line) (nel 2013)
edit di:
Time Has Come Today (original unedited studio mix) di The Chambers Brothers
registrazione di:
Time Has Come Today (il 1967-08-09)
autore:
Joseph Chambers (The Chambers Brothers) e Willie Chambers
The Chambers Brothers44:52
3Magic Carpet Ride
produttore:
Gabriel Mekler
registrazione di:
Magic Carpet Ride
autore:
John Kay (lead singer of Steppenwolf) e Rushton Moreve
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Music Pool, Inc., Trousdale Music Publishers, Inc., Universal Duchess Music Corp. e Universal/MCA Music Publishing Pty Ltd
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.454:26
4The Spinning Wheel
tecnico:
Fred Catero e Roy Halee
produttore:
James William Guercio
basso :
Jim Fielder (Bassist with Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
batteria e percussione :
Bobby Colomby (dal 1968-10-07 al 1968-10-22)
chitarra e armonica (a bocca) :
Steve Katz (guitarist for Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
flauto dolce e trombone :
Jerry Hyman (trombone player) (dal 1968-10-07 al 1968-10-22)
flauto, organo, pianoforte e trombone :
Dick Halligan (dal 1968-10-07 al 1968-10-22)
flicorno soprano e tromba :
Al Rubin (dal 1968-10-07 al 1968-10-22) e Lew Soloff (dal 1968-10-07 al 1968-10-22)
sassofono contralto e pianoforte :
Fred Lipsius (dal 1968-10-07 al 1968-10-22)
voce:
Bobby Colomby (dal 1968-10-07 al 1968-10-22), Dick Halligan (dal 1968-10-07 al 1968-10-22) e Steve Katz (guitarist for Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
voce principale:
David Clayton‐Thomas (dal 1968-10-07 al 1968-10-22)
arrangiatore:
Blood, Sweat & Tears e Fred Lipsius
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (dal 1968-10-07 al 1968-10-22)
registrazione di:
Spinning Wheel (dal 1968-10-07 al 1968-10-22)
paroliere e compositore:
David Clayton‐Thomas
editore:
EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., Minnesingers Publishers, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Blood, Sweat & Tears44:05
5Signs
registrazione di:
Signs
paroliere e compositore:
Les Emmerson
Five Man Electrical Band3:02
6Casey Jones
tecnico e produttore:
Alembic (Instrument makers & sound consultants), Betty Cantor‐Jackson, Grateful Dead e Bob Matthews
produttore associato:
Betty Cantor‐Jackson e Grateful Dead
produttore esecutivo:
Bob Matthews
armonica (a bocca) e tastiera :
Ron “Pigpen” McKernan (nel 1970-02)
banjo , chitarra pedal steel e voce principale:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (nel 1970-02)
batteria e percussione :
Mickey Hart (drummer for The Grateful Dead) (nel 1970-02) e Bill Kreutzmann (nel 1970-02)
chitarra :
Jerry Garcia (guitarist / vocalist in Grateful Dead) (nel 1970-02) e Bob Weir (nel 1970-02)
chitarra basso :
Phil Lesh (nel 1970-02)
voce:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (nel 1970-02), Phil Lesh (nel 1970-02), Ron “Pigpen” McKernan (nel 1970-02) e Bob Weir (nel 1970-02)
registrazione di:
Casey Jones (Grateful Dead song) (nel 1970-02)
paroliere:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
compositore:
Jerry Garcia (guitarist / vocalist in Grateful Dead)
editore:
Ice Nine Publishing Company, Inc. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
versione di:
The Ballad of Casey Jones
Grateful Dead44:26
7Sky Pilot, Part 1
registrazione di:
Sky Pilot
autore:
Vic Briggs (Victor Briggs), Eric Burdon, Barry Jenkins, Danny McCulloch e John Weider
The Animals3:04
8War
esecutore:
Edwin Starr
registrazione cover di:
War (il 1970-05-15)
autore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
Edwin Starr4.253:21
9Ball of Confusion (That’s What the World Is Today)
produttore:
Norman Whitfield
voce principale:
Dennis Edwards (US soul & R’n’B singer), Eddie Kendricks e Paul Williams (member of The Temptations)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1970), Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1970) e Motown Record Corporation (company credits only; do NOT use as release label) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 24)
registrazione di:
Ball of Confusion (That’s What the World Is Today)
compositore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd. e Stone Agate Music
The Temptations44:04
10The Fish Cheer & I‐Feel‐Like‐I’m‐Fixin’‐to‐Die Rag
Country Joe and the Fish3:42
11People Get Ready
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 24), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 122)
registrazione di:
People Get Ready
paroliere e compositore:
Curtis Mayfield
editore:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:40
12Laughing
tecnico audio:
David Greene (engineer recording, mixing) e Elliot Scheiner
produttore:
Jack Richardson
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1975)
registrata presso:
A & R Studios (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Stati Uniti
registrazione di:
Laughing
autore:
Randy Bachman (Canadian guitarist, singer & songwriter) e Burton Cummings
The Guess Who42:43
13I Fought the Law
diritti fonografici (℗) detenuti da:
Chess (US label) (nel 1957)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 175)
registrazione cover di:
I Fought the Law
paroliere e compositore:
Sonny Curtis
editore:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Bobby Fuller Four4.352:18
14Crystal Blue Persuasion
registrazione di:
Crystal Blue Persuasion
autore:
Eddie Gray (guitarist for Tommy James & The Shondells), Tommy James (American musician, singer, songwriter and record producer) e Mike Vale (Bassist of Tommy James and the Shondells)
editore:
EMI Longitude Music
Tommy James & the Shondells4.54:03
15Everybody’s Talkin’
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967)
prima pubblicazione:
Everybody’s Talkin’ di Nilsson (US singer-songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 51)
registrazione cover di:
Everybody’s Talkin’
paroliere e compositore:
Fred Neil
editore:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music e Third Story Music, Inc.
Nilsson3.92:44
16With God on Our Side
registrazione cover di:
With God on Our Side
paroliere aggiunto:
Bobby Clancy (nel 1961), Liam Clancy (nel 1961), Tom Clancy (singer) (nel 1961), Patrick "Paddy" Clancy (nel 1961) e Bob Dylan (nel 1963)
compositore:
[traditional] (special purpose artist)
compositore aggiunto:
Dominic Behan (nel 1957) e Bob Dylan (nel 1963)
editore:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1963 al 1991) e Special Rider Music (dal 1991 a oggi)
versione di:
The Patriot Game (version with altered lyrics by the Clancy Brothers)
Manfred Mann4:23
17In the Year 2525 (Exordium & Terminus)
produttore:
Zager & Evans
registrazione di:
In the Year 2525 (Exordium and Terminus) (nel 1968)
paroliere e compositore:
Rick Evans (US singer, songwriter and guitarist)
editore:
ATV Music, Chelsea Music Publishing, Zelad Music e Zerlad Music Enterprises Ltd.
Zager & Evans43:16
18Eve of Destruction
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965)
registrazione di:
Eve of Destruction (nel 1965)
paroliere e compositore:
P.F. Sloan
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:35
19Abraham, Martin and John
registrazione cover di:
Abraham, Martin and John
paroliere e arrangiatore:
Dick Holler
compositore:
Dick Holler (nel 1968)
editore:
Regent Music (BMI) e TJ Musicservice GmbH
Dion3:19
20He Ain’t Heavy, He’s My Brother
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969) e The Hollies Ltd. (dal 1969 al 1970)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1969-06-25)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 46)
registrazione cover di:
He Ain’t Heavy, He’s My Brother (il 1969-06-25)
autore:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) e Bobby Scott (vocals, piano, US musician & producer)
editore:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies3.854:19

Accreditamenti

Pubblicazione

produttore esecutivo:Garson Foos
Richard Foos
TJ Lubinsky
distribuito da:Sony BMG Music Entertainment Inc.
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Shout! Factory
Discogs:https://www.discogs.com/release/12148549 [info]
ASIN:US: B0007SL3AG [info]