The ’60s Rock Experience

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: The Vietnam Backbeat
2▼CD: There'll Be a "Love-In" There
Nr.TitelKünstlerBewertungLänge
1Somebody to Love
recording engineer:
David Hassinger (am 1966-11-03)
Produzent(in):
Rick Jarrard (von 1966-10-31 bis 1966-11-22)
Bass:
Jack Casady (von 1966-10-31 bis 1966-11-22)
Gitarre [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (von 1966-10-31 bis 1966-11-22)
Gitarre [rhythm guitar]:
Paul Kantner (von 1966-10-31 bis 1966-11-22)
Schlagzeug:
Spencer Dryden (von 1966-10-31 bis 1966-11-22)
Sologesang:
Grace Slick (von 1966-10-31 bis 1966-11-22)
vocals:
Marty Balin (von 1966-10-31 bis 1966-11-22) und Paul Kantner (von 1966-10-31 bis 1966-11-22)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967) und RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1967)
aufgenommen bei:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-10-31 bis 1966-11-22)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 274)
recording of:
Somebody to Love (Jefferson Airplane song) (von 1966-10-31 bis 1966-11-22)
Texter und Komponist(in):
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.552:58
2San Francisco (Be Sure to Wear Flowers in Your Hair)
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie3.752:58
3Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (von 1967-03-28 bis 1967-04-07)
Texter und Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
Van Morrison3.53:04
4Happy Together
phonographisches Urheberrecht (℗) von:
White Whale (late 60s/early 70s California) (in 1967)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 257)
recording of:
Happy Together (in 1967)
Verfasser(in):
Garry Bonner (singer and songwriter) und Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
publisher:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) und Trio Music Co., Inc.
Teil von:
Freaky Friday (2003)
The Turtles4.42:55
5Son of a Preacher Man
Techniker(in):
Ed Kollis
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bassgitarre:
Tommy Cogbill (in 1968-09)
Gitarre und Sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
Hybrid-Piano und Orgel:
Bobby Emmons (in 1968-09)
Schlagzeug:
Gene Chrisman (in 1968-09)
Hintergrundgesang:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
Blechblasinstrumente arranger:
Tom Dowd
Blechblasinstrumente und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 240)
recording of:
Son of a Preacher Man (in 1968-09)
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Dusty Springfield4.452:27
6Along Comes Mary
aufgenommen bei:
Monterey International Pop Music Festival (1967-06-16 – 1967-06-18)
aufgenommen bei:
Monterey County Fairgrounds in Monterey, California (Kalifornien), Vereinigte Staaten (am 1967-06-16)
live recording of:
Along Comes Mary (am 1967-06-16)
Texter und Komponist(in):
Tandyn Almer
The Association2:49
7Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-01-20)
Produzent(in):
Terry Melcher
Bassgitarre:
Chris Hillman (am 1965-01-20)
Gitarre:
David Crosby (am 1965-01-20)
Schlagzeug:
Michael Clarke (drummer for the 1960s rock group The Byrds) (am 1965-01-20)
Tamburin:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20)
zwölfsaitige Gitarre:
Jim McGuinn (am 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20), David Crosby (am 1965-01-20), Chris Hillman (am 1965-01-20) und Jim McGuinn (am 1965-01-20)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 79) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 230)
cover recording of:
Mr. Tambourine Man (am 1965-01-20)
Texter und Komponist(in):
Bob Dylan (von 1964-02 bis 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
adaptations:
Setä pelimanni
The Byrds4.152:18
8Incense and Peppermints
Produzent(in):
Frank Slay
recording of:
Incense and Peppermints
Verfasser(in):
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) und Tim Gilbert
zusätzliche(r) Verfasser(in):
Ed King (US guitarist, bassist & songwriter) und Mark Weitz (keyboardist)
publisher:
MCA Music Ltd.
Strawberry Alarm Clock4.52:48
9(I Know) I’m Losing You
Produzent(in):
Norman Whitfield
Sologesang:
David Ruffin (soul singer, member of The Temptations)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
recording of:
(I Know) I’m Losing You (von 1966-09-12 bis 1966-09-16)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Cornelius Grant (soul, funk and disco producer and songwriter) und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Stone Agate Music und Stone Agate Music Division
The Temptations3.52:29
10You Were on My Mind
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (in 1965-04)
Produzent(in):
Frank Werber
Bass:
Peter Fullerton (in 1965-04)
Gitarre:
Jerry Burgan (in 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (in 1965-04) und Michael Stewart (US producer/guitarist from California, 1945–2002) (in 1965-04)
Schlagzeug:
Jerry Granelli (in 1965-04)
Hintergrundgesang:
Jerry Burgan (in 1965-04), Peter Fullerton (in 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (in 1965-04) und Michael Stewart (US producer/guitarist from California, 1945–2002) (in 1965-04)
Sologesang:
Beverly Bivens (in 1965-04)
cover recording of:
You Were on My Mind (in 1965-04)
Texter und Komponist(in):
Sylvia Tyson
recording of:
You Were on My Mind
Texter und Komponist(in):
Sylvia Tyson
We Five22:36
11Hurdy Gurdy Man
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1968)
Produzent(in):
Mickie Most (English record producer)
Akustikgitarre und Tambura:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968)
Bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1968)
E-Gitarre:
Allan Holdsworth (in 1968) und Jimmy Page (in 1968)
Schlagzeug:
Clem Cattini (in 1968)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968)
arranger:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Hurdy Gurdy Man (in 1968)
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd.
Donovan53:17
12Crimson and Clover
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Crimson and Clover
Verfasser(in):
Tommy James (American musician, singer, songwriter and record producer) und Pete Lucia Jr.
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) und Big Seven Music Corp. (in 1987)
Tommy James & the Shondells3:29
13When a Man Loves a Woman
Produzent(in):
Marlin Greene (’60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene (’60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:57
14A Groovy Kind of Love
cover recording of:
A Groovy Kind of Love (in 1965-12)
Verfasser(in):
Carole Bayer Sager und Toni Wine
publisher:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. und Screen Gems-EMI Music (in 1966)
basiert auf:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
The Mindbenders31:58
15I Got You Babe
vocals:
Sonny Bono (in 1965) und Cher (in 1965)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 331) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 444)
recording of:
I Got You Babe (in 1965)
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:08
16Try a Little Tenderness
cover recording of:
Try a Little Tenderness
Texter:
James Campbell (British songwriter and music publisher) und Reginald Connelly
Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell und Campbell Connelly & Co. Ltd. (am 1932-11-04)
Otis Redding3:19
17A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:01
18Reflections
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
recording of:
Reflections
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, Jobete Music (appears also as: Jobete Msc.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) und Stone Agate Music (in 1967)
Diana Ross & The Supremes2:52
19Groovin’
recording of:
Groovin’
Verfasser(in):
Eddie Brigati und Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Young Rascals2:29
20Aquarius / Let the Sunshine In
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Produzent(in):
Ann McClelland
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographisches Urheberrecht (℗) von:
Arista (American label owned by Sony Music Entertainment) (in 1969)
Musikvideos:
Age of Aquarius / Let the Sunshine In von The 5th Dimension (1960’s group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 435)
medley including a recording of:
Aquarius (from “Hair”)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd. und United Artist Music Publishing
Teil von:
Hair (1967 musical)
recording of:
Aquarius / Let the Sunshine In (The Flesh Failures)
Verfasser(in):
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) und Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. und United Artists Music Co., Inc.
adaptations:
Era de aquário / Deixa o sol entrar
Medley von:
Aquarius (from “Hair”)
Medley von:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley including a recording of:
Let the Sunshine In
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Music Publishing Scandinavia AB und United Artists Music Co., Inc.
The 5th Dimension4.154:48
3▶CD: Message & Meaning

Nennungen

Veröffentlichung

leitende(r) Produzent(in):Garson Foos
Richard Foos
TJ Lubinsky
vertrieben von:Sony BMG Music Entertainment Inc.
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Shout! Factory
Discogs:https://www.discogs.com/release/12148549 [Info]
ASIN:US: B0007SL3AG [Info]