Fido’s Summer Fun, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Conga
Produzent(in):
Emilio Estefan, Jr.
Interpret(in):
Miami Sound Machine
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1985) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1985)
recording of:
Conga
Texter und Komponist(in):
Enrique Garcia (Miami Sound Machine)
Verfasser(in):
Enrique E. Garcia (Miami Sound Machine)
publisher:
Foreign Imported Productions & Publishing, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Miami Sound Machine feat. Gloria Estefan3.854:15
2Volare
Techniker(in):
Daniel Michel (recording engineer)
Produzent(in):
Claude Martinez
Mix:
François Delabrière
Bass:
Gérard Prévost
Gitarre:
Jacques "Paco" Baliardo, Maurice "Diego" Baliardo, Jahloul "Chico" Bouchikhi, André Reyes und Nicolas Reyes
Gitarre [lead guitar]:
Tonino Baliardo
Klavier:
Dominique Droin
membranophone:
Jorge "Negrito" Trasante
Perkussion:
Charles Benarroch und Jorge "Negrito" Trasante
Synthesizer:
Dominique Droin und Jean Musy
Sologesang:
Nicolas Reyes
vocals:
André Reyes
arranger:
Gérard Prévost
cover recording of:
Nel blu dipinto di blu (Volare) (in 1989)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
publisher:
Curci und EMI Robbins Catalog Inc. (ASCAP)
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 1959 winner)
Gipsy Kings4.53:39
3Nah Neh Nah
assistierende(r) Produzent(in):
Marc François
Produzent(in):
D. Klein (Belgian singer (Vaya Con Dios)) und D. Schoufs
arranger:
Michael Gielen (Austrian conductor and composer) und Dirk Schoufs
phonographisches Urheberrecht (℗) von:
BMG Ariola Belgium NV/SA (do not use this as an imprint!) (in 1990)
recording of:
Nah Neh Nah
Texter:
Una Balfe und Dani Klein (Belgian singer (Vaya Con Dios))
Komponist(in):
Dani Klein (Belgian singer (Vaya Con Dios)) und Dirk Schoufs
publisher:
BMG Ariola Belgium NV/SA (do not use this as an imprint!) und Vaya Con Dios Sprl
Vaya Con Dios3.252:54
4Come On Eileen
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 1)
recording of:
Come On Eileen (in 1982)
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners & The Emerald Express33:28
5Americanos
recording of:
Americanos
Texter und Komponist(in):
Holly Johnson
Holly Johnson23:36
6The Twist
Produzent(in):
Albert Cabrera und Tony Moran
Keyboard:
Mac Quayle (US composer)
Saxophon:
The NYC Kid
Hintergrundgesang:
Craig Derry, Cindy Mizelle und Norma Jean Wright
Sologesang und sonstiger Gesang [stupid def vocals]:
Chubby Checker
Interpret(in):
Chubby Checker
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1988) und PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1988)
produced for:
Latin Rascals Productions Inc.
recording of:
The Twist (Fat Boys version)
Texter:
Hank Ballard und Jim "Jimbo" Glenn
Komponist(in):
Hank Ballard
publisher:
Fort Know Music, Inc., Fort Knox Music Co, Hudson Bay Music Inc. und Trio Music Co., Inc.
basiert auf:
The Twist
Fat Boys & Chubby Checker2.354:06
7Don’t Get Me Wrong
Techniker(in):
Bruce Lampcov
Produzent(in):
Bob Clearmountain und Jimmy Iovine
Mix:
Bob Clearmountain
Bass:
Chucho Merchán
Gitarre:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und Robbie McIntosh (English guitarist for The Pretenders)
Klavier und Synthesizer:
Wix (UK / Paul Wickens)
Perkussion und Schlagzeug:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) und Warner Music UK Ltd. (not for release label use!) (in 2007)
recording of:
Don’t Get Me Wrong
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hynde House of Hits Music
The Pretenders4.23:49
8The Girl From Ipanema (Mas Que Nada)
Homeliss Derilex3:21
9That’s the Way (I Like It)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:04
10She Bop
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
She Bop
Verfasser(in):
Rick Chertoff, Gary Corbett, Cyndi Lauper und Steve Lunt (British musician, songwriter, music executive also credited as Stephen Broughton)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), ATV/Sony Songs, LLC, Concord Copyrights (BMI), Hobbler Music, Mushroom Music Pty. Ltd., Noyb Music Company, Perfect Punch Music (publisher), Rellla Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spirit One Music, Twenty Twenty 6 Music, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Wall to Wall Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (Nummer: 15)
Cyndi Lauper4.13:47
11Walk on the Ocean
Toad the Wet Sprocket3:35
12No Tengo Dinero ’92
cover recording of:
No tengo dinero
Texter:
C. La Bionda, Angelo La Bionda und Stefano Rota (Italian singer and musician)
Verfasser(in):
A. & C. La Bionda
Komponist(in):
Carmelo La Bionda und Stefano Rota (Italian singer and musician)
TNT Party Zone3:47
13Girls Girls Girls ’91
recording of:
Girls, Girls, Girls (in 1991)
Texter und Komponist(in):
Georg Kajanus
publisher:
Chappell Morris Ltd.
Sailor3:02
14Conversation
Programmierung:
Jürgen Dehmel
assistierende(r) Techniker(in):
Björn Warns
Produzent(in):
Jürgen Dehmel und Nena (the person, performing solo since 1987)
Akustikgitarre, Hintergrundgesang und Sologesang:
Nena Kerner (the person, performing solo since 1987)
Bass und Keyboard:
Jürgen Dehmel
Gast-Akustikgitarre:
Benni Freitag
Gast-E-Gitarre:
Rudy Nielson
Gast-Keyboard:
Kino Dido
Gast-Perkussion:
Saf Sap
Gast-Sitar:
EFF Jot Krüger
Gitarre [Country Guitar]:
Frank Becking
Schlagzeug:
Rolf Brendel
Gast Hintergrundgesang:
Anna Nzume und Saf Sap
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09)
recording of:
Conversation
Texter:
Nena Kerner (the person, performing solo since 1987)
Komponist(in):
Benni Freitag und Nena Kerner (the person, performing solo since 1987)
Nena4:09
15La Bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:50
16Club Tropicana
Techniker(in):
Tony Taverner
Produzent(in):
Steve Brown (engineer/music producer) und George Michael
Gitarre:
Andrew Ridgeley
Horn:
Roddy Lorimer und Ian Ritchie
Perkussion:
Andy Duncan (UK drummer and producer)
Schlagzeug:
Trevor Morell (drummer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
Musikvideos:
Club Tropicana (music video) von Wham! (British pop-duo)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 63)
recording of:
Club Tropicana
Texter und Komponist(in):
George Michael und Andrew Ridgeley
publisher:
Morrison Leahy Music Ltd.
Wham!3.84:26
17Always the Sun
recording of:
Always the Sun
Verfasser(in):
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
CBS Songs Ltd., Complete Music Ltd., EMI April Music Inc., EMI Music Ltd., EMI Music Publishing Limited (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers3:58
18Breakaway
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1982, in 1983)
cover recording of:
Breakaway
Verfasser(in):
Jackie DeShannon und Sharon Sheeley
publisher:
United Artists Music Ltd.
Tracey Ullman3.652:32
2▼CD
Nr.TitelKünstlerBewertungLänge
1Joyride
Programmierung:
Anders Herrlin (in 1990-07) und Clarence Öfwerman (in 1990-07)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Per Gessle (Swedish singer and guitarist), Clarence Öfwerman und Alar Suurna
Bassgitarre:
Anders Herrlin (in 1990-07)
E-Gitarre und Gitarre:
Jonas Isacsson (in 1990-07)
Keyboard:
Clarence Öfwerman (in 1990-07)
Trillerpfeife:
Per Gessle (Swedish singer and guitarist) (in 1990-07)
vocals:
Marie Fredriksson (in 1990-07) und Per Gessle (Swedish singer and guitarist) (in 1990-07)
remixer:
Brian Malouf
phonographisches Urheberrecht (℗) von:
Roxette Recordings und EMI Svenska AB (not for release label use!) (in 1991)
aufgenommen bei:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 1990-07)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
Joyride (in 1990-07)
Texter und Komponist(in):
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3.353:59
2Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (session drummer) (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.54:08
3Demasiado Corazón (Too Much Heart)
recording of:
Demasiado Corazón
Texter und Komponist(in):
Willy DeVille
Mink DeVille3:36
4The Way to Your Heart
recording of:
The Way to Your Heart
Verfasser(in):
Jan Leyers (Belgian singer & songwriter) und Paul Michiels (Belgian singer & songwriter, cfr Soulsister)
publisher:
EMI Music Publishing Belgium und Siren Music (Belgian publisher)
Soulsister3:46
5Get Outta My Dreams, Get Into My Car
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Nigel Green (engineer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1988)
Bearbeitung von:
Get Outta My Dreams, Get Into My Car von Billy Ocean
recording of:
Get Outta My Dreams, Get Into My Car (in 1987)
Verfasser(in):
Robert John “Mutt” Lange (Robert John Lange) und Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Universal Music Publishers MGB Australia Pty Ltd und Zomba Music Publishing Ltd.
Billy Ocean2.354:43
6You Bring on the Sun
Londonbeat3:33
7Freeze-Frame
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
Blechblasinstrumente [horns]:
Alan Rubin, Randy Brecker, Ronnie Cuber, Lou Marini, Tom Melone (US trombonist) und George Young (saxophonist)
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
recording of:
Freeze-Frame
Verfasser(in):
Seth Justman und Peter Wolf (US rock vocalist, member of J. Geils Band)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Kobalt Songs Music Publishing (USA, ASCAP affiliated)
The J. Geils Band4.23:57
8Escape (The Pina Colada Song)
Techniker(in) und Mix:
Jim Boyer (producer/engineer)
Produzent(in):
Jim Boyer (producer/engineer) und Rupert Holmes
Bass [electric bass]:
Frank Gravis
Schlagzeug:
Leo Adamian
phonographisches Urheberrecht (℗) von:
Geffen Records, Infinity Records Inc. und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
recording of:
Escape (The Piña Colada Song)
Texter und Komponist(in):
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes3.554:34
9Could It Be Magic
cover recording of:
Could It Be Magic
Texter:
Adrienne Anderson
Komponist(in):
Barry Manilow
zusätzliche(r) Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
publisher:
Angeldust Music (beendet), Kamikazee Music (beendet), EMI Longitude Music und Universal Music Careers
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Prélude no. 20 in C minor, op. 28: Largo
Version von:
Could It Be Magic (original Featherbed single version)
recording of:
Could It Be Magic
Texter:
Adrienne Anderson
Komponist(in):
Barry Manilow
zusätzliche(r) Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
publisher:
Angeldust Music (beendet), Kamikazee Music (beendet), EMI Longitude Music und Universal Music Careers
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Prélude no. 20 in C minor, op. 28: Largo
Version von:
Could It Be Magic (original Featherbed single version)
Take That3:31
10I Won’t Let the Sun Go Down on Me
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
zusätzlich Bass:
Paul Westwood (bassist) (in 1983)
Sologesang:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1983) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
I Won’t Let the Sun Go Down on Me (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal und Rondor Music (London) Ltd.
Nik Kershaw3.53:22
11Get Out of Your Lazy Bed
Techniker(in):
John Buckley (British production music composer)
Produzent(in):
Peter Collins (producer)
Mix:
Phil Harding (engineer, producer and remixer)
baritone saxophone:
Ronnie Ross
Keyboard:
Danny White (keyboardist)
Schlagzeug und Perkussion:
Peter Ross
vocals:
Basia und Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
Get Out of Your Lazy Bed
Verfasser(in):
Mark Reilly (guitarist, vocalist, producer, songwriter) und Danny White (keyboardist)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Warner Chappell Music France
Matt Bianco2.653:24
12Que será mi vida
recording of:
Que será mi vida
Texter:
Nelly Byl (Belgian lyricist) und Daniel Vangarde
Komponist(in):
Jean Kluger (Belgian producer, publisher, songwriter) und Daniel Vangarde
publisher:
Bleu Blanc Rouge und Zagora (French label and publisher)
Gibson Brothers3:54
13Iko
Unique II3:21
14Good Times
Bass:
Bernard Edwards (American bassist and record producer) (in 1979)
Gitarre:
Nile Rodgers (in 1979)
Hybrid-Piano:
Raymond Jones (in 1979)
Klavier:
Rob Sabino (in 1979)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
Sologesang:
Alfa Anderson (in 1979) und Luci Martin (in 1979)
Interpret(in):
Chic (US disco group) (in 1979)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 68) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 224)
recording of:
Good Times (in 1979)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Chic53:43
15Working for the Weekend
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer) und Rob Porter
Techniker(in):
Bob Rock und Keith Stein
Produzent(in):
Paul Dean (Canadian guitarist) und Bruce Fairbairn
Bassgitarre:
Scott Smith (Canadian bassist for Loverboy)
Gitarre und Hintergrundgesang:
Paul Dean (Canadian guitarist)
Keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
Schlagzeug:
Matt Frenette
Sologesang:
Mike Reno
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
aufgenommen bei:
Mushroom Studios in Vancouver, British Columbia, Kanada
mixed at:
Little Mountain Sound in Vancouver, British Columbia, Kanada
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 100)
recording of:
Working for the Weekend
Verfasser(in):
Paul Dean (Canadian guitarist), Matt Frenette und Mike Reno
Loverboy4.23:42
16Don’t Let the Sun Go Down on Me
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1991) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1991)
aufgenommen bei:
OVO Arena Wembley in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (am 1991-03-23)
live recording of:
Don’t Let the Sun Go Down on Me (am 1991-03-23)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Big Pig Music Ltd. (publisher) (in 1991)
George Michael feat. Elton John2.55:45