Fido’s Summer Fun, Volume 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1Joyride
programmazione:
Anders Herrlin (nel 1990-07) e Clarence Öfwerman (nel 1990-07)
tecnico:
Anders Herrlin e Alar Suurna
produttore:
Clarence Öfwerman
tecnico di missaggio:
Per Gessle (Swedish singer and guitarist), Clarence Öfwerman e Alar Suurna
chitarra e chitarra elettrica :
Jonas Isacsson (nel 1990-07)
chitarra basso :
Anders Herrlin (nel 1990-07)
fischietto :
Per Gessle (Swedish singer and guitarist) (nel 1990-07)
tastiera :
Clarence Öfwerman (nel 1990-07)
voce:
Marie Fredriksson (nel 1990-07) e Per Gessle (Swedish singer and guitarist) (nel 1990-07)
remixer:
Brian Malouf
diritti fonografici (℗) detenuti da:
Roxette Recordings e EMI Svenska AB (not for release label use!) (nel 1991)
registrata presso:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (nel 1990-07)
mixata presso:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia
registrazione di:
Joyride (nel 1990-07)
paroliere e compositore:
Per Gessle (Swedish singer and guitarist)
editore:
Jimmy Fun Music
Roxette3.353:59
2Lovely Day
produttore:
Clarence McDonald e Bill Withers
batteria e shaker :
Russell Kunkel (session drummer) (nel 1977)
chitarra :
Ray Parker (nel 1977)
chitarra basso :
Jerry Knight (nel 1977)
percussione :
Ralph MacDonald (nel 1977)
tastiera :
Clarence McDonald (nel 1977)
voce principale:
Bill Withers (nel 1977)
arrangiatore:
Clarence McDonald
primo violino:
Charles Veal (violinist, conductor and arranger) (nel 1977)
diritti fonografici (℗) detenuti da:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1977), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1977)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 402)
registrazione di:
Lovely Day (nel 1977)
autore:
Skip Scarborough e Bill Withers
editore:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.54:08
3Demasiado Corazón (Too Much Heart)
registrazione di:
Demasiado Corazón
paroliere e compositore:
Willy DeVille
Mink DeVille3:36
4The Way to Your Heart
registrazione di:
The Way to Your Heart
autore:
Jan Leyers (Belgian singer & songwriter) e Paul Michiels (Belgian singer & songwriter, cfr Soulsister)
editore:
EMI Music Publishing Belgium e Siren Music (Belgian publisher)
Soulsister3:46
5Get Outta My Dreams, Get Into My Car
produttore:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Nigel Green (engineer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988) e Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1988)
edit di:
Get Outta My Dreams, Get Into My Car di Billy Ocean
registrazione di:
Get Outta My Dreams, Get Into My Car (nel 1987)
autore:
Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Universal Music Publishers MGB Australia Pty Ltd e Zomba Music Publishing Ltd.
Billy Ocean2.354:43
6You Bring on the Sun
Londonbeat3:33
7Freeze-Frame
tecnico:
Dave Thoener
produttore:
Seth Justman
ottoni [horns] :
Alan Rubin, Randy Brecker, Ronnie Cuber, Lou Marini, Tom Melone (US trombonist) e George Young (saxophonist)
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
registrazione di:
Freeze-Frame
autore:
Seth Justman e Peter Wolf (US rock vocalist, member of J. Geils Band)
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e Kobalt Songs Music Publishing (USA, ASCAP affiliated)
The J. Geils Band4.23:57
8Escape (The Pina Colada Song)
tecnico e tecnico di missaggio:
Jim Boyer (producer/engineer)
produttore:
Jim Boyer (producer/engineer) e Rupert Holmes
basso [electric bass] :
Frank Gravis
batteria :
Leo Adamian
diritti fonografici (℗) detenuti da:
Geffen Records, Infinity Records Inc. e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1979)
registrata presso:
Plaza Sound Studios in New York, New York, Stati Uniti
mixata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti
registrazione di:
Escape (The Piña Colada Song)
paroliere e compositore:
Rupert Holmes
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes3.554:34
9Could It Be Magic
registrazione cover di:
Could It Be Magic
paroliere:
Adrienne Anderson
compositore:
Barry Manilow
compositore aggiunto:
Fryderyk Chopin (Frédéric Chopin, composer)
editore:
Angeldust Music (conclusa), Kamikazee Music (conclusa), EMI Longitude Music e Universal Music Careers
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
si basa su:
Prélude no. 20 in C minor, op. 28: Largo
versione di:
Could It Be Magic (original Featherbed single version)
registrazione di:
Could It Be Magic
paroliere:
Adrienne Anderson
compositore:
Barry Manilow
compositore aggiunto:
Fryderyk Chopin (Frédéric Chopin, composer)
editore:
Angeldust Music (conclusa), Kamikazee Music (conclusa), EMI Longitude Music e Universal Music Careers
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
si basa su:
Prélude no. 20 in C minor, op. 28: Largo
versione di:
Could It Be Magic (original Featherbed single version)
Take That3:31
10I Won’t Let the Sun Go Down on Me
tecnico di registrazione:
Julian Mendelsohn (Australian record producer and engineer) (nel 1983)
assistente tecnico:
Roger Howorth
produttore:
Peter Collins (producer)
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
basso aggiunto:
Paul Westwood (bassist) (nel 1983)
voce principale:
Nik Kershaw (nel 1983)
arrangiatore:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1983) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1983)
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
registrazione di:
I Won’t Let the Sun Go Down on Me (nel 1983)
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal e Rondor Music (London) Ltd.
Nik Kershaw3.53:22
11Get Out of Your Lazy Bed
tecnico:
John Buckley (British production music composer)
produttore:
Peter Collins (producer)
tecnico di missaggio:
Phil Harding (engineer, producer and remixer)
batteria e percussione :
Peter Ross
sassofono baritono :
Ronnie Ross
tastiera :
Danny White (keyboardist)
voce:
Basia e Mark Reilly (guitarist, vocalist, producer, songwriter)
arrangiatore voci:
Basia
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1984)
registrazione di:
Get Out of Your Lazy Bed
autore:
Mark Reilly (guitarist, vocalist, producer, songwriter) e Danny White (keyboardist)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Warner Chappell Music France
Matt Bianco2.653:24
12Que será mi vida
registrazione di:
Que será mi vida
paroliere:
Nelly Byl (Belgian lyricist) e Daniel Vangarde
compositore:
Jean Kluger (Belgian producer, publisher, songwriter) e Daniel Vangarde
editore:
Bleu Blanc Rouge e Zagora (French label and publisher)
Gibson Brothers3:54
13Iko
Unique II3:21
14Good Times
basso :
Bernard Edwards (American bassist and record producer) (nel 1979)
batteria :
Tony Thompson (drummer, best known for his work in CHIC) (nel 1979)
chitarra :
Nile Rodgers (nel 1979)
pianoforte :
Rob Sabino (nel 1979)
pianoforte elettrico :
Raymond Jones (nel 1979)
voce principale:
Alfa Anderson (nel 1979) e Luci Martin (nel 1979)
esecutore:
Chic (US disco group) (nel 1979)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1979)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 68) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 224)
registrazione di:
Good Times (nel 1979)
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs e Tommy Jymi Inc.
Chic53:43
15Working for the Weekend
assistente tecnico:
Mike Fraser (Canadian record producer, engineer and mixer) e Rob Porter
tecnico:
Bob Rock e Keith Stein
produttore:
Paul Dean (Canadian guitarist) e Bruce Fairbairn
batteria :
Matt Frenette
chitarra e voce di accompagnamento:
Paul Dean (Canadian guitarist)
chitarra basso :
Scott Smith (Canadian bassist for Loverboy)
tastiera :
Doug Johnson (Canadian keyboardist for Loverboy)
voce principale:
Mike Reno
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
registrata presso:
Mushroom Studios in Vancouver, British Columbia (Columbia Britannica), Canada
mixata presso:
Little Mountain Sound in Vancouver, British Columbia (Columbia Britannica), Canada
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 100)
registrazione di:
Working for the Weekend
autore:
Paul Dean (Canadian guitarist), Matt Frenette e Mike Reno
Loverboy4.23:42
16Don’t Let the Sun Go Down on Me
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1991) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1991)
registrata presso:
OVO Arena Wembley in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (il 1991-03-23)
registrazione dal vivo di:
Don’t Let the Sun Go Down on Me (il 1991-03-23)
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Big Pig Music Ltd. (publisher) (nel 1991)
George Michael feat. Elton John2.55:45