Now! That’s What I Call a Singer

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Rehab
Assistent recording engineer:
Jesse Gladstone und Mike Makowski
recording engineer:
Vaughan Merrick und Mark Ronson (British DJ and producer)
sonstige Unterstützung:
Isobel Griffiths (Aufgabe: contractor / orchestra)
Techniker(in):
Dom Morley
Produzent(in):
Mark Ronson (British DJ and producer)
assistierende(r) Mix:
Matt Paul
Mix:
Tom Elmhirst (mixing engineer)
alto saxophone:
Chris Davies und Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Dave Bishop (saxophonist) und Ian Hendrickson-Smith
Bassgitarre:
Nick Movshon
Bratsche / Viola:
Rachel Bolt (violist), Jonathan Thorne (viola player), Bruce White (violist) und Katie Wilkinson (violist)
Cello:
John Heley (cellist), Joely Koos (cellist) und Anthony Pleeth (cellist)
Geige / Violine:
Mark Berrow (violinist), Elizabeth Edwards (violinist), Peter Hanson (violinist), Boguslaw Kostecki (violinist), Perry Montague‐Mason (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Jonathan Rees, Chris Tombling (violinist) und Warren Zielinski (violinist)
Gitarre:
Thomas Brenneck und Binky Griptite
Händeklatschen:
Vaughan Merrick und Mark Ronson (British DJ and producer)
Harfe:
Helen Tunstall
Hybrid-Piano, Händeklatschen und Klavier und Klavier:
Victor Axelrod
Perkussion:
Frank Ricotti (percussionist)
Posaune:
Richard Edwards (trombonist)
Schlagzeug:
Homer Steinweiss
Tenorsaxophon:
Mike Smith (British saxophonist/keyboardist/composer/arranger/conductor), Neal Sugarman und Jamie Talbot (English jazz alto saxophonist)
Trompete:
Dave Guy und Steve Sidwell (English composer & wind instrumentalist)
conductor:
Chris Elliott (composer and arranger)
Blasinstrumente arranger:
Gabriel Roth und Mark Ronson (British DJ and producer)
Saiteninstrumente arranger:
Chris Elliott (composer and arranger)
arranger:
Gabriel Roth (Gabriel Alexander Roth)
aufgenommen bei:
Chung King Studios in New York, New York, Vereinigte Staaten, Daptone’s House of Soul in Bushwick, New York, New York, Vereinigte Staaten und Metropolis (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Amazon – Best Songs of 2007: Editor Picks (Nummer: 57), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 73) und Indie 88: Top 500 Indie Rock Songs (Nummer: 419)
recording of:
Rehab
Texter und Komponist(in):
Amy Winehouse
publisher:
EMI Music Publishing (do not use as a release label!)
Amy Winehouse4.13:33
2I’m Not the Only One
Produzent(in):
Steve Fitzmaurice (Irish mixer, songwriter and producer) und Jimmy Napes
E-Bass:
Jodi Milliner
Gitarre:
Ben Thomas (UK guitar player)
Klavier:
Reuben James
conductor:
Simon Hale
Saiteninstrumente arranger:
Simon Hale
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
I’m Not the Only One
Verfasser(in):
James Napier und Sam Smith (English singer‐songwriter)
Sam Smith3.13:25
3Rocket Man
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray
Gitarre:
Davey Johnstone
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
Synthesizer:
David Hentschel
Hintergrundgesang:
Davey Johnstone, Dee Murray und Nigel Olsson
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1972)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 92), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 149) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 242)
recording of:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal–Songs of PolyGram International, Inc.
Elton John3.84:40
4Suspicious Minds
cover recording of:
Suspicious Minds
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Songs LLC
Elvis Presley4:20
5My Cherie Amour
Produzent(in):
Henry Cosby
Sologesang:
Stevie Wonder (von 1967 bis 1968)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1967 bis 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 399)
recording of:
My Cherie Amour (von 1967 bis 1968)
Verfasser(in):
Henry Cosby, Sylvia Moy und Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:51
6I Heard It Through the Grapevine
Produzent(in):
Norman Whitfield
Bass [1962 Fender Precision Bass]:
James Jamerson (von 1967-02-03 bis 1967-04-10)
Conga und Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (von 1967-02-03 bis 1967-04-10)
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (von 1967-02-03 bis 1967-04-10)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (von 1967-02-03 bis 1967-04-10)
Hammond-Orgel [B-3]:
Earl Van Dyke (von 1967-02-03 bis 1967-04-10)
Instrumente:
The Funk Brothers (von 1967-02-03 bis 1967-04-10)
Schlagzeug:
Uriel Jones (von 1967-02-03 bis 1967-04-10)
Tom Tom:
Richard "Pistol" Allen (von 1967-02-03 bis 1967-04-10)
Waldhorn:
Don Ozga (von 1967-02-03 bis 1967-04-10) und Edwin Jones (von 1967-02-03 bis 1967-04-10)
Wurlitzer Electric Piano:
Johnny Griffith (von 1967-02-03 bis 1967-04-10)
Hintergrundgesang:
The Andantes (von 1967-02-03 bis 1967-04-10), Marlene Barrow (von 1967-02-03 bis 1967-04-10), Louvain Demps (von 1967-02-03 bis 1967-04-10) und Jackie Hicks (von 1967-02-03 bis 1967-04-10)
Sologesang:
Marvin Gaye (von 1967-02-03 bis 1967-04-10)
Orchester:
Detroit Symphony Orchestra (von 1967-02-03 bis 1967-04-10)
Saiteninstrumente arranger:
Paul Riser (von 1967-02-03 bis 1967-04-10)
Orchestrator(in):
Paul Riser (von 1967-02-03 bis 1967-04-10)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1967-02-03 bis 1967-04-10)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 80), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 119) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 307)
cover recording of:
I Heard It Through the Grapevine (von 1967-02-03 bis 1967-04-10)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:13
7All of Me (radio edit)
assistierende(r) Techniker(in):
Phil Joly, Dave Rowland (engineer) und Kenta Yonesaka
Techniker(in):
Jason Agel und Dave Tozer
assistierende(r) Produzent(in):
Phil Joly
Produzent(in):
Phil Joly, John Legend und Dave Tozer
Mix:
Dave Tozer
Keyboard:
Dave Tozer und Mark Williams (Producer and songwriter, member of Ojivolta)
Klavier:
John Legend
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2013) und Getting Out Our Dreams (not for release label use! please use “G.O.O.D. Music”) (in 2013)
Musikvideos:
All of Me von John Legend
recording of:
All of Me
Verfasser(in):
Toby Gad (German songwriter, producer, pianist) und John Legend
gewidmet:
Chrissy Teigen
John Legend32:59
8Without You
Programmierung:
Walter Afanasieff, Gary Cirimelli und Ren Klyce
Techniker(in):
Jim Caruana, Dana Jon Chappelle und Kent Matcke
zusätzliche(r) Techniker(in):
Manny LaCarrubba
Produzent(in):
Walter Afanasieff und Mariah Carey
Mix:
Mick Guzauski
Akustikgitarre, Bass-Synthesizer, Keyboard und Synthesizer:
Walter Afanasieff
Hintergrundgesang:
Mariah Carey, Melonie Daniels, Kelly Price und Shanrae Price
arranger:
Walter Afanasieff und Mariah Carey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Vereinigte Staaten
cover recording of:
Without You
Verfasser(in):
Tom Evans (UK guitarist for Badfinger) und W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, vom 1970 bis heute), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Mariah Carey4.33:34
9Next to Me (radio mix)
Programmierung und Produzent(in):
Craze & Hoax, James Murray (British electronic music composer & producer) und Mustafa Omer (UK producer, formerly MC Strider of Blazin' Squad)
assistierende(r) Mix:
Ben Baptie
Mix:
Tom Elmhirst (mixing engineer)
E-Bass:
Anup Paul (British singer-songwriter, musician, producer and engineer)
Instrumente:
Craze & Hoax, James Murray (British electronic music composer & producer) und Mustafa Omer (UK producer, formerly MC Strider of Blazin' Squad)
Klavier:
Neil Cowley
Chorgesang:
Lorraine Barnes, Awsa Bergstrom, Crystal Jones, John Gibbons (UK backing singer), Charlene Jones, Jenny La Touche, Patsy McKay, Rebecca Jones (US singer), Roxy Harris (Roxy Harris) und Jack Vasiliou
Hintergrundgesang:
Abeeku "Beyku" Ribeiro (MC Abeeku Ribeiro)
Sologesang:
Emeli Sandé
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 88)
recording of:
Next to Me
Verfasser(in):
A. K. Paul (British singer-songwriter, musician, producer and engineer), Hugo Chegwin, Harry Craze und Emeli Sandé
zusätzliche(r) Verfasser(in):
Kendrick Lamar
publisher:
Stellar Songs Limited (BMI-affiliated)
Emeli Sandé2.853:15
10Love Me Like You Do
recording of:
Love Me Like You Do
Verfasser(in):
Ilya Salmanzadeh (Swedish/Iranian songwriter, producer, and singer), Savan Kotecha, Max Martin (Swedish record producer), Ali Payami und Tove Lo
publisher:
BMG Ruby Songs, MXM Music AB, Universal Pictures Music, Warner/Chappell Music Scandinavia AB und Wolf Cousins
Ellie Goulding43:58
11The A Team
recording engineer, Programmierung, Produzent(in) und Mix:
Jake Gosling (UK producer/songwriter)
Koproduzent(in):
Ed Sheeran (UK singer‐songwriter)
Akustikgitarre und E-Gitarre:
Ed Sheeran (UK singer‐songwriter)
Klavier und Saiteninstrumente:
Jake Gosling (UK producer/songwriter)
vocals und Interpret(in):
Ed Sheeran (UK singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Warner Music UK Limited (not for release label use!) (in 2024)
aufgenommen bei und mixed at:
Sticky Studios in Windlesham, Surrey, England, Vereinigtes Königreich
produced at:
Sticky Studios in Windlesham, Surrey, England, Vereinigtes Königreich
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 75)
recording of:
The A Team
Texter und Komponist(in):
Ed Sheeran (UK singer‐songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ed Sheeran Limited, Sheeran Lock Ltd, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV und Sony/ATV Music Publishing LLC (1995–2020)
Ed Sheeran3.454:19
12Blame It on Me
Programmierung und Produzent(in):
Cam Blackwood
Techniker(in):
Cam Blackwood und Liam Thorne
assistierende(r) Produzent(in):
Liam Thorne
assistierende(r) Mix:
Sean Julliard
Mix:
Cenzo Townshend (engineer)
Bass-Synthesizer [bass synth] und Keyboard [keyboard]:
Cam Blackwood
Cello:
D/C
Gitarre:
Cam Blackwood und George Ezra
Keyboard [keyboards]:
George Ezra
Schlagzeug und zusätzlich Perkussion:
Matthew Racher (drummer)
vocals:
George Ezra
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
produced for:
Big Life Management
aufgenommen bei:
Voltaire Road Recording Studios in Clapham, Lambeth, London (Greater London), England, Vereinigtes Königreich
mixed at:
Decoy Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Blame It on Me
Verfasser(in):
George Ezra Barnett und Joel Pott
publisher:
BMG Chrysalis (may be used as an imprint, trade name of BMG Rights Management in the US/UK/SE), BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation) und Chrysalis Music Ltd. (music publisher, affiliated with PRS)
George Ezra3.53:16
13She’s the One
cover recording of:
She’s the One
Texter und Komponist(in):
Karl Wallinger
publisher:
Universal/Polygram Music Publishing
Robbie Williams4:18
14Here With Me
recording engineer und Mix:
Ash Howes (British mixer, writer and musician)
Programmierung:
James Sanger
zusätzliche Programmierung:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Produzent(in):
Dido (English singer‐songwriter) und Rick Nowels
Akustikgitarre und Keyboard:
Rick Nowels
E-Gitarre und Perkussion:
John Themis
Keyboard:
Paul Statham
zusätzlich Keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Sologesang:
Dido (English singer‐songwriter)
Saiteninstrumente arranger:
Wil Malone
Orchestrator(in):
Gavyn Wright (UK violinist, conductor)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1999) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1999)
recording of:
Here With Me
Verfasser(in):
Dido Armstrong (English singer‐songwriter), Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) und Paul Statham
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dido3.84:16
15No More I Love You’s
Techniker(in):
Marius de Vries und Heff Moraes
Produzent(in):
Stephen Lipson
Mix:
Heff Moraes
aufgenommen bei und mixed at:
The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
No More “I Love You’s”
Verfasser(in):
David Freeman und Joseph Hughes
publisher:
Universal–Songs of PolyGram International, Inc. und Universal/Anxious Music Ltd
Annie Lennox4.54:50
16Son of a Preacher Man
Techniker(in):
Ed Kollis
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bassgitarre:
Tommy Cogbill (in 1968-09)
Gitarre und Sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
Hybrid-Piano und Orgel:
Bobby Emmons (in 1968-09)
Schlagzeug:
Gene Chrisman (in 1968-09)
Hintergrundgesang:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
Blechblasinstrumente arranger:
Tom Dowd
Blechblasinstrumente und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 240)
recording of:
Son of a Preacher Man (in 1968-09)
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Dusty Springfield4.452:26
17Maggie May
Bearbeitung von:
Maggie May (without “Henry” prelude) von Rod Stewart
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart33:41
18It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
Produzent(in):
Peter Sullivan (UK producer)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 393)
recording of:
It’s Not Unusual
Verfasser(in):
Gordon Mills (60s/70s UK producer and songwriter) und Les Reed
publisher:
Leeds Music (beendet), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) und Universal Duchess Music Corp. (in 1964)
Tom Jones4.52:00
19The Shoop Shoop Song (It’s in His Kiss)
Produzent(in):
Peter Asher
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1990)
Musikvideos:
The Shoop Shoop Song (It’s in His Kiss) von Cher
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
Texter und Komponist(in):
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. und Trio Music Company
Cher3.22:49
20I Wanna Dance With Somebody
recording engineer und Mix:
David Frazer (engineer)
Perkussion-Programmierung:
Preston Glass
assistierende(r) Techniker(in):
Dana Jon Chappelle
zusätzliche(r) assistierende(r) Techniker(in):
Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda (engineer) und Ross Williams (engineer)
zusätzliche(r) Techniker(in):
Lincoln Clapp (engineer), Maureen Droney, Ken Kessie, Gordon Lyon und Jay Rifkin
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Narada Michael Walden
alto saxophone:
Marc Russo
Bass-Synthesizer [bass synth]:
Randy Jackson (former bassist with Journey and American Idol judge)
elektronisches Schlagzeug / E-Drums [Simmons]:
Greg “Gigi” Gonaway
Gitarrensynthesizer [Charvel GTM6 midi guitar synth]:
Corrado Rustici
Schlagzeug:
Narada Michael Walden
Synthesizer [synth horns]:
Sterling Smith
Synthesizer [synths]:
Walter Afanasieff
Hintergrundgesang:
Kitty Beethoven, Kevin Dorsey, Jim Gilstrap, Jennifer Hall (backing vocalist) und Myrna Matthews
Hintergrundgesang und Sologesang:
Whitney Houston
arranger:
Narada Michael Walden
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
produced for:
Perfection Light Productions
aufgenommen bei:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Vereinigte Staaten, Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten, Tarpan Studios in San Rafael, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 231)
recording of:
I Wanna Dance With Somebody (Who Loves Me)
Verfasser(in):
George Merrill und Shannon Rubicam
publisher:
Boy Meets Girl Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc. und Rondor Music (London) Ltd.
Whitney Houston4.254:51
21Happy (from “Despicable Me 2”)
Assistent recording engineer:
Matthew Desrameaux
recording engineer:
Mike Larson (recording engineer)
Produzent(in):
Pharrell Williams
Mix:
Leslie Brathwaite
Editing:
Andrew Coleman (recording/mix engineer, Neptunes-associated) und Mike Larson (recording engineer)
Hintergrundgesang:
Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray und Terrence Rolle
arranger:
Andrew Coleman (recording/mix engineer, Neptunes-associated) und Mike Larson (recording engineer)
aufgenommen bei:
Circle House Studios in North Miami, Florida, Vereinigte Staaten
mixed at:
Music Box Studios (Atlanta) in Atlanta, Georgia, Vereinigte Staaten
Musikvideos:
Happy von Pharrell Williams und Happy (from Despicable Me 2) (ballroom version) von Pharrell Williams
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 1), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 20) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 88)
recording of:
Happy
Texter und Komponist(in):
Pharrell Williams
publisher:
EMI April Music Inc., More Water From Nazareth Publishing, Inc. und Universal Pictures Music
Teil von:
The 86th Academy Award for Best Original Song (Nummer: 2)
Pharrell Williams4.33:54
2▼CD
Nr.TitelKünstlerBewertungLänge
1Home
recording engineer und Mix:
Humberto Gatica
Programmierung:
Neil Devor und Jochem van der Saag
zusätzliche(r) Techniker(in):
Neil Devor und Alejandro Rodríguez (engineer based in Los Angeles)
Audio-Engineering:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) und Joe Wohlmuth
Produzent(in):
David Foster (Canadian music producer, arranger and composer) und Humberto Gatica
assistierende(r) Mix:
Courtney Blooding und Christian Robles
Bassgitarre:
Brian Bromberg
Gitarre:
Dean Parks (American session guitarist)
Klavier:
David Foster (Canadian music producer, arranger and composer)
Perkussion:
Rafael Padilla
Schlagzeug:
Vinnie Colaiuta (drummer)
Solo-Gitarre:
Brian Green (producer)
Hintergrundgesang:
Debbie Timuss
arranger:
David Foster (Canadian music producer, arranger and composer) und William Ross (composer, orchestrator, arranger, conductor)
phonographisches Urheberrecht (℗) von:
Reprise Records (in 2005) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
aufgenommen bei und mixed at:
Chartmaker Studios in Malibu, California (Kalifornien), Vereinigte Staaten
recording of:
Home
Verfasser(in):
Michael Bublé, Alan Chang und Amy Foster‐Gillies
Michael Bublé2.53:46
2Endless Love
recording engineer:
Reggie Dozier
Produzent(in):
Lionel Richie
Mix:
Guy Costa
zusätzliche(r) Gast-Interpret(in):
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 20)
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1981 nominee)
Lionel Richie & Diana Ross3.54:26
3Think Twice (radio edit)
recording of:
Think Twice
Verfasser(in):
Andy Hill (English producer & songwriter) und Peter Sinfield
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Virgin Music Ltd. (do not use this as a release label!), Pillarview B.V. und Universal Music Publishers MGB Australia Pty Ltd
Céline Dion14:03
4A Moment Like This
recording engineer:
Robin Sellars (British recording engineer) (Schlagzeug [drums])
Techniker(in):
Daniel Pursey (UK engineer), Geoff Foster (sound engineer) (Saiteninstrumente), Chris Laws (engineer, keyboardist & songwriter) und Ren Swan
Produzent(in):
Steve Mac (British pop producer/songwriter Steve McCutcheon)
Mix:
Ren Swan
Bass:
Steve Pearce (UK bassist)
Gitarre [guitars]:
Fridrik “Frissy” Karsson
Keyboard [keyboards]:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
Klavier:
Dave Arch (pianist, conductor, arranger and composer)
Schlagzeug [drums]:
Neal Wilkinson
Chorgesang:
The Tuff Session Singers
Hintergrundgesang:
Carmen Reece
Saiteninstrumente [string] arranger:
Dave Arch (pianist, conductor, arranger and composer)
arranger:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2006, in 2007)
aufgenommen bei:
Angel Studios in Islington, London (Greater London), England, Vereinigtes Königreich (Saiteninstrumente), Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich und Sphere Studios in London (Greater London), England, Vereinigtes Königreich (Chorgesang, Schlagzeug [drums])
mixed at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
A Moment Like This (music video) von Leona Lewis
cover recording of:
A Moment Like This
Verfasser(in):
Jörgen Elofsson (Swedish songwriter and producer) und John Reid (UK DJ/producer & vocalist John Robinson Reid)
publisher:
BMG Music Publishing Scandinavia AB und Sony/ATV Music Publishing (UK) Ltd.
Leona Lewis2.54:18
5Just the Way You Are
Techniker(in):
Jim Boyer (producer/engineer) und Phil Ramone
Produzent(in):
Phil Ramone
Akustikgitarre:
Steve Burgh, Steve Khan und Hugh McCracken
alto saxophone:
Phil Woods (US jazz woodwind player)
Bass:
Doug Stegmeyer (bass player, aka Slug Douglas)
E-Gitarre:
Hiram Bullock und Steve Khan
flute, Klarinette, Orgel, Sopransaxophon und Tenorsaxophon:
Richie Cannata
Gitarre [High String Guitar] und zwölfsaitige Gitarre:
Steve Khan
Keyboard, Klavier, Synthesizer und Sologesang:
Billy Joel (American singer‐songwriter and pianist)
Perkussion:
Ralph MacDonald
Schlagzeug:
Liberty DeVitto (US drummer)
Orchestrator(in):
Patrick Williams (composer, arranger)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Bearbeitung von:
Just the Way You Are von Billy Joel (American singer‐songwriter and pianist)
recording of:
Just the Way You Are
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Joelsongs (vom 1977 bis heute), CBS Songs Ltd. (in 1977) und Impulsive Music (in 1977)
sub-publisher:
Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Billy Joel4.353:31
6Careless Whisper
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1984)
recording of:
Careless Whisper
Verfasser(in):
George Michael und Andrew Ridgeley
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Limited (2019–present) und Wham! Music Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Michael5:04
7Smooth Operator
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1994)
recording of:
Smooth Operator
Texter und Komponist(in):
Sade Adu und Raymond St. John
publisher:
Angel Music Ltd., Peer Music, Peermusic (UK) Limited, Peermusic Ltd. (BMI), SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Sade4.654:17
8Never Too Much
recording engineer und Mix:
Michael H. Brauer (engineer)
assistierende(r) Techniker(in):
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) und Don Wershba (engineer)
Techniker(in):
Carl Beatty (engineer)
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Luther Vandross
Bass:
Marcus Miller (jazz musician)
Conga:
Bashiri Johnson
Gitarre:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
Horn [horns] und Saiteninstrumente:
Paul Riser
Keyboard [keyboards]:
Nat Adderley, Jr.
Perkussion:
Crusher Bennett
Schlagzeug:
Buddy Williams (drummer)
Hintergrundgesang [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis und Sybil Thomas
Hintergrundgesang [male backup vocals] und Sologesang:
Luther Vandross
arranger:
Nat Adderley, Jr. und Paul Riser
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
Musikvideos:
Never Too Much von Luther Vandross
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 468) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 466)
recording of:
Never Too Much
Texter und Komponist(in):
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. und Uncle Ronnie’s Music Company Inc.
Luther Vandross3.853:50
9Genie in a Bottle
recording engineer:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner und Mario Luccy
Programmierung:
Guy Roche
Techniker(in):
Paul Arnold (engineer) und Ryan James Freeland
Produzent(in):
David Frank (American keyboardist, producer, writer; The System), Steve Kipner und Guy Roche
Mix:
Dave Way
zusätzliche(r) Mix:
Michael Huff
Gitarre:
John Goux und Bruce Watson (member of Big Country)
Keyboard [keyboards] und Schlagzeug [drums]:
David Frank (American keyboardist, producer, writer; The System)
Tamburin:
Matt Laug
zusätzlich Keyboard [keyboards] und zusätzlich Schlagzeug [drums]:
Steve Kipner
Hintergrundgesang:
Christina Aguilera und Shelly Peiken
arranger:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner, Pam Sheyne und Guy Roche
vocals arranger:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner und Pam Sheyne
zusätzlich vocals arranger:
Christina Aguilera
Musikvideos:
Genie in a Bottle von Christina Aguilera
Teil von:
The Downloader’s Music Source Book (Nummer: 264) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 228)
recording of:
Genie in a Bottle
Verfasser(in):
David Frank (American keyboardist, producer, writer; The System), Steve Kipner und Pam Sheyne
publisher:
AppleTreeSongs Ltd., EMI April Music Inc., EMI Music Publishing (ASCAP), EMI Music Publishing Ltd. (PRS‐affiliated), Griff Griff Music, Mother’s Finest Songs (ASCAP-affiliated), Muso Music, Stephen A. Kipner Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Christina Aguilera3.953:37
10SexyBack
recording engineer:
Jimmy Douglass (engineer)
Produzent(in):
Nate (Danja) Hills (US producer Nate Hills), Timbaland und Justin Timberlake
Mix:
Jimmy Douglass (engineer) und Timbaland
Bass:
Darryl “Day” Pearson
Gitarre:
Bill Pettaway (R&B songwriter, musician, producer)
Keyboard und Schlagzeug:
Danja (US producer Nate Hills) und Timbaland
vocals:
Timbaland und Justin Timberlake
Interpret(in):
Timbaland
phonographisches Urheberrecht (℗) von:
Zomba Recording LLC (in 2006)
aufgenommen bei und mixed at:
Thomas Crown Studio in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
SexyBack
Texter und Komponist(in):
Floyd Hills (US producer Nate Hills), Justin Timberlake und Timothy Mosley
publisher:
Danjahandz Music, Tennman Tunes, Virginia Beach Music, W.B.M. Music Corp., WB Music Corp. (1929–2019) und Zomba Enterprises, Inc.
Justin Timberlake feat. Timbaland3.54:02
11Price Tag (clean)
recording engineer und Techniker(in):
Chris "TEK" O'Ryan, Sam Holland (sound engineer) und Emily Wright
Programmierung und Produzent(in):
Dr. Luke
assistierende(r) Techniker(in):
Tatiana Gottwald
assistierende(r) Mix:
Tim Roberts (engineer)
Mix:
Serban Ghenea und John Hanes (audio engineer, mixer)
E-Bass:
Butch Coleman
Keyboard und Schlagzeug:
Dr. Luke
vocals:
Jessie J (English singer-songwriter)
teilweise recording of:
Price Tag
Verfasser(in):
Bobby Ray Simmons, Jr. (US rapper Bobby Ray Simmons, Jr.), Łukasz Gottwald, Jessica Cornish (English singer-songwriter) und Claude Kelly
publisher:
Ham Squad Music, Kasz Money Publishing (ASCAP affiliated), Prescription Songs, Shady Music Publishing, LLC (BMI), Songs of Universal, Inc. (BMI), Sony/ATV Music Publishing (UK) Ltd., Studio Beast Music (publishing company linked to Claude Kelly) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Publishing (Germany) GmbH und Universal/MCA Music Publishing GmbH
Jessie J23:08
12Dance With Me Tonight
Programmierung:
Darren Lewis und Iyiola Babalola (drum n bass producer Iyiola Babalola)
zusätzliche Programmierung:
Steve Fitzmaurice (Irish mixer, songwriter and producer) und Darren Heelis (music engineer, producer, programming, additional production)
Produzent(in):
Future Cut und Steve Robson (English songwriter, record producer & multi-instrumentalist)
assistierende(r) Mix:
Darren Heelis (music engineer, producer, programming, additional production)
Mix:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
andere Instrumente [all other instruments]:
Steve Robson (English songwriter, record producer & multi-instrumentalist)
Gitarre und Keyboard:
Darren Lewis
Perkussion und Synthesizer [synths]:
Iyiola Babalola (drum n bass producer Iyiola Babalola)
Hintergrundgesang [backing vocals]:
Claude Kelly
gemixt für:
365 Artists at the Pierce Rooms
Musikvideos:
Dance With Me Tonight von Olly Murs
recording of:
Dance With Me Tonight
Verfasser(in):
Claude Kelly, Oliver Murs und Stephen Robson (English songwriter, record producer & multi-instrumentalist)
publisher:
Concord Simp Ltd., Imagem CV, Salli Isaak Music Publishing Ltd. (publisher; do NOT use as release label), Studio Beast Music (publishing company linked to Claude Kelly) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Olly Murs2.53:24
13Roar
Programmierung und Produzent(in):
Cirkut, Dr. Luke und Max Martin (Swedish record producer)
assistierende(r) Techniker(in):
Rachael Findlen (engineer), Justin Fox und Elliott Lanam (engineer)
Techniker(in):
Peter Carlsson (engineer), Clint Gibbs, John Hanes (audio engineer, mixer), Sam Holland (sound engineer) und Michael Ilbert
zusätzliche(r) assistierende(r) Produzent(in):
Irene Richter
Mix:
Serban Ghenea
Instrumente:
Cirkut, Dr. Luke und Max Martin (Swedish record producer)
vocals:
Katy Perry
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
aufgenommen bei:
Luke’s in the Boo in Malibu, California (Kalifornien), Vereinigte Staaten, MXM Studios in Stockholm, Stockholms län (Stockholm county), Schweden, Playback Recording Studio in Santa Barbara, California (Kalifornien), Vereinigte Staaten und Secret Garden Studios in Montecito, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 10), RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 10), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 20), Billboard Year-End Hot 100 singles of 2014 (Nummer: 46) und BILLIONS CLUB
recording of:
Roar
Verfasser(in):
Łukasz Gottwald, Henry Walter, Martin Karl Sandberg (Swedish record producer), Bonnie McKee und Katy Perry
publisher:
KMR Music Royalties II SCSp, Kobalt Music Copyrights SARL, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Bonnie McKee Music (in 2013), Kasz Money Publishing (ASCAP affiliated) (in 2013), MXM (in 2013), Oneirology Publishing (in 2013), Prescription Songs (in 2013), Songs of Pulse Recording (BMI) (in 2013), When I’m Rich You’ll Be My Bitch (in 2013), Where da Kasz At (in 2013) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Katy Perry3.553:43
14Try
Programmierung:
Greg Kurstin (in 2012)
Techniker(in), Produzent(in) und Mix:
Greg Kurstin
zusätzliche(r) Techniker(in):
Jesse Shatkin (US hip-hop producer Jesse Shatkin)
Bass und Keyboard:
Greg Kurstin (in 2012)
Gitarre:
Kevin Dukes (in 2012) und Greg Kurstin (in 2012)
aufgenommen bei:
Earthstar Creation Center in Venice, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2012) und Echo Studio in Los Feliz, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2012)
mixed at:
Echo Studio in Los Feliz, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Try (music video) von P!nk (American singer/songwriter)
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 53)
recording of:
Try (in 2012)
Verfasser(in):
Benjamin West (Detroit producer & songwriter) und Michael Busbee
P!nk4.054:06
15Left Outside Alone (radio edit)
Produzent(in):
Dallas Austin und Glen Ballard
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2004)
Musikvideos:
Left Outside Alone von Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
Left Outside Alone (in 2004)
Verfasser(in):
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Dallas Austin und Glen Ballard
publisher:
Aerostation Corporation, Arlovol Music, Cyptron Music, EMI Blackwood Music Inc., Po Ho Productions, Universal Music Corp. (USA, affiliated with ASCAP), Universal Studios, Inc. (formerly known as MCA Inc.) und Universal‐MCA Music Publishing (US)
Anastacia3.63:53
16I Will Never Let You Down
phonographisches Urheberrecht (℗) von:
Roc Nation, LLC (for copyrights use only; for release labels, use "Roc Nation") (vom 2014 bis heute)
recording of:
I Will Never Let You Down
Texter und Komponist(in):
Calvin Harris (Scottish DJ and producer)
publisher:
EMI Music Publishing (do not use as a release label!)
Rita Ora33:24
17Elastic Heart
recording of:
Elastic Heart
Verfasser(in):
Sia Furler (Sia, Australian singer‐songwriter), Andrew Swanson und Thomas Wesley Pentz (aka Diplo)
Sia4:14
18No One
Bearbeitung von:
No One von Alicia Keys
Musikvideos:
No One (music video) von Alicia Keys
recording of:
No One
Verfasser(in):
Kerry Brothers, George M. Harry und Alicia Keys
Alicia Keys44:06
19Only Love Can Hurt Like This
recording engineer:
Mario Luccy
Produzent(in):
AC Burrell
zusätzliche(r) Produzent(in):
AC Burrell und Kyle Townsend
assistierende(r) Mix:
Delbert Bowers (American engineer) und Chris Galland
Mix:
Manny Marroquin
Bass:
Bryan “B-Dub” White (bassist and producer)
Sologesang:
Paloma Faith
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
aufgenommen bei:
Realsongs in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Only Love Can Hurt Like This
Texter und Komponist(in):
Diane Warren (US songwriter)
Paloma Faith3.353:54
20Let It Go
Assistent recording engineer:
Sean Badum und James Oleksyk
recording engineer:
Lowell Reynolds
Techniker(in):
Mark Bengtson
Produzent(in):
Jacquire King
Mix:
Mark Bengtson und Michael Brauer (engineer)
Bass:
Eli Beaird
Gitarre, Hintergrundgesang und Sologesang:
James Bay (English singer‐songwriter)
Keyboard und Schlagzeug:
Ian Fitchuk
Perkussion:
Eric Darken
Interpret(in):
James Bay (English singer‐songwriter)
Teil von:
Billboard Year-End Hot 100 singles of 2016 (Nummer: 44)
recording of:
Let It Go
Verfasser(in):
James Bay (English singer‐songwriter) und Paul Barry (songwriter/musician)
publisher:
Metrophonic Music Ltd und Songs of Kobalt Music Publishing
James Bay3.454:23
3▼CD
Nr.TitelKünstlerBewertungLänge
1Fly Me to the Moon
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-09)
Techniker(in):
Lowell Frank (engineer)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-09)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-09)
Klavier:
Count Basie (pianist) (am 1964-06-09)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist) (am 1964-06-09), Bill Hughes (jazz trombonist) (am 1964-06-09), Grover Mitchell (trombone) (am 1964-06-09) und Ken Shroyer (trombonist) (am 1964-06-09)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-09), Frank Foster (saxophonist) (am 1964-06-09), Charlie Fowlkes (baritone saxophonist) (am 1964-06-09) und Frank Wess (am 1964-06-09)
Schlagzeug:
Sonny Payne (am 1964-06-09)
Trompete:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-09), Wallace Davenport (am 1964-06-09), Harry “Sweets” Edison (am 1964-06-09) und Al Porcino (am 1964-06-09)
Vibraphon:
Emil Richards (am 1964-06-09)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
Orchester:
Count Basie and His Orchestra (am 1964-06-09)
conductor:
Quincy Jones (, am 1964-06-09)
arranger:
Quincy Jones
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 75)
recording of:
Fly Me to the Moon (am 1964-06-09)
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (am 1964-06-09)
Texter und Komponist(in):
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. und Hampshire House Publishing Corp.
Arrangement von:
Fly Me to the Moon
Frank Sinatra42:27
2Stand by Me (single version)
Ben E. King2:53
3(Sittin’ on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:37
4That Ole Devil Called Love
vocals:
Alison Moyet
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
Musikvideos:
That Ole Devil Called Love von Alison Moyet
cover recording of:
That Ole Devil Called Love
Texter:
Doris Fisher (in 1944)
Komponist(in):
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Alison Moyet33:03
5How Do I Live
recording of:
How Do I Live
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Realsongs (vom 1997 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 2)
LeAnn Rimes4.54:22
6The Power of Love
Produzent(in):
Wolfgang Detmann (aka Candy de Rouge) und Gunther Mende
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1984) und Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1984)
recording of:
The Power of Love (Jennifer Rush song)
Verfasser(in):
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende und Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (bis 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Jennifer Rush2.54:26
7Total Eclipse of the Heart
vocals:
Bonnie Tyler (in 1983)
Interpret(in):
Rory Dodd (in 1983)
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1983) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Total Eclipse of the Heart (in 1983)
Texter und Komponist(in):
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) und Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:25
8Hello
Produzent(in):
James Anthony Carmichael und Lionel Richie
Interpret(in):
Ocobamba
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Hello
Texter und Komponist(in):
Lionel Richie
zusätzliche(r) Verfasser(in):
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.854:07
9Let It Go
recording engineer und Mix:
David Boucher
Produzent(in):
Kristen Anderson‐Lopez (American songwriter), Earl Ghaffari und Robert Lopez (songwriter of musicals)
Editing:
Earl Ghaffari
vocals:
Idina Menzel
conductor:
Stephen Oremus
phonographisches Urheberrecht (℗) von:
Walt Disney Records (in 2013)
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 21) und Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 31)
recording of:
Let It Go (Frozen)
Orchestrator(in):
David Metzger
Verfasser(in):
Kristen Anderson‐Lopez (American songwriter) und Robert Lopez (songwriter of musicals)
publisher:
Wonderland Music Company, Inc. (a division of Disney Music Publishing)
Teil von:
The 86th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 2013 winner)
Teil von:
Frozen (Disney 2013 animated musical film, English soundtrack and score)
Idina Menzel3.253:42
10I Say a Little Prayer
recording engineer:
Tom Dowd (am 1968-04-17)
Produzent(in):
Jerry Wexler
Bass:
Jerry Jemmott (am 1968-04-17)
Gitarre:
Tommy Cogbill (am 1968-04-17)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-17)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-17)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 117)
cover recording of:
I Say a Little Prayer (am 1968-04-17)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) und Windswept Pacific Music Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:31
11Midnight Train to Georgia
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 432) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 470)
recording of:
Midnight Train to Georgia
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:38
12(You Make Me Feel Like) A Natural Woman
Techniker(in):
Hank Cicalo
Produzent(in):
Lou Adler
Keyboard:
Carole King
Kontrabass:
Charles Larkey
vocals:
Carole King
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
(You Make Me Feel Like) A Natural Woman
Texter:
Gerry Goffin
zusätzliche(r) Verfasser(in):
Jerry Wexler
Komponist(in):
Carole King
publisher:
Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Carole King4.353:47
13Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (session drummer) (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.54:10
149 to 5
Produzent(in):
Gregg Perry (American producer, arranger, songwriter and keyboardist)
baritone saxophone:
Kim S. Hutchcroft (in 1980)
Bassgitarre:
Abraham Laboriel (in 1980)
Gitarre:
Jeff Baxter (in 1980) und Martin K. Walsh (in 1980)
Klavier:
Larry Knechtel (in 1980)
Perkussion:
Leonard Castro (in 1980)
Posaune:
William Reichenbach (jazz trombonist) (in 1980)
Saxophon:
Tom Saviano (in 1980)
Schlagzeug:
Richard Schlosser (drummer) (in 1980)
Trompete:
Jerry Hey (in 1980)
Hintergrundgesang:
Anita Ball (in 1980), Denise Maynelli (in 1980) und Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1980) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 191)
recording of:
9 to 5 (in 1980)
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music und Velvet Apple Music
Teil von:
The 53rd Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1980 nominee)
Dolly Parton3.552:44
15Valerie
assistierende(r) Techniker(in):
Nobby
Produzent(in):
Steve Winwood
aufgenommen bei:
Netherturkdonic Studios in Gloucester, Gloucestershire, England, Vereinigtes Königreich
recording of:
Valerie
Verfasser(in):
Will Jennings und Steve Winwood
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner Chappell North America
Steve Winwood44:06
16You’re the First, the Last, My Everything
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You’re the First, the Last, My Everything
Verfasser(in):
Peter Sterling Radcliffe, Tony Sepe und Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
Barry White43:22
171973
recording of:
1973
Verfasser(in):
Mark Batson (American producer, songwriter, composer, arranger, and musician) und James Blunt
James Blunt4:39
18Leave Right Now
sonstige Unterstützung:
Isobel Griffiths
Programmierung und Produzent(in):
Stephen Lipson
Techniker(in) und Mix:
Heff Moraes
guitar family:
John Themis und Eg White
Keyboard:
Anne Dudley (English score composer) und Greg Wells
membranophone:
Steve Barney (Drummer)
Hintergrundgesang:
Tracy Ackerman
recording of:
Leave Right Now
Orchestrator(in):
Anne Dudley (English score composer)
Texter und Komponist(in):
Eg White
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Will Young3.253:32
19Slow
recording of:
Slow
Texter und Komponist(in):
Sarah Joyce
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Rumer3:35
20You’ve Lost That Lovin’ Feelin’
recording of:
You’ve Lost That Lovin’ Feelin’
Verfasser(in):
Barry Mann, Phil Spector und Cynthia Weil
publisher:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Righteous Brothers3:44
21That’s Amore
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1953-08-13)
Orchester:
Dick Stabile and His Orchestra (am 1953-08-13)
conductor:
Dick Stabile (am 1953-08-13)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-13)
recording of:
That’s Amore (am 1953-08-13)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) und Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) und BMG Unisongs Music Publishers BV
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:06
22What a Wonderful World
recorded in:
New York, Vereinigte Staaten (am 1967-08-16)
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
baritone saxophone:
Raymond Stanfield (am 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16), Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Gitarre:
Allen Hanlon (jazz guitarist) (am 1967-08-16), Art Ryerson (am 1967-08-16) und Willard Suyker (am 1967-08-16)
Klarinette:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Jerome Richardson (am 1967-08-16)
Klavier:
Hank Jones (piano) (am 1967-08-16)
Kontrabass:
Russ Savakus (am 1967-08-16)
Perkussion:
Warren Hard (am 1967-08-16)
Posaune:
Urbie Green (am 1967-08-16) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1967-08-16)
Schlagzeug:
Grady Tate (am 1967-08-16)
Tenorsaxophon:
Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Trompete:
Louis Armstrong (am 1967-08-16), Clark Terry (American swing trumpeter) (am 1967-08-16) und Joe Wilder (am 1967-08-16)
Sologesang:
Louis Armstrong (am 1967-08-16)
Orchester:
Louis Armstrong’s Orchestra and Chorus (am 1967-08-16)
conductor und chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (am 1967-08-16)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und Project 3 Records Inc. (in 1988)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 171) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 283)
recording of:
What a Wonderful World (am 1967-08-16)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong3.952:21

Nennungen

Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 56)