Now! That’s What I Call a Singer

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Home
recording engineer und Mix:
Humberto Gatica
Programmierung:
Neil Devor und Jochem van der Saag
zusätzliche(r) Techniker(in):
Neil Devor und Alejandro Rodríguez (engineer based in Los Angeles)
Audio-Engineering:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) und Joe Wohlmuth
Produzent(in):
David Foster (Canadian music producer, arranger and composer) und Humberto Gatica
assistierende(r) Mix:
Courtney Blooding und Christian Robles
Bassgitarre:
Brian Bromberg
Gitarre:
Dean Parks (American session guitarist)
Klavier:
David Foster (Canadian music producer, arranger and composer)
Perkussion:
Rafael Padilla
Schlagzeug:
Vinnie Colaiuta (drummer)
Solo-Gitarre:
Brian Green (producer)
Hintergrundgesang:
Debbie Timuss
arranger:
David Foster (Canadian music producer, arranger and composer) und William Ross (composer, orchestrator, arranger, conductor)
phonographisches Urheberrecht (℗) von:
Reprise Records (in 2005) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
aufgenommen bei und mixed at:
Chartmaker Studios in Malibu, California (Kalifornien), Vereinigte Staaten
recording of:
Home
Verfasser(in):
Michael Bublé, Alan Chang und Amy Foster‐Gillies
Michael Bublé2.53:46
2Endless Love
recording engineer:
Reggie Dozier
Produzent(in):
Lionel Richie
Mix:
Guy Costa
zusätzliche(r) Gast-Interpret(in):
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 20)
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1981 nominee)
Lionel Richie & Diana Ross3.54:26
3Think Twice (radio edit)
recording of:
Think Twice
Verfasser(in):
Andy Hill (English producer & songwriter) und Peter Sinfield
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Virgin Music Ltd. (do not use this as a release label!), Pillarview B.V. und Universal Music Publishers MGB Australia Pty Ltd
Céline Dion14:03
4A Moment Like This
recording engineer:
Robin Sellars (British recording engineer) (Schlagzeug [drums])
Techniker(in):
Daniel Pursey (UK engineer), Geoff Foster (sound engineer) (Saiteninstrumente), Chris Laws (engineer, keyboardist & songwriter) und Ren Swan
Produzent(in):
Steve Mac (British pop producer/songwriter Steve McCutcheon)
Mix:
Ren Swan
Bass:
Steve Pearce (UK bassist)
Gitarre [guitars]:
Fridrik “Frissy” Karsson
Keyboard [keyboards]:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
Klavier:
Dave Arch (pianist, conductor, arranger and composer)
Schlagzeug [drums]:
Neal Wilkinson
Chorgesang:
The Tuff Session Singers
Hintergrundgesang:
Carmen Reece
Saiteninstrumente [string] arranger:
Dave Arch (pianist, conductor, arranger and composer)
arranger:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2006, in 2007)
aufgenommen bei:
Angel Studios in Islington, London (Greater London), England, Vereinigtes Königreich (Saiteninstrumente), Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich und Sphere Studios in London (Greater London), England, Vereinigtes Königreich (Chorgesang, Schlagzeug [drums])
mixed at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
A Moment Like This (music video) von Leona Lewis
cover recording of:
A Moment Like This
Verfasser(in):
Jörgen Elofsson (Swedish songwriter and producer) und John Reid (UK DJ/producer & vocalist John Robinson Reid)
publisher:
BMG Music Publishing Scandinavia AB und Sony/ATV Music Publishing (UK) Ltd.
Leona Lewis2.54:18
5Just the Way You Are
Techniker(in):
Jim Boyer (producer/engineer) und Phil Ramone
Produzent(in):
Phil Ramone
Akustikgitarre:
Steve Burgh, Steve Khan und Hugh McCracken
alto saxophone:
Phil Woods (US jazz woodwind player)
Bass:
Doug Stegmeyer (bass player, aka Slug Douglas)
E-Gitarre:
Hiram Bullock und Steve Khan
flute, Klarinette, Orgel, Sopransaxophon und Tenorsaxophon:
Richie Cannata
Gitarre [High String Guitar] und zwölfsaitige Gitarre:
Steve Khan
Keyboard, Klavier, Synthesizer und Sologesang:
Billy Joel (American singer‐songwriter and pianist)
Perkussion:
Ralph MacDonald
Schlagzeug:
Liberty DeVitto (US drummer)
Orchestrator(in):
Patrick Williams (composer, arranger)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Bearbeitung von:
Just the Way You Are von Billy Joel (American singer‐songwriter and pianist)
recording of:
Just the Way You Are
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Joelsongs (vom 1977 bis heute), CBS Songs Ltd. (in 1977) und Impulsive Music (in 1977)
sub-publisher:
Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Billy Joel4.353:31
6Careless Whisper
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1984)
recording of:
Careless Whisper
Verfasser(in):
George Michael und Andrew Ridgeley
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Limited (2019–present) und Wham! Music Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Michael5:04
7Smooth Operator
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1994)
recording of:
Smooth Operator
Texter und Komponist(in):
Sade Adu und Raymond St. John
publisher:
Angel Music Ltd., Peer Music, Peermusic (UK) Limited, Peermusic Ltd. (BMI), SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Sade4.654:17
8Never Too Much
recording engineer und Mix:
Michael H. Brauer (engineer)
assistierende(r) Techniker(in):
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) und Don Wershba (engineer)
Techniker(in):
Carl Beatty (engineer)
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Luther Vandross
Bass:
Marcus Miller (jazz musician)
Conga:
Bashiri Johnson
Gitarre:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
Horn [horns] und Saiteninstrumente:
Paul Riser
Keyboard [keyboards]:
Nat Adderley, Jr.
Perkussion:
Crusher Bennett
Schlagzeug:
Buddy Williams (drummer)
Hintergrundgesang [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis und Sybil Thomas
Hintergrundgesang [male backup vocals] und Sologesang:
Luther Vandross
arranger:
Nat Adderley, Jr. und Paul Riser
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
Musikvideos:
Never Too Much von Luther Vandross
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 468) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 466)
recording of:
Never Too Much
Texter und Komponist(in):
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. und Uncle Ronnie’s Music Company Inc.
Luther Vandross3.853:50
9Genie in a Bottle
recording engineer:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner und Mario Luccy
Programmierung:
Guy Roche
Techniker(in):
Paul Arnold (engineer) und Ryan James Freeland
Produzent(in):
David Frank (American keyboardist, producer, writer; The System), Steve Kipner und Guy Roche
Mix:
Dave Way
zusätzliche(r) Mix:
Michael Huff
Gitarre:
John Goux und Bruce Watson (member of Big Country)
Keyboard [keyboards] und Schlagzeug [drums]:
David Frank (American keyboardist, producer, writer; The System)
Tamburin:
Matt Laug
zusätzlich Keyboard [keyboards] und zusätzlich Schlagzeug [drums]:
Steve Kipner
Hintergrundgesang:
Christina Aguilera und Shelly Peiken
arranger:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner, Pam Sheyne und Guy Roche
vocals arranger:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner und Pam Sheyne
zusätzlich vocals arranger:
Christina Aguilera
Musikvideos:
Genie in a Bottle von Christina Aguilera
Teil von:
The Downloader’s Music Source Book (Nummer: 264) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 228)
recording of:
Genie in a Bottle
Verfasser(in):
David Frank (American keyboardist, producer, writer; The System), Steve Kipner und Pam Sheyne
publisher:
AppleTreeSongs Ltd., EMI April Music Inc., EMI Music Publishing (ASCAP), EMI Music Publishing Ltd. (PRS‐affiliated), Griff Griff Music, Mother’s Finest Songs (ASCAP-affiliated), Muso Music, Stephen A. Kipner Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Christina Aguilera3.953:37
10SexyBack
recording engineer:
Jimmy Douglass (engineer)
Produzent(in):
Nate (Danja) Hills (US producer Nate Hills), Timbaland und Justin Timberlake
Mix:
Jimmy Douglass (engineer) und Timbaland
Bass:
Darryl “Day” Pearson
Gitarre:
Bill Pettaway (R&B songwriter, musician, producer)
Keyboard und Schlagzeug:
Danja (US producer Nate Hills) und Timbaland
vocals:
Timbaland und Justin Timberlake
Interpret(in):
Timbaland
phonographisches Urheberrecht (℗) von:
Zomba Recording LLC (in 2006)
aufgenommen bei und mixed at:
Thomas Crown Studio in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
SexyBack
Texter und Komponist(in):
Floyd Hills (US producer Nate Hills), Justin Timberlake und Timothy Mosley
publisher:
Danjahandz Music, Tennman Tunes, Virginia Beach Music, W.B.M. Music Corp., WB Music Corp. (1929–2019) und Zomba Enterprises, Inc.
Justin Timberlake feat. Timbaland3.54:02
11Price Tag (clean)
recording engineer und Techniker(in):
Chris "TEK" O'Ryan, Sam Holland (sound engineer) und Emily Wright
Programmierung und Produzent(in):
Dr. Luke
assistierende(r) Techniker(in):
Tatiana Gottwald
assistierende(r) Mix:
Tim Roberts (engineer)
Mix:
Serban Ghenea und John Hanes (audio engineer, mixer)
E-Bass:
Butch Coleman
Keyboard und Schlagzeug:
Dr. Luke
vocals:
Jessie J (English singer-songwriter)
teilweise recording of:
Price Tag
Verfasser(in):
Bobby Ray Simmons, Jr. (US rapper Bobby Ray Simmons, Jr.), Łukasz Gottwald, Jessica Cornish (English singer-songwriter) und Claude Kelly
publisher:
Ham Squad Music, Kasz Money Publishing (ASCAP affiliated), Prescription Songs, Shady Music Publishing, LLC (BMI), Songs of Universal, Inc. (BMI), Sony/ATV Music Publishing (UK) Ltd., Studio Beast Music (publishing company linked to Claude Kelly) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Publishing (Germany) GmbH und Universal/MCA Music Publishing GmbH
Jessie J23:08
12Dance With Me Tonight
Programmierung:
Darren Lewis und Iyiola Babalola (drum n bass producer Iyiola Babalola)
zusätzliche Programmierung:
Steve Fitzmaurice (Irish mixer, songwriter and producer) und Darren Heelis (music engineer, producer, programming, additional production)
Produzent(in):
Future Cut und Steve Robson (English songwriter, record producer & multi-instrumentalist)
assistierende(r) Mix:
Darren Heelis (music engineer, producer, programming, additional production)
Mix:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
andere Instrumente [all other instruments]:
Steve Robson (English songwriter, record producer & multi-instrumentalist)
Gitarre und Keyboard:
Darren Lewis
Perkussion und Synthesizer [synths]:
Iyiola Babalola (drum n bass producer Iyiola Babalola)
Hintergrundgesang [backing vocals]:
Claude Kelly
gemixt für:
365 Artists at the Pierce Rooms
Musikvideos:
Dance With Me Tonight von Olly Murs
recording of:
Dance With Me Tonight
Verfasser(in):
Claude Kelly, Oliver Murs und Stephen Robson (English songwriter, record producer & multi-instrumentalist)
publisher:
Concord Simp Ltd., Imagem CV, Salli Isaak Music Publishing Ltd. (publisher; do NOT use as release label), Studio Beast Music (publishing company linked to Claude Kelly) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Olly Murs2.53:24
13Roar
Programmierung und Produzent(in):
Cirkut, Dr. Luke und Max Martin (Swedish record producer)
assistierende(r) Techniker(in):
Rachael Findlen (engineer), Justin Fox und Elliott Lanam (engineer)
Techniker(in):
Peter Carlsson (engineer), Clint Gibbs, John Hanes (audio engineer, mixer), Sam Holland (sound engineer) und Michael Ilbert
zusätzliche(r) assistierende(r) Produzent(in):
Irene Richter
Mix:
Serban Ghenea
Instrumente:
Cirkut, Dr. Luke und Max Martin (Swedish record producer)
vocals:
Katy Perry
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
aufgenommen bei:
Luke’s in the Boo in Malibu, California (Kalifornien), Vereinigte Staaten, MXM Studios in Stockholm, Stockholms län (Stockholm county), Schweden, Playback Recording Studio in Santa Barbara, California (Kalifornien), Vereinigte Staaten und Secret Garden Studios in Montecito, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 10), RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 10), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 20), Billboard Year-End Hot 100 singles of 2014 (Nummer: 46) und BILLIONS CLUB
recording of:
Roar
Verfasser(in):
Łukasz Gottwald, Henry Walter, Martin Karl Sandberg (Swedish record producer), Bonnie McKee und Katy Perry
publisher:
KMR Music Royalties II SCSp, Kobalt Music Copyrights SARL, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Bonnie McKee Music (in 2013), Kasz Money Publishing (ASCAP affiliated) (in 2013), MXM (in 2013), Oneirology Publishing (in 2013), Prescription Songs (in 2013), Songs of Pulse Recording (BMI) (in 2013), When I’m Rich You’ll Be My Bitch (in 2013), Where da Kasz At (in 2013) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Katy Perry3.553:43
14Try
Programmierung:
Greg Kurstin (in 2012)
Techniker(in), Produzent(in) und Mix:
Greg Kurstin
zusätzliche(r) Techniker(in):
Jesse Shatkin (US hip-hop producer Jesse Shatkin)
Bass und Keyboard:
Greg Kurstin (in 2012)
Gitarre:
Kevin Dukes (in 2012) und Greg Kurstin (in 2012)
aufgenommen bei:
Earthstar Creation Center in Venice, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2012) und Echo Studio in Los Feliz, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2012)
mixed at:
Echo Studio in Los Feliz, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Try (music video) von P!nk (American singer/songwriter)
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 53)
recording of:
Try (in 2012)
Verfasser(in):
Benjamin West (Detroit producer & songwriter) und Michael Busbee
P!nk4.054:06
15Left Outside Alone (radio edit)
Produzent(in):
Dallas Austin und Glen Ballard
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2004)
Musikvideos:
Left Outside Alone von Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
Left Outside Alone (in 2004)
Verfasser(in):
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Dallas Austin und Glen Ballard
publisher:
Aerostation Corporation, Arlovol Music, Cyptron Music, EMI Blackwood Music Inc., Po Ho Productions, Universal Music Corp. (USA, affiliated with ASCAP), Universal Studios, Inc. (formerly known as MCA Inc.) und Universal‐MCA Music Publishing (US)
Anastacia3.63:53
16I Will Never Let You Down
phonographisches Urheberrecht (℗) von:
Roc Nation, LLC (for copyrights use only; for release labels, use "Roc Nation") (vom 2014 bis heute)
recording of:
I Will Never Let You Down
Texter und Komponist(in):
Calvin Harris (Scottish DJ and producer)
publisher:
EMI Music Publishing (do not use as a release label!)
Rita Ora33:24
17Elastic Heart
recording of:
Elastic Heart
Verfasser(in):
Sia Furler (Sia, Australian singer‐songwriter), Andrew Swanson und Thomas Wesley Pentz (aka Diplo)
Sia4:14
18No One
Bearbeitung von:
No One von Alicia Keys
Musikvideos:
No One (music video) von Alicia Keys
recording of:
No One
Verfasser(in):
Kerry Brothers, George M. Harry und Alicia Keys
Alicia Keys44:06
19Only Love Can Hurt Like This
recording engineer:
Mario Luccy
Produzent(in):
AC Burrell
zusätzliche(r) Produzent(in):
AC Burrell und Kyle Townsend
assistierende(r) Mix:
Delbert Bowers (American engineer) und Chris Galland
Mix:
Manny Marroquin
Bass:
Bryan “B-Dub” White (bassist and producer)
Sologesang:
Paloma Faith
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
aufgenommen bei:
Realsongs in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Only Love Can Hurt Like This
Texter und Komponist(in):
Diane Warren (US songwriter)
Paloma Faith3.353:54
20Let It Go
Assistent recording engineer:
Sean Badum und James Oleksyk
recording engineer:
Lowell Reynolds
Techniker(in):
Mark Bengtson
Produzent(in):
Jacquire King
Mix:
Mark Bengtson und Michael Brauer (engineer)
Bass:
Eli Beaird
Gitarre, Hintergrundgesang und Sologesang:
James Bay (English singer‐songwriter)
Keyboard und Schlagzeug:
Ian Fitchuk
Perkussion:
Eric Darken
Interpret(in):
James Bay (English singer‐songwriter)
Teil von:
Billboard Year-End Hot 100 singles of 2016 (Nummer: 44)
recording of:
Let It Go
Verfasser(in):
James Bay (English singer‐songwriter) und Paul Barry (songwriter/musician)
publisher:
Metrophonic Music Ltd und Songs of Kobalt Music Publishing
James Bay3.454:23
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Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 56)