The History of Classical Music, Part 4: Late Romantic to Modern: From Tchaikovsky to Rachmaninov

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶Digitales Medium: Tchaikovsky: Piano Concerto no. 1 / Violin Concerto
2▶Digitales Medium: Wagner: Overtures & Preludes
3▶Digitales Medium: Wagner: Der Ring des Nibelungen (highlights)
4▶Digitales Medium: Wagner: Tristan und Isolde (highlights)
5▼Digitales Medium: Verdi: Aida (highlights)
Nr.TitelKünstlerBewertungLänge
1Aida: Preludio
leitende(r) Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) und Renate Kupfer (artistic director)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1981-01)
recording of:
Aida: Preludio (Aida: Vorspiel, standard opening to the opera, ~4min) (in 1981-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Aida
Teil von:
Aida (German lyrics)
Giuseppe Verdi3:36
2Aida: Atto I. “Se quel guerrier io fossi!… Celeste Aida”
leitende(r) Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) und Renate Kupfer (artistic director)
Tenor-Gesang [Radamès]:
Plácido Domingo (tenor) (in 1981-01)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1981-01)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1981-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Librettist:
Antonio Ghislanzoni (in 1870)
Teil von:
Aida: Atto I
Giuseppe Verdi4:34
3Aida: Atto I. “Or di Vulcano… Su! del Nilo al sacro lido”
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto I
Giuseppe Verdi6:06
4Aida: Atto I. “Ritorna vincitor”
leitende(r) Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) und Renate Kupfer (artistic director)
Soprangesang [Aida, schiava etiope]:
Katia Ricciarelli (soprano) (in 1981-01)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1981-01)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1981-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto I
Giuseppe Verdi5:30
5Aida: Atto I. “Nume, custode e vindice”
Chorgesang:
Coro del Teatro alla Scala di Milano
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
chorus master:
Romano Gandolfi (chorus master and conductor)
recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto I
Giuseppe Verdi4:24
6Aida: Atto II. “Gloria all’Egitto”
leitende(r) Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) und Renate Kupfer (artistic director)
Bass-Gesang [Ramfis, capo dei sacerdoti]:
Nicolaï Ghiaurov (operatic bass) (in 1981-01)
Chorgesang:
Coro del Teatro alla Scala (in 1981-01)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) und Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1981-01)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto II
Giuseppe Verdi3:28
7Aida: Atto II. Grand March
leitende(r) Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) und Renate Kupfer (artistic director)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) und Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1981-01)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1981-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto II
teilweise recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1981-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Akt II
Teil von:
Aida: Atto II
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1981-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto III
Giuseppe Verdi1:34
8Aida: Atto II. Ballet Music
leitende(r) Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) und Renate Kupfer (artistic director)
Chorgesang:
Coro del Teatro alla Scala di Milano (in 1981-01)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) und Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1981-01)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (in 1981-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Akt II
Teil von:
Aida: Atto II
Giuseppe Verdi4:24
9Aida: Atto II. “Quest’assisa ch’io vesto vi dica”
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
teilweise recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto II
Giuseppe Verdi4:49
10Aida: Atto III. “Qui Radames verrà!… O Patria mia”
leitende(r) Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) und Renate Kupfer (artistic director)
Soprangesang [Aida, schiava etiope]:
Katia Ricciarelli (soprano) (in 1981-01)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1981-01)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1981-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto III
Giuseppe Verdi6:36
11Aida: Atto III. “Ciel! mio padre!… Rivedrai le foreste imbalsamate”
leitende(r) Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) und Renate Kupfer (artistic director)
Baritongesang [Amonasro, re d'Etopia, padre di Aida]:
Leo Nucci (baritone) (in 1981)
Soprangesang [Aida, schiava etiope]:
Katia Ricciarelli (soprano) (in 1981-01)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1981-01)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (in 1981-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto III
Giuseppe Verdi7:44
12Aida: Atto IV. “La fatal pietra sovra me si chiuse”
leitende(r) Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) und Renate Kupfer (artistic director)
Soprangesang [Aida, schiava etiope]:
Katia Ricciarelli (soprano) (in 1981-01)
Tenor-Gesang [Radamès, capitano delle guardie]:
Plácido Domingo (tenor) (in 1981-01)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1981-01)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1981-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto IV
Giuseppe Verdi5:24
13Aida: Atto IV. “Immenso Fthà… O terra, addio”
leitende(r) Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) und Renate Kupfer (artistic director)
Chorgesang:
Coro del Teatro alla Scala (in 1981-01)
Mezzosoprangesang [Amneris, sua figlia]:
Elena Obraztsova (mezzo-soprano) (in 1981-01)
Mezzosoprangesang [Sacerdotessa]:
Lucia Valentini Terrani (mezzo soprano) (in 1981-01)
Soprangesang [Aida, schiava etiope]:
Katia Ricciarelli (soprano) (in 1981-01)
Tenor-Gesang [Radamès, capitano delle guardie]:
Plácido Domingo (tenor) (in 1981-01)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1981-01)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (in 1981-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto I
recording of:
Aida: Atto IV, scena 2: Finale ultimo: “Immenso Fthà” – “Triste canto” (Sacerdotesse, Sacerdoti, Aida, Radamès) (in 1981-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1981-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto IV
Giuseppe Verdi5:20
6▶Digitales Medium: Verdi: Rigoletto (highlights)
7▶Digitales Medium: Verdi: La traviata (highlights)
8▶Digitales Medium: Saint‐Saëns: “Organ” Symphony / Franck: Symphony in D minor
9▶Digitales Medium: Glinka: “Ruslan and Lyudmila” Overture / Balakirev: Islamey / Borodin: Polovtsian Dances / Mussorgsky: Pictures at an Exhibition
10▶Digitales Medium: Rimsky‐Korsakov: Scheherazade / Capriccio espagnol
11▶Digitales Medium: Mahler: Symphony no. 1 / Lieder eines fahrenden Gesellen
12▶Digitales Medium: Mahler: Symphony no. 5
13▶Digitales Medium: Debussy: La Mer / Nocturnes / Prélude à l’après‑midi d’un faune
14▶Digitales Medium: Debussy: Suite bergamansque / Préludes
15▶Digitales Medium: Strauss, R.: Also sprach Zarathustra / Don Juan / Till Eulenspiegel
16▶Digitales Medium: Strauss, R.: Death and Transfiguration / Four Last Songs / Capriccio
17▶Digitales Medium: Puccini: La bohème (highlights)
18▶Digitales Medium: Puccini: Tosca (highlights) / Nessun dorma
19▶Digitales Medium: Elgar: “Enigma” Variations / Holst: The Planets
20▶Digitales Medium: Rachmaninov: Piano Concerto no. 3 / Scriabin: Le poeme de l’extase

Nennungen

Veröffentlichungsgruppe

enthält:Also sprach Zarathustra / Don Juan / Till Eulenspiegel von Richard Strauss (German composer); Berliner Philharmoniker, Karl Böhm (Austrian conductor)
Der Ring des Nibelungen (highlights) von Richard Wagner (composer); Berliner Philharmoniker, Herbert von Karajan (conductor)
Holst: The Planets / Elgar: Enigma Variations von Holst (Gustav Holst, composer), Elgar (Edward Elgar, composer); Boston Symphony Orchestra, London Symphony Orchestra, William Steinberg (conductor), Eugen Jochum (conductor)
La bohème (1987 live composite recording cast) von Puccini (Italian composer); Réaux (US soprano), Hadley (operatic tenor), Hampson (baritone), Daniels (soprano), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Leonard Bernstein (American conductor, composer, pianist)
La Mer / Nocturnes / Prélude à l’après‐midi d’un faune von Claude Debussy (French composer); Orchestre de Paris, Daniel Barenboim (pianist and conductor)
La traviata (1976-77 studio cast) von Giuseppe Verdi (Italian opera composer); Ileana Cotrubas (Romanian soprano), Placido Domingo (tenor), Sherrill Milnes (baritone), Plácido Domingo (tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Carlos Kleiber (conductor)
Piano Concerto no. 1 / Violin Concerto von Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer); Martha Argerich (Argentine pianist), Nathan Milstein (violinist)
Rigoletto von Giuseppe Verdi (Italian opera composer); Wiener Philharmoniker, Carlo Maria Giulini (conductor), Piero Cappuccilli (baritone), Ileana Cotrubaş (Romanian soprano), Plácido Domingo (tenor), Elena Obraztsova (mezzo-soprano), Nicolaï Ghiaurov (operatic bass), Kurt Moll (operatic bass), Hanna Schwarz (mezzo soprano), Konzertvereinigung Wiener Staatsopernchor (Chor der Wiener Staatsoper)
Scheherazade / Capriccio espagnol von Rimski-Korsakov (Nikolai Rimski-Korsakow, Russian composer); Joseph Silverstein (violinist and conductor), Seiji Ozawa (conductor and composer), Boston Symphony Orchestra, Neeme Järvi (Estonian conductor), Gothenburg Symphony Orchestra
Suite bergamasque / 12 Préludes von Claude Debussy (French composer); Tamás Vásáry (Hungarian pianist and conductor), Dino Ciani (Italian pianist)
Symphonie Nr. 1 / Lieder eines fahrenden Gesellen (1967 recording) von Gustav Mahler (composer); Dietrich Fischer‐Dieskau (baritone), Rafael Kubelík (conductor)
Symphonie Nr. 5 von Gustav Mahler (composer); Berliner Philharmoniker, Herbert von Karajan (conductor)
Tristan und Isolde (1966 Bayreuth cast, composite recordings) von Richard Wagner (composer); Birgit Nilsson (soprano), Wolfgang Windgassen (German heldentenor), Christa Ludwig (mezzo-soprano), Martti Talvela (operatic bass), Eberhard Wächter (baritone), Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra), Karl Böhm (Austrian conductor)
Teil von:The History of Classical Music: From Gregorian Chant to Górecki (Reihenfolge: 4)