The Complete Lester Young Studio Sessions on Verve

~ Veröffentlichung von Lester Young (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1Star Dust
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-11-28)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-11-28)
Schlagzeug:
J.C. Heard (am 1952-11-28)
Tenorsaxophon:
Lester Young (saxophonist) (am 1952-11-28)
instrumental recording of:
Stardust (the jazz standard) (am 1952-11-28)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
3:39
2It Takes Two to Tango
recorded in:
New York, New York, Vereinigte Staaten (am 1952-11-28)
Gitarre:
Barney Kessel (am 1952-11-28)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-11-28)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-11-28)
Schlagzeug:
J.C. Heard (am 1952-11-28)
Tenorsaxophon:
Lester Young (saxophonist) (am 1952-11-28)
vocals:
Lester Young (saxophonist) (am 1952-11-28)
recording of:
Takes Two to Tango (am 1952-11-28)
Verfasser(in):
Al Hoffman (in 1952) und Dick Manning (American songwriter) (in 1952)
6:06
3On the Sunny Side of the Street
recorded in:
New York, New York, Vereinigte Staaten (am 1952-11-28)
Gitarre:
Barney Kessel (am 1952-11-28)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-11-28)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-11-28)
Schlagzeug:
J.C. Heard (am 1952-11-28)
Tenorsaxophon:
Lester Young (saxophonist) (am 1952-11-28)
recording of:
On the Sunny Side of the Street (am 1952-11-28)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
43:28
4Almost Like Being in Love
recorded in:
New York, New York, Vereinigte Staaten (in 1952)
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1952-11-28)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-11-28)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-11-28)
Schlagzeug:
J.C. Heard (am 1952-11-28)
Tenorsaxophon:
Lester Young (saxophonist) (am 1952-11-28)
instrumental recording of:
Almost Like Being in Love (from “Brigadoon”) (am 1952-11-28)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
3:34
5I Can't Give You Anything but Love
recorded in:
New York, New York, Vereinigte Staaten (am 1952-11-28)
Gitarre:
Barney Kessel (am 1952-11-28)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-11-28)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-11-28)
Schlagzeug:
J.C. Heard (am 1952-11-28)
Tenorsaxophon:
Lester Young (saxophonist) (am 1952-11-28)
instrumental cover recording of:
I Can’t Give You Anything but Love, Baby (am 1952-11-28)
Texter:
Dorothy Fields (American librettist and lyricist)
Verfasser(in):
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:23
6There Will Never Be Another You
recorded in:
New York, New York, Vereinigte Staaten (am 1952-11-28)
Gitarre:
Barney Kessel (am 1952-11-28)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-11-28)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-11-28)
Schlagzeug:
J.C. Heard (am 1952-11-28)
Tenorsaxophon:
Lester Young (saxophonist) (am 1952-11-28)
recording of:
There Will Never Be Another You (am 1952-11-28)
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:30
7I'm Confessin'
recorded in:
New York, New York, Vereinigte Staaten (am 1952-11-28)
Gitarre:
Barney Kessel (am 1952-11-28)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-11-28)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-11-28)
Schlagzeug:
J.C. Heard (am 1952-11-28)
Tenorsaxophon:
Lester Young (saxophonist) (am 1952-11-28)
instrumental recording of:
I’m Confessin’ (That I Love You) (am 1952-11-28)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
3:44
8Willow Weep for Me
Klavier:
Gildo Mahones (am 1953-12-11)
Kontrabass:
Gene Ramey (am 1953-12-11)
Schlagzeug:
Connie Kay (am 1953-12-11)
Tenorsaxophon:
Lester Young (saxophonist) (am 1953-12-11)
Trompete:
Jesse Drakes (am 1953-12-11)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1953-12-11)
instrumental recording of:
Willow Weep for Me (am 1953-12-11)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:09
9This Can't Be Love
Klavier:
Gildo Mahones (am 1953-12-11)
Kontrabass:
Gene Ramey (am 1953-12-11)
Schlagzeug:
Connie Kay (am 1953-12-11)
Tenorsaxophon:
Lester Young (saxophonist) (am 1953-12-11)
Trompete:
Jesse Drakes (am 1953-12-11)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1953-12-11)
instrumental recording of:
This Can’t Be Love (am 1953-12-11)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
3:25
10Can't We Be Friends?
Klavier:
Gildo Mahones (am 1953-12-11)
Kontrabass:
Gene Ramey (am 1953-12-11)
Schlagzeug:
Connie Kay (am 1953-12-11)
Tenorsaxophon:
Lester Young (saxophonist) (am 1953-12-11)
Trompete:
Jesse Drakes (am 1953-12-11)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1953-12-11)
instrumental recording of:
Can’t We Be Friends? (am 1953-12-11)
Texter:
Paul James (Lyricist, aka James Warburg)
Komponist(in):
Kay Swift
publisher:
Warner Bros. Music Corp.
3:10
11Tenderly
Klavier:
Gildo Mahones (am 1953-12-11)
Kontrabass:
Gene Ramey (am 1953-12-11)
Schlagzeug:
Connie Kay (am 1953-12-11)
Tenorsaxophon:
Lester Young (saxophonist) (am 1953-12-11)
Trompete:
Jesse Drakes (am 1953-12-11)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1953-12-11)
instrumental recording of:
Tenderly (am 1953-12-11)
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
3:29
12New D.B. Blues
Klavier:
Gildo Mahones (am 1953-12-11)
Kontrabass:
Gene Ramey (am 1953-12-11)
Schlagzeug:
Connie Kay (am 1953-12-11)
Tenorsaxophon:
Lester Young (saxophonist) (am 1953-12-11)
Trompete:
Jesse Drakes (am 1953-12-11)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1953-12-11)
3:21
13Jumpin' at the Woodside
Klavier:
Gildo Mahones (am 1953-12-11)
Kontrabass:
Gene Ramey (am 1953-12-11)
Schlagzeug:
Connie Kay (am 1953-12-11)
Tenorsaxophon:
Lester Young (saxophonist) (am 1953-12-11)
Trompete:
Jesse Drakes (am 1953-12-11)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1953-12-11)
recording of:
Jumpin’ at the Woodside (original instrumental) (am 1953-12-11)
Komponist(in):
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
3:05
14I Can't Believe That You're in Love With Me
Klavier:
Gildo Mahones (am 1953-12-11)
Kontrabass:
Gene Ramey (am 1953-12-11)
Schlagzeug:
Connie Kay (am 1953-12-11)
Tenorsaxophon:
Lester Young (saxophonist) (am 1953-12-11)
Trompete:
Jesse Drakes (am 1953-12-11)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1953-12-11)
recording of:
I Can’t Believe That You’re in Love With Me (am 1953-12-11)
Texter:
Clarence Gaskill
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:14
15Oh, Lady, Be Good!
Klavier:
Gildo Mahones (am 1953-12-11)
Kontrabass:
Gene Ramey (am 1953-12-11)
Schlagzeug:
Connie Kay (am 1953-12-11)
Tenorsaxophon:
Lester Young (saxophonist) (am 1953-12-11)
Trompete:
Jesse Drakes (am 1953-12-11)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1953-12-11)
instrumental recording of:
Oh, Lady Be Good! (am 1953-12-11)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
American Splendor
Teil von:
Lady, Be Good (full musical)
3:30
16Another Mambo
Klavier:
Gildo Mahones (am 1954-12-10)
Kontrabass:
John Ore (am 1954-12-10)
Schlagzeug:
Connie Kay (am 1954-12-10)
Tenorsaxophon:
Lester Young (saxophonist) (am 1954-12-10)
Trompete:
Jesse Drakes (am 1954-12-10)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1954-12-10)
3:39
17Come Rain or Come Shine
Klavier:
Gildo Mahones (am 1954-12-10)
Kontrabass:
John Ore (am 1954-12-10)
Schlagzeug:
Connie Kay (am 1954-12-10)
Tenorsaxophon:
Lester Young (saxophonist) (am 1954-12-10)
Trompete:
Jesse Drakes (am 1954-12-10)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1954-12-10)
instrumental recording of:
Come Rain or Come Shine (am 1954-12-10)
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
3:13
18Rose Room
Klavier:
Gildo Mahones (am 1954-12-10)
Kontrabass:
John Ore (am 1954-12-10)
Schlagzeug:
Connie Kay (am 1954-12-10)
Tenorsaxophon:
Lester Young (saxophonist) (am 1954-12-10)
Trompete:
Jesse Drakes (am 1954-12-10)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1954-12-10)
instrumental recording of:
Rose Room (am 1954-12-10)
Texter:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
Komponist(in):
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group und Warner/Chappell Music, Inc.
4:11
19Somebody Loves Me
Klavier:
Gildo Mahones (am 1954-12-10)
Kontrabass:
John Ore (am 1954-12-10)
Schlagzeug:
Connie Kay (am 1954-12-10)
Tenorsaxophon:
Lester Young (saxophonist) (am 1954-12-10)
Trompete:
Jesse Drakes (am 1954-12-10)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1954-12-10)
instrumental recording of:
Somebody Loves Me (am 1954-12-10)
Texter:
Buddy DeSylva und Ballard MacDonald
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Stephen Ballentine Music Publishing Co.
Teil von:
Broadway Rhythm (film)
4:59
20Touch Me Again
Klavier:
Gildo Mahones (am 1954-12-10)
Kontrabass:
John Ore (am 1954-12-10)
Schlagzeug:
Connie Kay (am 1954-12-10)
Tenorsaxophon:
Lester Young (saxophonist) (am 1954-12-10)
Trompete:
Jesse Drakes (am 1954-12-10)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1954-12-10)
5:17
21It Don't Mean a Thing (If It Ain't Got That Swing)
Klavier:
Gildo Mahones (am 1954-12-10)
Kontrabass:
John Ore (am 1954-12-10)
Schlagzeug:
Connie Kay (am 1954-12-10)
Tenorsaxophon:
Lester Young (saxophonist) (am 1954-12-10)
Trompete:
Jesse Drakes (am 1954-12-10)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1954-12-10)
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1954-12-10)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
4:30
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