The Complete Lester Young Studio Sessions on Verve

~ Pubblicazione di Lester Young (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1Star Dust
batteria :
J.C. Heard (il 1952-11-28)
contrabbasso :
Ray Brown (jazz bassist) (il 1952-11-28)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1952-11-28)
sassofono tenore :
Lester Young (saxophonist) (il 1952-11-28)
registrazione strumentale di:
Stardust (the jazz standard) (il 1952-11-28)
paroliere:
Mitchell Parish (nel 1929)
compositore:
Hoagy Carmichael (nel 1927)
editore:
Mills Music, Inc. (conclusa), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. e Songs of Peer, Ltd. (ASCAP)
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
American Splendor
3:39
2It Takes Two to Tango
registrata a:
New York, New York, Stati Uniti (il 1952-11-28)
batteria :
J.C. Heard (il 1952-11-28)
chitarra :
Barney Kessel (il 1952-11-28)
contrabbasso :
Ray Brown (jazz bassist) (il 1952-11-28)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1952-11-28)
sassofono tenore :
Lester Young (saxophonist) (il 1952-11-28)
voce:
Lester Young (saxophonist) (il 1952-11-28)
registrazione di:
Takes Two to Tango (il 1952-11-28)
autore:
Al Hoffman (nel 1952) e Dick Manning (American songwriter) (nel 1952)
6:06
3On the Sunny Side of the Street
registrata a:
New York, New York, Stati Uniti (il 1952-11-28)
batteria :
J.C. Heard (il 1952-11-28)
chitarra :
Barney Kessel (il 1952-11-28)
contrabbasso :
Ray Brown (jazz bassist) (il 1952-11-28)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1952-11-28)
sassofono tenore :
Lester Young (saxophonist) (il 1952-11-28)
registrazione di:
On the Sunny Side of the Street (il 1952-11-28)
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. e Vydia Music Publishing
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. e シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
parte di:
American Splendor
43:28
4Almost Like Being in Love
registrata a:
New York, New York, Stati Uniti (nel 1952)
produttore:
Norman Granz
batteria :
J.C. Heard (il 1952-11-28)
chitarra :
Barney Kessel (il 1952-11-28)
contrabbasso :
Ray Brown (jazz bassist) (il 1952-11-28)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1952-11-28)
sassofono tenore :
Lester Young (saxophonist) (il 1952-11-28)
registrazione strumentale di:
Almost Like Being in Love (from “Brigadoon”) (il 1952-11-28)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
Brigadoon (complete musical)
3:34
5I Can't Give You Anything but Love
registrata a:
New York, New York, Stati Uniti (il 1952-11-28)
batteria :
J.C. Heard (il 1952-11-28)
chitarra :
Barney Kessel (il 1952-11-28)
contrabbasso :
Ray Brown (jazz bassist) (il 1952-11-28)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1952-11-28)
sassofono tenore :
Lester Young (saxophonist) (il 1952-11-28)
registrazione strumentale cover di:
I Can’t Give You Anything but Love, Baby (il 1952-11-28)
paroliere:
Dorothy Fields (American librettist and lyricist)
autore:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Aldi Music Company, Cotton Club Publishing e EMI Mills Music Inc. (ASCAP-affiliated)
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
3:23
6There Will Never Be Another You
registrata a:
New York, New York, Stati Uniti (il 1952-11-28)
batteria :
J.C. Heard (il 1952-11-28)
chitarra :
Barney Kessel (il 1952-11-28)
contrabbasso :
Ray Brown (jazz bassist) (il 1952-11-28)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1952-11-28)
sassofono tenore :
Lester Young (saxophonist) (il 1952-11-28)
registrazione di:
There Will Never Be Another You (il 1952-11-28)
paroliere:
Mack Gordon
compositore:
Harry Warren (US composer and lyricist)
editore:
Morley Music Corp.
parte di:
The Real Book (compilation of jazz standards, volume I)
3:30
7I'm Confessin'
registrata a:
New York, New York, Stati Uniti (il 1952-11-28)
batteria :
J.C. Heard (il 1952-11-28)
chitarra :
Barney Kessel (il 1952-11-28)
contrabbasso :
Ray Brown (jazz bassist) (il 1952-11-28)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1952-11-28)
sassofono tenore :
Lester Young (saxophonist) (il 1952-11-28)
registrazione strumentale di:
I’m Confessin’ (That I Love You) (il 1952-11-28)
paroliere:
Al J. Neiburg (lyricist) (nel 1930)
compositore:
Doc Daugherty (nel 1930) e Ellis Reynolds (nel 1930)
editore:
Bourne Music Ltd.
versione di:
Lookin’ for Another Sweetie
3:44
8Willow Weep for Me
batteria :
Connie Kay (il 1953-12-11)
contrabbasso :
Gene Ramey (il 1953-12-11)
pianoforte :
Gildo Mahones (il 1953-12-11)
sassofono tenore :
Lester Young (saxophonist) (il 1953-12-11)
tromba :
Jesse Drakes (il 1953-12-11)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1953-12-11)
registrazione strumentale di:
Willow Weep for Me (il 1953-12-11)
paroliere e compositore:
Ann Ronell (nel 1932)
editore:
Ann Ronell Music e Bourne Co. (not for release label use, this is a music publisher)
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:09
9This Can't Be Love
batteria :
Connie Kay (il 1953-12-11)
contrabbasso :
Gene Ramey (il 1953-12-11)
pianoforte :
Gildo Mahones (il 1953-12-11)
sassofono tenore :
Lester Young (saxophonist) (il 1953-12-11)
tromba :
Jesse Drakes (il 1953-12-11)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1953-12-11)
registrazione strumentale di:
This Can’t Be Love (il 1953-12-11)
paroliere:
Lorenz Hart (nel 1938)
compositore:
Richard Rodgers (composer) (nel 1938)
editore:
Chappell & Co. e Warner/Chappell (Warner/Chappell Music, Inc.)
3:25
10Can't We Be Friends?
batteria :
Connie Kay (il 1953-12-11)
contrabbasso :
Gene Ramey (il 1953-12-11)
pianoforte :
Gildo Mahones (il 1953-12-11)
sassofono tenore :
Lester Young (saxophonist) (il 1953-12-11)
tromba :
Jesse Drakes (il 1953-12-11)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1953-12-11)
registrazione strumentale di:
Can’t We Be Friends? (il 1953-12-11)
paroliere:
Paul James (Lyricist, aka James Warburg)
compositore:
Kay Swift
editore:
Warner Bros. Music Corp.
3:10
11Tenderly
batteria :
Connie Kay (il 1953-12-11)
contrabbasso :
Gene Ramey (il 1953-12-11)
pianoforte :
Gildo Mahones (il 1953-12-11)
sassofono tenore :
Lester Young (saxophonist) (il 1953-12-11)
tromba :
Jesse Drakes (il 1953-12-11)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1953-12-11)
registrazione strumentale di:
Tenderly (il 1953-12-11)
paroliere:
Jack Lawrence (US songwriter) (nel 1946)
compositore:
Walter Gross (American composer) (nel 1946)
editore:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music e Range Road Music
3:29
12New D.B. Blues
batteria :
Connie Kay (il 1953-12-11)
contrabbasso :
Gene Ramey (il 1953-12-11)
pianoforte :
Gildo Mahones (il 1953-12-11)
sassofono tenore :
Lester Young (saxophonist) (il 1953-12-11)
tromba :
Jesse Drakes (il 1953-12-11)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1953-12-11)
3:21
13Jumpin' at the Woodside
batteria :
Connie Kay (il 1953-12-11)
contrabbasso :
Gene Ramey (il 1953-12-11)
pianoforte :
Gildo Mahones (il 1953-12-11)
sassofono tenore :
Lester Young (saxophonist) (il 1953-12-11)
tromba :
Jesse Drakes (il 1953-12-11)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1953-12-11)
registrazione di:
Jumpin’ at the Woodside (original instrumental) (il 1953-12-11)
compositore:
Count Basie (pianist)
editore:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
3:05
14I Can't Believe That You're in Love With Me
batteria :
Connie Kay (il 1953-12-11)
contrabbasso :
Gene Ramey (il 1953-12-11)
pianoforte :
Gildo Mahones (il 1953-12-11)
sassofono tenore :
Lester Young (saxophonist) (il 1953-12-11)
tromba :
Jesse Drakes (il 1953-12-11)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1953-12-11)
registrazione di:
I Can’t Believe That You’re in Love With Me (il 1953-12-11)
paroliere:
Clarence Gaskill
compositore:
Jimmy McHugh (songwriter)
editore:
Mills Music, Inc.
3:14
15Oh, Lady, Be Good!
batteria :
Connie Kay (il 1953-12-11)
contrabbasso :
Gene Ramey (il 1953-12-11)
pianoforte :
Gildo Mahones (il 1953-12-11)
sassofono tenore :
Lester Young (saxophonist) (il 1953-12-11)
tromba :
Jesse Drakes (il 1953-12-11)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1953-12-11)
registrazione strumentale di:
Oh, Lady Be Good! (il 1953-12-11)
paroliere:
Ira Gershwin (nel 1924)
compositore:
George Gershwin (composer) (nel 1924)
editore:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music e WB Music Corp. (1929–2019) (fino al 2019-05-28)
parte di:
American Splendor
parte di:
Lady, Be Good (full musical)
3:30
16Another Mambo
batteria :
Connie Kay (il 1954-12-10)
contrabbasso :
John Ore (il 1954-12-10)
pianoforte :
Gildo Mahones (il 1954-12-10)
sassofono tenore :
Lester Young (saxophonist) (il 1954-12-10)
tromba :
Jesse Drakes (il 1954-12-10)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1954-12-10)
3:39
17Come Rain or Come Shine
batteria :
Connie Kay (il 1954-12-10)
contrabbasso :
John Ore (il 1954-12-10)
pianoforte :
Gildo Mahones (il 1954-12-10)
sassofono tenore :
Lester Young (saxophonist) (il 1954-12-10)
tromba :
Jesse Drakes (il 1954-12-10)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1954-12-10)
registrazione strumentale di:
Come Rain or Come Shine (il 1954-12-10)
paroliere:
Johnny Mercer (nel 1946)
compositore:
Harold Arlen (nel 1946)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. e Warner/Chappell Music Scandinavia AB
3:13
18Rose Room
batteria :
Connie Kay (il 1954-12-10)
contrabbasso :
John Ore (il 1954-12-10)
pianoforte :
Gildo Mahones (il 1954-12-10)
sassofono tenore :
Lester Young (saxophonist) (il 1954-12-10)
tromba :
Jesse Drakes (il 1954-12-10)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1954-12-10)
registrazione strumentale di:
Rose Room (il 1954-12-10)
paroliere:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (nel 1917)
compositore:
Art Hickman (nel 1917)
editore:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group e Warner/Chappell Music, Inc.
4:11
19Somebody Loves Me
batteria :
Connie Kay (il 1954-12-10)
contrabbasso :
John Ore (il 1954-12-10)
pianoforte :
Gildo Mahones (il 1954-12-10)
sassofono tenore :
Lester Young (saxophonist) (il 1954-12-10)
tromba :
Jesse Drakes (il 1954-12-10)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1954-12-10)
registrazione strumentale di:
Somebody Loves Me (il 1954-12-10)
paroliere:
Buddy DeSylva e Ballard MacDonald
compositore:
George Gershwin (composer) (nel 1924)
editore:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) e Stephen Ballentine Music Publishing Co.
parte di:
Broadway Rhythm (film)
4:59
20Touch Me Again
batteria :
Connie Kay (il 1954-12-10)
contrabbasso :
John Ore (il 1954-12-10)
pianoforte :
Gildo Mahones (il 1954-12-10)
sassofono tenore :
Lester Young (saxophonist) (il 1954-12-10)
tromba :
Jesse Drakes (il 1954-12-10)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1954-12-10)
5:17
21It Don't Mean a Thing (If It Ain't Got That Swing)
batteria :
Connie Kay (il 1954-12-10)
contrabbasso :
John Ore (il 1954-12-10)
pianoforte :
Gildo Mahones (il 1954-12-10)
sassofono tenore :
Lester Young (saxophonist) (il 1954-12-10)
tromba :
Jesse Drakes (il 1954-12-10)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1954-12-10)
registrazione strumentale di:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (il 1954-12-10)
paroliere:
Irving Mills (nel 1931)
compositore:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (nel 1931-08)
editore:
Duke Ellington Music e EMI Mills Music (ASCAP-affiliated)
parte di:
The Real Book (compilation of jazz standards, volume I)
4:30
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