One for My Baby: Selections From the Great American Songbook

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Oh, What a Beautiful Morning
registrazione di:
Oh, What a Beautiful Mornin’ (Oklahoma!)
orchestratore:
Robert Russell Bennett (American composer and arranger)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. e Williamson Music, Inc.
parte di:
Oklahoma! (Rodgers & Hammerstein musical)
Peggy Lee2:54
2Cheek to Cheek
registrata a:
New York, New York, Stati Uniti (il 1935-06-26)
voce:
Fred Astaire (il 1935-06-26)
orchestra:
Leo Reisman and His Orchestra (il 1935-06-26)
registrazione di:
Cheek to Cheek (from “Top Hat”) (il 1935-06-26)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
parte di:
Top Hat (1935 film)
Fred Astaire with Leo Reisman & His Orchestra3:20
3Blue Moon
registrazione di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
Mel Tormé3:44
4My Heart Belongs to Daddy
orchestra:
Henri René & His Orchestra (il 1953-10-12)
registrazione cover di:
My Heart Belongs to Daddy
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (library/production music), Chappell & Co. e Chappell Music Ltd.
Eartha Kitt with Henri René & His Orchestra3:02
5The Way You Look Tonight
registrazione di:
The Way You Look Tonight (from “Swing Time”)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1936)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 9th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1936 winner)
parte di:
Swing Time (film)
Doris Day with Frank De Vol and His Orchestra3:27
6That Old Black Magic
produttore:
Voyle Gilmore
basso :
Tony Liuzza (il 1958-08-25)
batteria :
Paul Ferrara (il 1958-08-25)
chitarra :
Bobby Roberts (1950-60s guitarist, The Witnesses) (il 1958-08-25)
pianoforte :
Willie McCumber Jr. (il 1958-08-25)
sassofono tenore :
Sam Butera (il 1958-08-25)
tromba :
Louis Prima (il 1958-08-25)
trombone :
Lou Sino (il 1958-08-25)
voce:
Louis Prima (il 1958-08-25) e Keely Smith (il 1958-08-25)
orchestra:
The Witnesses (il 1958-08-25)
registrata presso:
Sahara Theater in Winchester, Nevada, Stati Uniti (il 1958-08-25)
registrazione dal vivo cover di:
That Old Black Magic (il 1958-08-25)
paroliere:
Johnny Mercer (nel 1942)
compositore:
Harold Arlen (nel 1942)
editore:
Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
Louis Prima & Keely Smith42:58
7Blue Skies
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1958-03-18)
tecnico:
Val Valentin (il 1958-03-18)
produttore:
Norman Granz
voce principale:
Ella Fitzgerald (American jazz singer) (il 1958-03-18)
direttore d'orchestra:
Paul Weston (il 1958-03-18)
esecutore:
Paul Weston and His Orchestra (il 1958-03-18)
arrangiatore:
Paul Weston (nel 1958)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1958-03-18)
registrazione cover di:
Blue Skies (il 1958-03-18)
paroliere e compositore:
Irving Berlin (nel 1926)
editore:
Francis, Day & Hunter Ltd., Irving Berlin Music Company e Williamson Music Company
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ella Fitzgerald53:46
8Georgia on My Mind
registrazione cover di:
Georgia on My Mind
inno di:
Georgia, Stati Uniti (dal 1979 a oggi)
paroliere:
Stuart Gorrell (nel 1930)
compositore:
Hoagy Carmichael (nel 1930)
editore:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (dal 1930 a oggi) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (dal 1930 a oggi)
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangiamento di:
Georgia on My Mind (Solo piano arrangement)
registrazione di:
Georgia on My Mind
inno di:
Georgia, Stati Uniti (dal 1979 a oggi)
paroliere:
Stuart Gorrell (nel 1930)
compositore:
Hoagy Carmichael (nel 1930)
editore:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (dal 1930 a oggi) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (dal 1930 a oggi)
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangiamento di:
Georgia on My Mind (Solo piano arrangement)
Ray Charles3:40
9I Get Along Without You Very Well (Except Sometimes)
tecnico di registrazione:
Ray Hall (engineer)
pianoforte :
Nina Simone (il 1968-09-16)
voce:
Nina Simone (il 1968-09-16)
arrangiatore:
Nina Simone
è stato produttore per:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
registrata presso:
RCA Studio B (New York) in New York, New York, Stati Uniti (il 1968-09-16)
registrazione cover di:
I Get Along Without You Very Well (il 1968-09-16)
paroliere:
Jane Brown Thompson
compositore:
Hoagy Carmichael (nel 1939)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Songs of Peer, Ltd. (ASCAP) e Sony/ATV Harmony
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nina Simone2.754:53
10One for My Baby (And One More for the Road)
produttore:
Voyle Gilmore
arpa :
Kathryn Julye (il 1958-06-25)
batteria e percussione :
Frank Flynn (il 1958-06-25) e Bill Richmond (il 1958-06-25)
chitarra :
Al Hendrickson (il 1958-06-25) e Al Viola (il 1958-06-25)
clarinetto :
Gus Bivona (il 1958-06-25), Sal Franzella (il 1958-06-25), Chuck Gentry (il 1958-06-25) e Morris Bercov (il 1958-06-25)
contrabbasso :
Joe Comfort (il 1958-06-25) e Eddie Gilbert (il 1958-06-25)
corno francese :
James Decker (French hornist) (il 1958-06-25), James McGee (il 1958-06-25) e George Price (il 1958-06-25)
fagotto :
Don Christlieb (il 1958-06-25) e Norman Herzberg (bassoon) (il 1958-06-25)
flauto :
Arthur Gleghorn (il 1958-06-25) e Harry Klee (il 1958-06-25)
oboe :
Arnold Koblentz (Oboe player) (il 1958-06-25) e Champ Webb (il 1958-06-25)
pianoforte :
Bill Miller (pianist) (il 1958-06-25)
tromba :
Cappy Lewis (il 1958-06-25)
trombone :
Milt Bernhart (il 1958-06-25), Russell Brown (Swing trombonist) (il 1958-06-25), Ray Sims (il 1958-06-25) e Tommy Pederson (il 1958-06-25)
viola :
Alvin Dinkin (il 1958-06-25), Stanley Harris (US big band viola player) (il 1958-06-25), Paul Robyn (il 1958-06-25) e Dave Sterkin (il 1958-06-25)
violino :
Israel Baker (American violinist) (il 1958-06-25), Victor Bay (il 1958-06-25), Alex Beller (il 1958-06-25), Arnold Belnick (il 1958-06-25), Daniel Karpilowsky (il 1958-06-25), Emo Neufeld (il 1958-06-25), Ben Gill (il 1958-06-25), Paul Shure (il 1958-06-25), Felix Slatkin (il 1958-06-25), Marshall Sosson (il 1958-06-25), Victor Amo (il 1958-06-25) e Gerald Vinci (American violinist and strings conductor) (il 1958-06-25)
violoncello :
James Arkatov (American cellist and photographer) (il 1958-06-25), Armand Kaproff (il 1958-06-25), Joseph Saxon (il 1958-06-25) e Eleanor Slatkin (US cellist, b. Aller) (il 1958-06-25)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1958-06-25)
orchestra:
The Nelson Riddle Orchestra (il 1958-06-25)
direttore d'orchestra:
Nelson Riddle (il 1958-06-26)
arrangiatore:
Nelson Riddle
registrata presso:
Capitol Tower in Hollywood, Los Angeles, California, Stati Uniti (il 1958-06-25)
registrazione cover di:
One for My Baby (and One More for the Road) (il 1958-06-26)
paroliere:
Johnny Mercer (nel 1943)
compositore:
Harold Arlen (nel 1943)
editore:
Chappell/Morris Ltd. e Harwin Music
parte di:
The Sky’s the Limit (1943 film)
Frank Sinatra2.54:26
11It Don't Mean a Thing (If it Ain't Got That Swing)
tecnico di registrazione:
Ray Hall (engineer) (il 1961-04-03)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Danny Barcelona (il 1961-04-03)
clarinetto :
Barney Bigard (il 1961-04-03)
contrabbasso :
Mort Herbert (il 1961-04-03)
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (il 1961-04-03)
tromba :
Louis Armstrong (il 1961-04-03)
trombone :
Trummy Young (il 1961-04-03)
voce:
Louis Armstrong (il 1961-04-03)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1961-04-03)
registrazione di:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (il 1961-04-03)
paroliere:
Irving Mills (nel 1931)
compositore:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (nel 1931-08)
editore:
Duke Ellington Music e EMI Mills Music (ASCAP-affiliated)
parte di:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong with The Duke Ellington Orchestra44:00
12The Man I Love
direttore d'orchestra:
Benny Carter
registrazione cover di:
The Man I Love
paroliere:
Ira Gershwin (nel 1924)
compositore:
George Gershwin (composer) (nel 1924)
editore:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Lady, Be Good (full musical)
parte di:
New York, New York (1977 musical film soundtrack)
Sarah Vaughan4:05
13Lazy River
produttore:
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun e Jerry Wexler
registrazione di:
Lazy River
paroliere:
Hoagy Carmichael
compositore:
Sidney Arodin e Hoagy Carmichael
Bobby Darin2:35
14I Get a Kick Out of You
batteria :
Larry Bunker (il 1954-08-25)
chitarra elettrica :
Barney Kessel (il 1954-08-25)
contrabbasso :
John Simmons (bassist) (il 1954-08-25)
pianoforte :
Jimmy Rowles (il 1954-08-25)
sassofono contralto :
Benny Carter (il 1954-08-25)
tromba :
Harry “Sweets” Edison (il 1954-09-25)
voce:
Billie Holiday (il 1954-08-25)
registrazione di:
I Get a Kick Out of You (il 1955-08-25)
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell e Chappell (nel 1974)
parte di:
Anything Goes
Billie Holiday5:42
15Someone to Watch Over Me
basso :
Ray Brown (jazz bassist)
batteria :
Ed Thigpen
pianoforte :
Blossom Dearie
voce:
Blossom Dearie
registrazione di:
Someone to Watch Over Me (Oh, Kay!)
paroliere:
Ira Gershwin (nel 1926)
compositore:
George Gershwin (composer) (nel 1926)
editore:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28), Harms, Inc. (nel 1926) e WC Music Corp. (dal 2019-05-28 al 2022-01-01)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Crazy for You (1992 musical)
parte di:
Oh, Kay! (1926 musical)
Blossom Dearie6:00
16I'll Be Seeing You
produttore:
Jimmy Hilliard
direttore d'orchestra:
Gordon Jenkins
arrangiatore:
Gordon Jenkins
registrazione di:
I’ll Be Seeing You
paroliere:
Irving Kahal (nel 1938)
compositore:
Sammy Fain (nel 1938)
editore:
Fain Music (ASCAP), New Irving Kahal Music e Williamson Music Company
sub-editore:
フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Jimmy Durante3:11

Accreditamenti

Pubblicazione

ASIN:US: B0032649E2 [info]