The History of Classical Music, Part 2: Classical to Early Romantic: From Haydn to Paganini

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶Supporto digitale: Haydn: Symphonies no. 45 “Farewell”, no. 88 & no. 104 “London”
2▶Supporto digitale: Haydn: String Quartets “Emperor”, “The Lark” & “The Rider”
3▶Supporto digitale: Haydn: The Creation (highlights)
4▶Supporto digitale: Mozart: Eine kleine Nachtmusik / Symphonies nos. 40 & 41 “Jupiter”
5▶Supporto digitale: Mozart: Piano Concertos nos. 20 & 21 / Fantasia in D minor
6▶Supporto digitale: Mozart: Clarinet Quintet / String Quintet no. 4
7▶Supporto digitale: Mozart: Le nozze di Figaro (highlights)
8▶Supporto digitale: Mozart: Requiem / Laudate Dominum / Exsultate, jubilate
9▶Supporto digitale: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
10▶Supporto digitale: Beethoven: Symphony no. 9 “Choral”
11▶Supporto digitale: Beethoven: Piano Concerto nos. 4 & 5
12▶Supporto digitale: Beethoven: “Kreutzer” Sonata / String Quartet “Rasumovsky”
13▶Supporto digitale: Beethoven: Piano Sonatas no. 8 “Pathétique”, no. 23 “Appassionata” & no. 31
14▼Supporto digitale: Weber: Der Freischütz (highlights)
#TitoloArtistaValutazioneDurata
1Der Freischütz: Overture
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (nel 1973-02)
direttore d'orchestra:
Carlos Kleiber (conductor) (nel 1973-02)
registrata presso:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germania (nel 1973-02)
registrazione di:
Der Freischütz: Ouvertüre (nel 1973-02)
compositore:
Carl Maria von Weber (composer)
parte di:
Der Freischütz
Carl Maria von Weber9:49
2Der Freischütz, Act I: “Viktoria! Viktoria! …” – Bauern‐Marsch – “Schau der Herr mich an als König!”
cori:
MDR Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (nel 1973-02)
direttore d'orchestra:
Carlos Kleiber (conductor) (nel 1973-02)
registrata presso:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germania (nel 1973-02)
registrazione di:
Der Freischütz: Akt I. Nr. 1. Introduktion „Viktoria, der Meister soll leben!“ / Bauernmarsch / „Schau der Herr mich an“ (Chor, Max, Kilian) (nel 1973-02)
compositore:
Carl Maria von Weber (composer)
librettista:
Johann Friedrich Kind (German dramatist)
parte di:
Der Freischütz: Akt I
parte di:
Der Freischütz: Akt I
Carl Maria von Weber4:49
3Der Freischütz, Act I: Walzer
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (nel 1973-02)
direttore d'orchestra:
Carlos Kleiber (conductor) (nel 1973-02)
registrata presso:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germania (nel 1973-02)
registrazione parziale di:
Der Freischütz: Akt I. Nr. 3. Walzer und Arie „Nein, länger trag' ich nicht die Qualen“, „Durch die Wälder, durch die Auen“ (Max) (nel 1973-02)
compositore:
Carl Maria von Weber (composer)
librettista:
Johann Friedrich Kind (German dramatist)
parte di:
Der Freischütz: Akt I
Carl Maria von Weber1:22
4Der Freischütz, Act I: “Nein, länger trag’ ich nicht die Qualen” – “Durch die Wälder, durch die Auen”
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (nel 1973-02)
direttore d'orchestra:
Carlos Kleiber (conductor) (nel 1973-02)
registrata presso:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germania (nel 1973-02)
registrazione di:
Der Freischütz: Akt I. Nr. 3. Walzer und Arie „Nein, länger trag' ich nicht die Qualen“, „Durch die Wälder, durch die Auen“ (Max) (nel 1973-02)
compositore:
Carl Maria von Weber (composer)
librettista:
Johann Friedrich Kind (German dramatist)
parte di:
Der Freischütz: Akt I
Carl Maria von Weber6:32
5Der Freischütz, Act I: “Schweig —damit dich niemand warnt!”
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (nel 1973-02)
direttore d'orchestra:
Carlos Kleiber (conductor) (nel 1973-02)
registrata presso:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germania (nel 1973-02)
registrazione di:
Der Freischütz: Akt I. Nr. 5. Arie „Schweig, schweig - damit dich niemand warnt!“ (Kaspar) (nel 1973-02)
compositore:
Carl Maria von Weber (composer)
librettista:
Johann Friedrich Kind (German dramatist)
parte di:
Der Freischütz: Akt I
Carl Maria von Weber3:09
6Der Freischütz, Act II: “Schelm! Halt fest!”
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (nel 1973-02)
direttore d'orchestra:
Carlos Kleiber (conductor) (nel 1973-02)
registrata presso:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germania (nel 1973-02)
registrazione di:
Der Freischütz: Akt II. Nr. 6. Duett „Schelm, halt fest!“ (Agathe, Ännchen) (nel 1973-02)
compositore:
Carl Maria von Weber (composer)
librettista:
Johann Friedrich Kind (German dramatist)
parte di:
Der Freischütz: Akt II
Carl Maria von Weber4:52
7Der Freischütz, Act II: “Kommt ein schlanker Bursch gegangen”
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (nel 1973-02)
direttore d'orchestra:
Carlos Kleiber (conductor) (nel 1973-02)
registrata presso:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germania (nel 1973-02)
registrazione parziale di:
Der Freischütz: Akt II (nel 1973-02)
compositore:
Carl Maria von Weber (composer)
librettista:
Johann Friedrich Kind (German dramatist)
parte di:
Der Freischütz
Carl Maria von Weber3:48
8Der Freischütz, Act II: “Wie nahte mir der Schlummer” – “Leise, leise, fromme Weise!”
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (nel 1973-02)
direttore d'orchestra:
Carlos Kleiber (conductor) (nel 1973-02)
registrata presso:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germania (nel 1973-02)
registrazione parziale di:
Der Freischütz: Akt II (nel 1973-02)
compositore:
Carl Maria von Weber (composer)
librettista:
Johann Friedrich Kind (German dramatist)
parte di:
Der Freischütz
Carl Maria von Weber8:24
9Der Freischütz, Act II: “Milch des Mondes fiel aufs Kraut” – “Samiel! Samiel! Erschein!” – “Ha!–Furchtbar gähnt der düstre Abgrund”
cori:
MDR Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (nel 1973-02)
direttore d'orchestra:
Carlos Kleiber (conductor) (nel 1973-02)
registrata presso:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germania (nel 1973-02)
registrazione parziale di:
Der Freischütz: Akt II (nel 1973-02)
compositore:
Carl Maria von Weber (composer)
librettista:
Johann Friedrich Kind (German dramatist)
parte di:
Der Freischütz
Carl Maria von Weber16:26
10Der Freischütz, Act III: “Und ob die Wolke sie verhülle”
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (nel 1973-02)
direttore d'orchestra:
Carlos Kleiber (conductor) (nel 1973-02)
registrata presso:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germania (nel 1973-02)
registrazione di:
Der Freischütz: Akt III. Nr. 12. Kavatine „Und ob die Wolke sie verhülle“ (Agathe) (nel 1973-02)
compositore:
Carl Maria von Weber (composer)
librettista:
Johann Friedrich Kind (German dramatist)
parte di:
Der Freischütz: Akt III
Carl Maria von Weber6:01
11Der Freischütz, Act III: Wir winden dir den Jungfernkranz
cori:
MDR Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (nel 1973-02)
direttore d'orchestra:
Carlos Kleiber (conductor) (nel 1973-02)
registrata presso:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germania (nel 1973-02)
registrazione di:
Der Freischütz: Akt III. Nr. 14. Volkslied, Soli und Chor der Brautjungfern „Wir winden dir den Jungfernkranz“ (Chor) (nel 1973-02)
compositore:
Carl Maria von Weber (composer)
librettista:
Johann Friedrich Kind (German dramatist)
parte di:
Der Freischütz: Akt III
Carl Maria von Weber4:58
12Der Freischütz, Act III: “Was gleicht wohl auf Erden dem Jägervergnügen?”
cori:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (nel 1973-02)
direttore d'orchestra:
Carlos Kleiber (conductor) (nel 1973-02)
registrata presso:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germania (nel 1973-02)
registrazione di:
Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) (Der Freischütz: The Huntsmen's Chorus) (nel 1973-02)
compositore:
Carl Maria von Weber (composer)
librettista:
Johann Friedrich Kind (German dramatist)
parte di:
Der Freischütz: Akt III
Carl Maria von Weber2:31
15▶Supporto digitale: Rossini: Il barbiere di Siviglia (highlights)
16▶Supporto digitale: Schubert: Symphonies no. 8 “Unfinished” & no. 9 “The Great”
17▶Supporto digitale: Schubert: “Trout” Quintet / “Death and the Maiden” Quartet
18▶Supporto digitale: Schubert: Piano Music
19▶Supporto digitale: Schubert: Winterreise
20▶Supporto digitale: Paganini: Violin Concerto no. 1 / Caprices

Accreditamenti

Gruppo di pubblicazioni

comprende:Clarinet Quintet in A major / String Quintet in G minor di Mozart (Wolfgang Amadeus Mozart, classical composer); Amadeus Quartet, Gervase de Peyer (clarinetist), Cecil Aronowitz (viola player)
Der Freischütz (1973 studio cast) di Carl Maria von Weber (composer); Gundula Janowitz (soprano), Edith Mathis (soprano), Peter Schreier (German tenor and conductor), Theo Adam (German classical bass-baritone), Staatskapelle Dresden (Dresden Symphonic Orchestra), Carlos Kleiber (conductor)
Die Schöpfung (Auszüge) di Haydn (composer); Gundula Janowitz (soprano), Fritz Wunderlich (operatic tenor), Werner Krenn (tenor), Dietrich Fischer‐Dieskau (baritone), Walter Berry (bass‐baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
Eine kleine Nachtmusik / Symphonien nr. 40 & 41 “Jupiter” di Mozart (Wolfgang Amadeus Mozart, classical composer); Wiener Philharmoniker (Vienna Philharmonic), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Karl Böhm (Austrian conductor)
Forellen‐Quintett / Der Tod und das Mädchen di Franz Schubert (composer); Christoph Eschenbach (pianist and conductor), Koeckert-Quartett, Amadeus Quartet
Il barbiere di Siviglia (London, 1971) di Gioachino Rossini (composer); Hermann Prey (baritone), Teresa Berganza (mezzo-soprano), Luigi Alva (tenor), Enzo Dara (operatic bass), Paolo Montarsolo (operatic bass), London Symphony Orchestra, Claudio Abbado (conductor)
Kaiserquartett / Lerchenquartett / Reiterquartett di Joseph Haydn (composer); Amadeus Quartet
Klaviersonate, D 960 / 3 impromptus / 2 moments musicaux di Franz Schubert (composer); Wilhelm Kempff (pianist)
Piano Concertos nos. 20 & 21 / Fantasia in D minor di Mozart (Wolfgang Amadeus Mozart, classical composer); Camerata Academica of the Salzburg Mozarteum (Austrian chamber orchestra), Géza Anda (Geza Anda, pianist), Wilhelm Kempff (pianist)
Piano Sonatas no. 8 “Pathétique” / No. 23 “Appassionata” / no. 31, op. 110 di Beethoven (Ludwig van Beethoven, German composer); Emil Gilels (pianist)
Requiem / Laudate Dominum / Exsultate, jubilate di Mozart (Wolfgang Amadeus Mozart, classical composer); Berlin Philharmonic (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
Symphonie no. 9 di Beethoven (Ludwig van Beethoven, German composer); Gwyneth Jones (soprano), Hanna Schwarz (mezzo soprano), René Kollo (tenor), Kurt Moll (operatic bass), René Kollo (tenor), Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
Symphonie nr. 8 „Unvollendete“ / Symphonie nr. 9 di Franz Schubert (composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Karl Böhm (Austrian conductor)
Symphonies nos. 5 & 6 di Beethoven (Ludwig van Beethoven, German composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
The Marriage of Figaro (highlights) di Mozart (Wolfgang Amadeus Mozart, classical composer); Gundula Janowitz (soprano), Edith Mathis (soprano), Hermann Prey (baritone), Dietrich Fischer‐Dieskau (baritone), Chor (Chorus of the German Opera Berlin) und Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Karl Böhm (Austrian conductor)
Violin Concerto no. 1 / 10 Capricci di Niccolò Paganini (Italian composer and violinist); Salvatore Accardo (violinist and conductor), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Charles Dutoit (conductor)
Winterreise di Franz Schubert (composer); Dietrich Fischer‐Dieskau (baritone), Daniel Barenboim (pianist and conductor)
parte di:The History of Classical Music: From Gregorian Chant to Górecki (ordine: 2)